Spectral analysis for nonstationary audio

A new approach for the analysis of nonstationary signals is proposed, with a focus on audio applications. Following earlier contributions, nonstationarity is modeled via stationarity-breaking operators acting on Gaussian stationary random signals. The focus is on time warping and amplitude modulation, and an approximate maximum-likelihood approach based on suitable approximations in the wavelet transform domain is developed. This paper provides theoretical analysis of the approximations, and introduces JEFAS, a corresponding estimation algorithm. The latter is tested and validated on synthetic as well as real audio signal.Comment: IEEE/ACM Transactions on Audio, Speech and Language Processing, Institute of Electrical and Electronics Engineers, In pres

PERFORMANCE FOLLOWING: TRACKING A PERFORMANCE WITHOUT A SCORE

EPSRC Doctoral Training Award; EPSRC Leadership Fellowshi

Parallel Online Time Warping for Real-Time Audio-to-Score Alignment in Multi-core Systems

[EN] The Audio-to-Score framework consists of two separate stages: pre- processing and alignment. The alignment is commonly solved through offline Dynamic Time Warping (DTW), which is a method to find the path over the distortion matrix with the minimum cost to determine the relation between the performance and the musical score times. In this work we propose a par- allel online DTW solution based on a client-server architecture. The current version of the application has been implemented for multi-core architectures (x86, x64 and ARM), thus covering either powerful systems or mobile devices. An extensive experimentation has been conducted in order to validate the software. The experiments also show that our framework allows to achieve a good score alignment within the real-time window by using parallel computing techniques.This work has been partially supported by Spanish Ministry of Science and Innovation and FEDER under Projects TEC2012-38142-C04-01, TEC2012-38142-C04-03, TEC2012-38142-C04-04, TEC2015-67387-C4-1-R, TEC2015-67387-C4-3-R, TEC2015-67387-C4-4-R, the European Union FEDER (CAPAP-H5 network TIN2014-53522-REDT), and the Generalitat Valenciana under Grant PROMETEOII/2014/003.Alonso-Jordá, P.; Cortina, R.; Rodríguez-Serrano, F.; Vera-Candeas, P.; Alonso-González, M.; Ranilla, J. (2017). Parallel Online Time Warping for Real-Time Audio-to-Score Alignment in Multi-core Systems. The Journal of Supercomputing. 73(1):126-138. https://doi.org/10.1007/s11227-016-1647-5S126138731Joder C, Essid S, Richard G (2011) A conditional random field framework for robust and scalable audio-to-score matching. 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In: Proceedings of the international computer music conference (ICMC), pp 129–132Simon I, Morris D, Basu S (2008) MySong: automatic accompaniment generation for vocal melodies. In: Proceedings of the SIGCHI conference on human factors in computing systems. ACM, New York, pp 725–734Rodriguez-Serrano FJ, Duan Z, Vera-Candeas P, Pardo B, Carabias-Orti JJ (2015) Online score-informed source separation with adaptive instrument models. J New Music Res Lond 44(2):83–96Arzt A, Widmer G, Dixon S (2008) Automatic page turning for musicians via real-time machine listening. In: Proceedings of the 18th European conference on artificial intelligence. IOS Press, Amsterdam, pp 241–245Carabias-Orti JJ, Rodriguez-Serrano FJ, Vera-Candeas P, Canadas-Quesada FJ, Ruiz-Reyes N (2015) An audio to score alignment framework using spectral factorization and dynamic time warping. 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Multimodal music information processing and retrieval: survey and future challenges

Towards improving the performance in various music information processing tasks, recent studies exploit different modalities able to capture diverse aspects of music. Such modalities include audio recordings, symbolic music scores, mid-level representations, motion, and gestural data, video recordings, editorial or cultural tags, lyrics and album cover arts. This paper critically reviews the various approaches adopted in Music Information Processing and Retrieval and highlights how multimodal algorithms can help Music Computing applications. First, we categorize the related literature based on the application they address. Subsequently, we analyze existing information fusion approaches, and we conclude with the set of challenges that Music Information Retrieval and Sound and Music Computing research communities should focus in the next years

A Human-Computer Duet System for Music Performance

Virtual musicians have become a remarkable phenomenon in the contemporary multimedia arts. However, most of the virtual musicians nowadays have not been endowed with abilities to create their own behaviors, or to perform music with human musicians. In this paper, we firstly create a virtual violinist, who can collaborate with a human pianist to perform chamber music automatically without any intervention. The system incorporates the techniques from various fields, including real-time music tracking, pose estimation, and body movement generation. In our system, the virtual musician's behavior is generated based on the given music audio alone, and such a system results in a low-cost, efficient and scalable way to produce human and virtual musicians' co-performance. The proposed system has been validated in public concerts. Objective quality assessment approaches and possible ways to systematically improve the system are also discussed

Dance-the-music : an educational platform for the modeling, recognition and audiovisual monitoring of dance steps using spatiotemporal motion templates

In this article, a computational platform is presented, entitled “Dance-the-Music”, that can be used in a dance educational context to explore and learn the basics of dance steps. By introducing a method based on spatiotemporal motion templates, the platform facilitates to train basic step models from sequentially repeated dance figures performed by a dance teacher. Movements are captured with an optical motion capture system. The teachers’ models can be visualized from a first-person perspective to instruct students how to perform the specific dance steps in the correct manner. Moreover, recognition algorithms-based on a template matching method can determine the quality of a student’s performance in real time by means of multimodal monitoring techniques. The results of an evaluation study suggest that the Dance-the-Music is effective in helping dance students to master the basics of dance figures

Automatic transcription of Turkish makam music

In this paper we propose an automatic system for transcribing/nmakam music of Turkey. We document the specific/ntraits of this music that deviate from properties that/nwere targeted by transcription tools so far and we compile/na dataset of makam recordings along with aligned microtonal/nground-truth. An existing multi-pitch detection algorithm/nis adapted for transcribing music in 20 cent resolution,/nand the final transcription is centered around the/ntonic frequency of the recording. Evaluation metrics for/ntranscribing microtonal music are utilized and results show/nthat transcription of Turkish makam music in e.g. an interactive/ntranscription software is feasible using the current/nstate-of-the-art.This work is partly supported by the European/nResearch Council under the European Union’s Seventh/nFramework Program, as part of the CompMusic project/n(ERC grant agreement 267583)