146 research outputs found
Vancini, Macchi and the Voices for the (Hi)story of Bronte
none1The name of Egisto Macchi is inseparably linked to the documentary genre, which served as a testing ground throughout his career during the 1960s. For the majority of these non-fiction films he has recourse to original soundtracks that have no clear connection with the musical culture captured on the screen. What happens then when Macchi approaches feature films that deal with Italy’s historical and ethnic heritage? Is it possible to include sounds extraneous to the reality represented without drastically altering the narrative horizon? In order to answer these questions, in this paper I will examine the case of Bronte: cronaca di un massacro che i libri di storia non hanno mai raccontato, a film by Florestano Vancini (1972), which stands out in the production of Macchi precisely because of the use of musical elements of an ethnic matrix in the soundtrack. On the basis of archival sources, I will discuss his compositional strategies with particular regard to the Sicilian-style songs used in Bronte. Macchi’s music exploits the folk repertoire as an agent of historical and ethnic authentication, but at the same time problematizes this status, putting it into dialogue with the timbric expansion of the Synket synthesizer.openCosci, MarcoCosci, Marc
«Acts of wisdom and trust»: Sheets, Tapes and Machines in Egisto Macchi’s Film Music Composition
Egisto Macchi (1928-92) was a key figure in the renewal of late 20th century Italian musical life, as he contributed significantly to the creation of institutions such as Nuova Consonanza. During the 1960s his significant involvement in film production led him to compose scores for hundreds of short films, working with leading Italian documentary filmmakers, and for several feature films. The relationship between Macchi’s musical strategies and the film production apparatus has not hitherto received much scholarly attention. Drawing on archival sources, this essay aims at discussing the different compositional levels that are layered in Macchi’s soundtracks. The study of sketches and paratextual indications in the score allows a close look at the relation between musical ideas and their realizations from a perspective strongly influenced by film post-production technologies
An Attempt at Creating Total Theatre. Scene del potere by Domenico Guaccero
When approaching Scene del potere – ‘azione scenica’ conceived and developed by Domenico Guaccero over the span of nearly a decade (1961–1968) and staged for the first and only time on 30 December 1968 at Palermo’s Teatro Biondo – there is a high risk of being overwhelmed by the preparatory materials alone. The bulk of the textual and scenic-dramaturgical preliminary materials that leads from the first draft, tentatively titled Il potere, to the 1965 Scene del potere and its Palermo debut, is of a multifold entity. Its amount of sources, formative elements and programmatic intent is both fascinating and confusing in its labyrinthine combinations. Let it suffice to point out that the textual and scenic-dramaturgical preparatory materials consist of more than one hundred pages of handwritten and typed notes, summaries, sketches, drawings, newspaper and magazine clippings. The Fondo Domenico Guaccero also preserves letters regarding the inception and outcomes of the project, a ‘skeleton’ score of the preliminary draft Il potere and a handwritten copy of 1968’s final score of Scene del potere. Among these sources we can also find a photocopy of the score with side-notes by Egisto Macchi. It is therefore no wonder that the essays written on Scene del potere have mainly focused on the groundwork and on the composer’s programmatic intent. Given such considerations, the present article aims at offering an in-depth examination of Scene del potere, seen not as its initiatory process but observed in its completion: the final version of 1968. Through a detailed study of the score, it is possible to determine whether and how the composer’s programmatic intent found its fulfilment in the ultimate outcome of his work
Artemisia spp. essential oils against the disease-carrying blowfly Calliphora vomitoria
Background: Synanthropic flies play a considerable role in the transmission of pathogenic and non-pathogenic microorganisms. In this work, the essential oil (EO) of two aromatic plants, Artemisia annua and A. dracunculus, were evaluated for their abilities to control the blowfly Calliphora vomitoria. A. annua and A. dracunculus EOs were extracted, analysed and tested in laboratory bioassays. Besides, the physiology of EOs toxicity and the EOs antibacterial and antifungal properties were evaluated.
Results: Both Artemisia EOs were able to deter C. vomitoria oviposition on fresh beef meat. At 0.05 μL cm-2 A. dracunculus EO completely inhibited C. vomitoria oviposition. Toxicity tests, by contact, showed LD50 of 0.49 and 0.79 μL EO per fly for A. dracunculus and A. annua, respectively. By fumigation, LC50 values were 49.54 and 88.09 μL L-1 air for A. dracunculus and A. annua, respectively. EOs AChE inhibition in C. vomitoria (IC50 = 202.6 and 472.4 mg L-1, respectively for A. dracunculus and A. annua) indicated that insect neural sites are targeted by the EOs toxicity. Finally, the antibacterial and antifungal activities of the two Artemisia EOs may assist in the reduction of transmission of microbial infections/contaminations.
