Narratives of success and narratives of failure: representations of the career of King Hugh of Italy (c.885-948)

Hugh of Arles, King of Italy between 926 and 947, has come to be regarded as one of the more successful kings of Italy in the tenth century. The evidence of his charters supports this conclusion, showing how effectively he managed to insert members of his own Provençal family into the existing political fabric of northern Italy. Contemporary narrative sources tell the same story but as one of failure. For Rather of Verona, Liutprand of Cremona and even Flodoard of Reims, Hugh and his family were suspect and their sexual mores questionable. Their texts intervened in contemporary politics not simply as records of Hugh’s inadequacies but as real political actors which helped to make that failure happen

Marginalized narratives

This issue of CITAR (Journal of Arts Science and Technology) is especially devoted to what we designated as Marginalized Narratives. It is a special issue that collects studies published upon the 5th Colloquium on Narrative, Medium and Cognition, held at the University of Algarve in November 2018, and which was focused on that topic. In line with what the colloquium proposed, the works now published share a broad understanding of the concept of narrative.info:eu-repo/semantics/publishedVersio

Stranded People; Mythical Narratives About the First Inhabitants of Mentawai Islands

In this paper, I examine the stories about the origins of the first inhabitants of the Mentawai Islands. My aim is to understand the perspective of the local community in seeing themselves in the particular place and space where they live in the Mentawai Islands. In my opinion, a set of narrative as a story about the origin of a group of people has a significant value for the development of local communities and their culture. A collection of narratives is an important source of information to understand the ideas of local communities in perceiving their past, especially people who do not have a written tradition. Many of these stories have not been studied thoroughly and on this occasion, I explore it in more depth

Animating Interview Narratives

This chapter discusses the implications of viewing the interview as an actively constructed conversation through which narrative data are produced. It explores the ramifications of framing the interview and resulting data as by-products of interpretive practice - the whats and hows of an animated process involving active subjects behind interview participants. Matters of reliability, validity, bias, and rigor are considered

Transmediation: Rethinking dynamic design for co-creation

360° media narratives exist and have existed for some time across multiple technologies and spaces. Our contemporary ability (and desire) to participate in media creation expands the possibilities for co-creative collaborative narratives continuously. So, how do we rethink design for 360° flexible, repurposable, engaging narratives? In this presentation, Cláudia rethinks potential narratives ahead

Glenn Ligon: Narratives

The exhibition on display at Schmucker Art Gallery, a suite of nine prints entitled Narratives by prominent contemporary artist Glenn Ligon, has been made possible by a generous gift to Gettysburg College by Dr. Kimberly Rae Connor ’79. Ligon’s works have been exhibited widely at major museums, and Gettysburg College is fortunate to have the opportunity to engage with work that examines issues of race, sexuality, history and representation. The artist is well known for his use of quotations and texts from a variety of literary writers and cultural critics such as James Baldwin, Frantz Fanon, bell hooks and Ralph Ellison, in his continuously successful examination of the critical place of slavery, oppression and freedom in African-American history and identity. In Narratives, Ligon’s emphasis on the text takes the place of a traditional image. He includes quotations from Hilton Als, Josephine Baker and Derek Walcott, but the story is his own. The format and font of these prints mimic the title pages of mid-nineteenth-century slave narratives. Not only does Ligon borrow the typographic style of these historic title pages, he also adopts a particular nineteenth-century vernacular. In the act of reading and seeing Ligon’s late twentiethcentury prints, the viewer must also consider the context and history of the original, personal, heart-wrenching, realistic and persuasive accounts of slavery. Slave narratives bolstered the abolitionists’ movement, often reached wide audiences and gained considerable popularity among northern readers, such as Frederick Douglass’s narrative, which sold 30,000 copies between 1845 and 1860. While Douglass was the author of his own book, many of the slaves were illiterate. Their horrific stories of abuse, familial separation, severity of the workload and dreadful living conditions were recorded by white abolitionists. Regardless of who transcribed the stories, the books often emphasized the veracity and authenticity of the author’s accounts. Correspondingly, Ligon tells of his own life and stresses the truth of this kind of honest and suggestive autobiography. [excerpt]https://cupola.gettysburg.edu/artcatalogs/1013/thumbnail.jp

Using personal narratives to explore multiple identities in organisational contexts

Purpose The purpose of this paper is to explore and incorporate personal narratives as a new methodological tool into the qualitative research of complex organisational issues such as identity. Particularly, this study provides a fresh methodological perspective on organisational identity exploration by using personal narratives to examine multiple identities that occur in dynamic organisational contexts. Design/methodology/approach In order to examine multiple identities, personal narratives found in the 43 semi-structured in-depth interviews collected were analysed. These narratives were examined following a textual and performative analysis. Findings The paper furthers methodological discussions in organisations in three ways. First, it responds to the need for a methodological approach that allows multiple identity exploration in organisations while it presents personal narratives as a valuable methodological perspective within organisational research. Second, it extends the methodological use of personal narratives for the in-depth qualitative study of complex organisational issues such as identity. Finally, the study stretches the boundaries of mainstream organisational research by illustrating that personal narratives can be used as a methodological approach to explore organisational identities. Originality/value This research integrates personal narratives as a methodological tool into the qualitative research of dynamic organisational issues. Employing personal narratives has allowed the exploration of multiple identities that take place in organisations in a manner not previously achieved in organisational studies. The study, therefore, challenges previous organisational research and expands the boundaries of organisational identity studies, offering a new qualitative methodological account for identity exploration in organisations

Race, Rhetoric, and Judicial Opinions: Missouri as a Case Study

This Essay studies the relationship between race, rhetoric, and history in three twentieth century segregation cases: State ex rel. Gaines v. Canada, Kraemer v. Shelley, and Liddell v. Board of Education. Part I gives a brief overview of the scholarship of Critical Race Theory, majoritarian narratives and minority counter-narratives, and the judiciary’s rhetoric in race-based cases. Part II analyzes the narratives and language of Gaines, Kraemer, and Liddell, provides the social context of these cases, and traces their historical outcomes. The Essay contends that majoritarian narratives with problematic themes continue to perpetuate even though court opinions have evolved to use less explicit race-based rhetoric. The Essay proposes that this rhetoric has been replaced with majoritarian enthymemes, i.e., unstated assumptions about race. These majoritarian enthymemes allow the underlying narratives of historic court opinions to retain vitality even outside of the courts. The Essay concludes that long-lasting societal change has been elusive, in part, because, without explicitly rebutting majoritarian narratives and giving voice to counter-narratives, even progressive judicial opinions cannot effectively challenge the status quo