SIFT-FANN: An efficient framework for spatio-spectral fusion of satellite images

Image fusion techniques are widely used for remote sensing data. A special application is for using low resolution multi-spectral image with high resolution panchromatic image to obtain an image having both spectral and spatial information. Alignment of images to be fused is a step prior to image fusion. This is achieved by registering the images. This paper proposes the methods involving Fast Approximate Nearest Neighbor (FANN) for automatic registration of satellite image (reference image) prior to fusion of low spatial resolution multi-spectral QuickBird satellite image (sensed image) with high spatial resolution panchromatic QuickBird satellite image. In the registration steps, Scale Invariant Feature Transform (SIFT) is used to extract key points from both images. The keypoints are then matched using the automatic tuning algorithm, namely, FANN. This algorithm automatically selects the most appropriate indexing algorithm for the dataset. The indexed features are then matched using approximate nearest neighbor. Further, Random Sample Consensus (RanSAC) is used for further filtering to obtain only the inliers and co-register the images. The images are then fused using Intensity Hue Saturation (IHS) transform based technique to obtain a high spatial resolution multi-spectral image. The results show that the quality of fused images obtained using this algorithm is computationally efficient

UAV-Multispectral Sensed Data Band Co-Registration Framework

Precision farming has greatly benefited from new technologies over the years. The use of multispectral and hyperspectral sensors coupled to Unmanned Aerial Vehicles (UAV) has enabled farms to monitor crops, improve the use of resources and reduce costs. Despite being widely used, multispectral images present a natural misalignment among the various spectra due to the use of different sensors. The variation of the analyzed spectrum also leads to a loss of characteristics among the bands which hinders the feature detection process among the bands, which makes the alignment process complex. In this work, we propose a new framework for the band co-registration process based on two premises: i) the natural misalignment is an attribute of the camera, so it does not change during the acquisition process; ii) the speed of displacement of the UAV when compared to the speed between the acquisition of the first to the last band, is not sufficient to create significant distortions. We compared our results with the ground-truth generated by a specialist and with other methods present in the literature. The proposed framework had an average back-projection (BP) error of 0.425 pixels, this result being 335% better than the evaluated frameworks.CAPES - Coordenação de Aperfeiçoamento de Pessoal de Nível SuperiorDissertação (Mestrado)A agricultura de precisão se beneficiou muito das novas tecnologias ao longo dos anos. O uso de sensores multiespectrais e hiperespectrais acoplados aos Veículos Aéreos Não Tripulados (VANT) permitiu que as fazendas monitorassem as lavouras, melhorassem o uso de recursos e reduzissem os custos. Apesar de amplamente utilizadas, as imagens multiespectrais apresentam um desalinhamento natural entre os vários espectros devido ao uso de diferentes sensores. A variação do espectro analisado também leva à perda de características entre as bandas, o que dificulta o processo de detecção de atributos entre as bandas, o que torna complexo o processo de alinhamento. Neste trabalho, propomos um novo framework para o processo de alinhamento entre as bandas com base em duas premissas: i) o desalinhamento natural é um atributo da câmera, e por esse motivo ele não é alterado durante o processo de aquisição; ii) a velocidade de deslocamento do VANT, quando comparada à velocidade entre a aquisição da primeira e a última banda, não é suficiente para criar distorções significativas. Os resultados obtidos foram comparados com o padrão ouro gerado por um especialista e com outros métodos presentes na literatura. O framework proposto teve um back-projection error (BP) de 0, 425 pixels, sendo este resultado 335% melhor aos frameworks avaliados

Digital Interaction and Machine Intelligence

This book is open access, which means that you have free and unlimited access. This book presents the Proceedings of the 9th Machine Intelligence and Digital Interaction Conference. Significant progress in the development of artificial intelligence (AI) and its wider use in many interactive products are quickly transforming further areas of our life, which results in the emergence of various new social phenomena. Many countries have been making efforts to understand these phenomena and find answers on how to put the development of artificial intelligence on the right track to support the common good of people and societies. These attempts require interdisciplinary actions, covering not only science disciplines involved in the development of artificial intelligence and human-computer interaction but also close cooperation between researchers and practitioners. For this reason, the main goal of the MIDI conference held on 9-10.12.2021 as a virtual event is to integrate two, until recently, independent fields of research in computer science: broadly understood artificial intelligence and human-technology interaction