Conclusions: Results suggest that Artemisia EOs could be of use in the control of C. vomitoria, a common vector of pathogenic microorganisms and agent of human and animal cutaneous myiasis. The prevention of pathogenic and parasitic infections is a priority for human and animal health. The Artemisia EOs could represent an eco-friendly, low-cost alternative to synthetic repellents and insecticides to fight synanthropic disease-carrying blowflies
The association of depression and all-cause and cause-specific mortality: an umbrella review of systematic reviews and meta-analyses
Background: Depression is a prevalent and disabling mental disorder that frequently co-occurs with a wide range of chronic conditions. Evidence has suggested that depression could be associated with excess all-cause mortality across different settings and populations, although the causality of these associations remains unclear. Methods: We conducted an umbrella review of systematic reviews and meta-analyses of observational studies. PubMed, PsycINFO, and Embase electronic databases were searched through January 20, 2018. Systematic reviews and meta-analyses that investigated associations of depression and all-cause and cause-specific mortality were selected for the review. The evidence was graded as convincing, highly suggestive, suggestive, or weak based on quantitative criteria that included an assessment of heterogeneity, 95% prediction intervals, small-study effects, and excess significance bias. Results: A total of 26 references providing 2 systematic reviews and data for 17 meta-analytic estimates met inclusion criteria (19 of them on all-cause mortality); data from 246 unique studies (N = 3,825,380) were synthesized. All 17 associations had P < 0.05 per random effects summary effects, but none of them met criteria for convincing evidence. Associations of depression and all-cause mortality in patients after acute myocardial infarction, in individuals with heart failure, in cancer patients as well as in samples from mixed settings met criteria for highly suggestive evidence. However, none of the associations remained supported by highly suggestive evidence in sensitivity analyses that considered studies employing structured diagnostic interviews. In addition, associations of depression and all-cause mortality in cancer and post-acute myocardial infarction samples were supported only by suggestive evidence when studies that tried to adjust for potential confounders were considered. Conclusions: Even though associations between depression and mortality have nominally significant results in all assessed settings and populations, the evidence becomes weaker when focusing on studies that used structured interviews and those that tried to adjust for potential confounders. A causal effect of depression on all-cause and cause-specific mortality remains unproven, and thus interventions targeting depression are not expected to result in lower mortality rates at least based on current evidence from observational studies
Artemisia spp. essential oils against the disease-carrying blowfly Calliphora vomitoria
Evaluation of appendicitis risk prediction models in adults with suspected appendicitis
Background
Appendicitis is the most common general surgical emergency worldwide, but its diagnosis remains challenging. The aim of this study was to determine whether existing risk prediction models can reliably identify patients presenting to hospital in the UK with acute right iliac fossa (RIF) pain who are at low risk of appendicitis.
Methods
A systematic search was completed to identify all existing appendicitis risk prediction models. Models were validated using UK data from an international prospective cohort study that captured consecutive patients aged 16–45 years presenting to hospital with acute RIF in March to June 2017. The main outcome was best achievable model specificity (proportion of patients who did not have appendicitis correctly classified as low risk) whilst maintaining a failure rate below 5 per cent (proportion of patients identified as low risk who actually had appendicitis).
Results
Some 5345 patients across 154 UK hospitals were identified, of which two‐thirds (3613 of 5345, 67·6 per cent) were women. Women were more than twice as likely to undergo surgery with removal of a histologically normal appendix (272 of 964, 28·2 per cent) than men (120 of 993, 12·1 per cent) (relative risk 2·33, 95 per cent c.i. 1·92 to 2·84; P < 0·001). Of 15 validated risk prediction models, the Adult Appendicitis Score performed best (cut‐off score 8 or less, specificity 63·1 per cent, failure rate 3·7 per cent). The Appendicitis Inflammatory Response Score performed best for men (cut‐off score 2 or less, specificity 24·7 per cent, failure rate 2·4 per cent).
Conclusion
Women in the UK had a disproportionate risk of admission without surgical intervention and had high rates of normal appendicectomy. Risk prediction models to support shared decision‐making by identifying adults in the UK at low risk of appendicitis were identified
Alle origini del modernismo. Questioni e dibattiti intorno alla “nuova musica” di Hollywood
Per una musica non addomesticata: Dressur di Mauricio Kagel/ For an untamed music: Mauricio Kagel's Dressur
- …