Minnesang diesseits des Frauendienstes und der Kanzonenstrophe

In this paper, the author contests Helmut de Boor's widespread labelling of the early Minnesang verses as the ›Danubian tradition‹ by revealing his unfortunate blending of topographical, textual, formal and genre-related aspects. The argument is based on a selection of early stanzas that have not absorbed Franco-Provençal influences such as the strophic form of the canzone or the idea of love service. In the manuscript tradition, some of these in the first place anonymous verses have been attributed to Der von Kürenberg, the Burggraf von Regensburg, Leutholt von Seven, Waltram von Gresten and Niune. At this point they are newly conceptualized as witnesses of a collective art form. Therefore, these early verses constitute an own sub-genre and can be distinguished from the later corpora rightly attributed to the Burggraf von Rietenburg, Meinloh von Sevelingen and Dietmar von Ais

Die Erzählung von Jenseitsreisen in Antike und Mittelalter

Die in diesem Beitrag zusammengefasste Dissertationsschrift nimmt die Gattung der Jenseitsreisen in den Blick und beginnt mit einer Analyse der Jenseitsreise des Apostels Paulus (2 Kor 12,2-4). An diesen Text schließt die apokryphe Paulus-Apokalypse an, deren Jenseitserzählung sich signifikant von der der früheren Petrus-Apokalypse unterscheidet. Um das Verhältnis der beiden Apokalypsen zu klären, wird das sich in der frühjüdischen Tradition herausbildende Erzählverfahren der Jenseitsreise rekonstruiert. Es zeigt sich, dass anders als in der Petrus-Apokalypse, die sich auf die pagan-antiken ›spectacula‹ bezieht, in der Paulus-Apokalypse dieses Erzählverfahren konsequent umgesetzt wird. Auf die Analyse frühmittelalterlicher Entwürfe folgt die Untersuchung der suggestiv erzählenden Visio Tnugdali und des Tractatus de Purgatorio S. Patricii, der seine eigene Medialität unter Rekurs auf den viktorinischen Symbolismus (Hugos von St. Viktor) reflektiert

Die spätalthochdeutschen 'Wessobrunner Predigten' im Überlieferungsverbund mit dem 'Wiener Notker'. Eine neue Ausgabe, hrsg. v. Ernst Hellgardt, Berlin 2014

Benz M. Die spätalthochdeutschen ‹Wessobrunner Predigten› im Überlieferungsverbund mit dem ‹Wiener Notker›. Eine neue Ausgabe, hrsg. v. Ernst Hellgardt, Berlin 2014. Mittellateinisches Jahrbuch. 2016;51(3):466-468

Ancient Spaces as Spaces of Movement in the Postclassical Era: Factography, Imagination, Construction

The Research Group E-I investigates artistic forms of the transmission of knowledge concerning spaces of antiquity. In this respect long-term chains of transformative processes are to be observed through which the interrelationships between space and knowledge established in antiquity have been altered by historical agents through specific epistemic and medial claims. The aim is twofold: to analyze these knowledge-based processes of transformation in precise areas of investigation on a reliable material basis on the one hand; on the other to formulate relevant statements concerning the history of the transformation of space and knowledge through the consolidation of research results. For this reason, the research group takes up the all- encompassing topic of the artistic transmission of knowledge about space in the post-classical era in the context of the following precisely formulated contoured topic areas: (1) spoliation and transposition, (2) travels through spaces of antiquity, (3) the fictionalization and resemanticization of antique spaces in epics and novels of the Middle Ages and early modern period, (4) concepts and semanticizations of the Beyond in the Middle Ages and early modern period. Interdisciplinary research into the processes of formation and transformation of the interrelationships between space and knowledge in antiquity, the Middle Ages, and the modern period, however, calls for an integrative and sufficiently elastic concept, albeit one that is by no means arbitrary and which serves as a methodological foundation while remaining receptive to procedures of abstraction as well as of concretization, and which is adaptable to the participating disciplines. As for our research group, the concept of space as an area of movement has a heuristic function; it has proven to be an especially stable concept because the term space of movement pictures the dynamism of the concept of space which is applied by the group. We conceive of space as being generated performatively on a variety of levels through actions, perceptions, language, etc. In accordance with this emphatically dynamic conception, the term space of movement also clarifies the irreducible processual quality of formation and transformation. The concept of a space of movement remains open; it is not bound to the ontological status of the object, nor is it restricted to specific disciplinary methodologies; it implies nothing normative, but serves instead as an exclusively heuristic concept. The application of the concept of the space of movement leads toward a multiplicity of concrete individual results, particularly in the framework of the qualifying projects; moreover, it has proven possible to provide research on spoliation with a new perspective, to differentiate concepts of space in literature in historical terms, and to criticize cartographic procedures in the framework of scientific reconstructions