Learning cognitive maps: Finding useful structure in an uncertain world

In this chapter we will describe the central mechanisms that influence how people learn about large-scale space. We will focus particularly on how these mechanisms enable people to effectively cope with both the uncertainty inherent in a constantly changing world and also with the high information content of natural environments. The major lessons are that humans get by with a less is more approach to building structure, and that they are able to quickly adapt to environmental changes thanks to a range of general purpose mechanisms. By looking at abstract principles, instead of concrete implementation details, it is shown that the study of human learning can provide valuable lessons for robotics. Finally, these issues are discussed in the context of an implementation on a mobile robot. © 2007 Springer-Verlag Berlin Heidelberg

2020, UMaine News Press Releases

This is a catalog of press releases put out by the University of Maine Division of Marketing and Communications between January 2, 2020 and December 15, 2020

Animating the Ethical Demand:Exploring user dispositions in industry innovation cases through animation-based sketching

This paper addresses the challenge of attaining ethical user stances during the design process of products and services and proposes animation-based sketching as a design method, which supports elaborating and examining different ethical stances towards the user. The discussion is qualified by an empirical study of Responsible Research and Innovation (RRI) in a Triple Helix constellation. Using a three-week long innovation workshop, UCrAc, involving 16 Danish companies and organisations and 142 students as empirical data, we discuss how animation-based sketching can explore not yet existing user dispositions, as well as create an incentive for ethical conduct in development and innovation processes. The ethical fulcrum evolves around Løgstrup's Ethical Demand and his notion of spontaneous life manifestations. From this, three ethical stances are developed; apathy, sympathy and empathy. By exploring both apathetic and sympathetic views, the ethical reflections are more nuanced as a result of actually seeing the user experience simulated through different user dispositions. Exploring the three ethical stances by visualising real use cases with the technologies simulated as already being implemented makes the life manifestations of the users in context visible. We present and discuss how animation-based sketching can support the elaboration and examination of different ethical stances towards the user in the product and service development process. Finally we present a framework for creating narrative representations of emerging technology use cases, which invite to reflection upon the ethics of the user experience.</jats:p

Proceedings of the 21st International Congress of Aesthetics, Possible Worlds of Contemporary Aesthetics Aesthetics Between History, Geography and Media

The Faculty of Architecture, University of Belgrade and the Society for Aesthetics of Architecture and Visual Arts of Serbia (DEAVUS) are proud to be able to organize the 21st ICA Congress on “Possible Worlds of Contemporary Aesthetics: Aesthetics Between History, Geography and Media”. We are proud to announce that we received over 500 submissions from 56 countries, which makes this Congress the greatest gathering of aestheticians in this region in the last 40 years. The ICA 2019 Belgrade aims to map out contemporary aesthetics practices in a vivid dialogue of aestheticians, philosophers, art theorists, architecture theorists, culture theorists, media theorists, artists, media entrepreneurs, architects, cultural activists and researchers in the fields of humanities and social sciences. More precisely, the goal is to map the possible worlds of contemporary aesthetics in Europe, Asia, North and South America, Africa and Australia. The idea is to show, interpret and map the unity and diverseness in aesthetic thought, expression, research, and philosophies on our shared planet. Our goal is to promote a dialogue concerning aesthetics in those parts of the world that have not been involved with the work of the International Association for Aesthetics to this day. Global dialogue, understanding and cooperation are what we aim to achieve. That said, the 21st ICA is the first Congress to highlight the aesthetic issues of marginalised regions that have not been fully involved in the work of the IAA. This will be accomplished, among others, via thematic round tables discussing contemporary aesthetics in East Africa and South America. Today, aesthetics is recognized as an important philosophical, theoretical and even scientific discipline that aims at interpreting the complexity of phenomena in our contemporary world. People rather talk about possible worlds or possible aesthetic regimes rather than a unique and consistent philosophical, scientific or theoretical discipline