Overthrowing the dictator: a game-theoretic approach to revolutions and media

A distinctive feature of recent revolutions was the key role of social media (e.g. Facebook, Twitter and YouTube). In this paper, we study its role in mobilization. We assume that social media allow potential participants to observe the individual participation decisions of others, while traditional mass media allow potential participants to see only the total number of people who participated before them. We show that when individuals’ willingness to revolt is publicly known, then both sorts of media foster a successful revolution. However, when willingness to revolt is private information, only social media ensure that a revolt succeeds, with mass media multiple outcomes are possible, one of which has individuals not participating in the revolt. This suggests that social media enhance the likelihood that a revolution triumphs more than traditional mass media

Visualizing Inequality: The Spatial Politics of Revolution Depicted in Syrian Television Drama

Space has played a central and largely overlooked role in the Syrian conflict during the past eight years. A tension surrounds the organization of urban space and its impact on cultural identity, inequality, and political mobilization. Spatial politics represent a looming threat that is implicit in the project of ISIS, an international terrorist organization that seeks to appropriate the geographical area of al-Sham (Greater Syria) to create a transnational Caliphate. It also appears in the ‘development proposals’ of the Syrian government, which capitalize on a humanitarian crisis to expropriate forcibly displaced citizens of their land and properties.1 This article analyzes how Syrian television drama is not only an important field of cultural expression and a site of contestation but also reveals the many socio-economic spatial tensions underlying the 2011 Revolution and its aftermath. The latter aspect is demonstrated through a visual and textual analysis of two television serials that depict the ‘ashwa’iyat,2 [arbitrary informal settlements of Damascus]. The first show, al-Intizar, (2006) was aired before the Syrian conflict. The second, Zawal (2016) was aired as the political turmoil in Syria unfolded. This comparative analysis illustrates how the organization of urban space has impacted the dynamics of the Syrian Revolution and its aftermath, and how portrayals of urban and shantytown dramas portrayed the spatial inequalities of Damascus before and during the conflict

The Jewish Issue in Islamic Radicalism: historicity, impact and evolutions

This article focuses on the long‐term ideological vision of Jews and Israel in radical Islam. By examining, on the one hand, the animosity towards Judeo‐Israelis in the spawning and bolstering of Islamist, Salafist and Jihadist movements, and on the other hand, the sociological composition of Jihadist elites related to the Israeli‐Palestinian conflict, I show the centrality of the Judeophobic discourse in the world of radical Islam as well as the importance of Israel in its reinforcement. By trying to historicize this discourse, as well as political and strategic movements linked with the State of Israel, I also question the nature of the hostility towards Judaism, and more specifically the role of the Israeli issue in the development and evolution of the most radical and violent forms of Muslim identity over nearly a century