22 research outputs found

    Juries and Social Media: Northwest Ohio\u27s Response to this Phenomenon

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    The 21st century is an era in which the dependence on technology is at an all-time high. The availability of information on social networking sites has recently sparked a debate in regards to jury impartiality. Over the last few years states such as Florida, Michigan, and New York have received scholastic attention for making changes to local jury instructions to ensure defendant’s rights of an impartial jury guaranteed by the Sixth Amendment. Federal national jury instructions addressing juror social media usage has also drawn attention. Little, however, scholastic attention has been directed towards Northwest Ohio. This project will look at the changes Northwest Ohio’s judicial system has made to ensure that jurors do not utilize social media sites while performing their civic duty. This study analyzes the perceived effectiveness of strategies currently in use in Northwest Ohio based on interviews with judges and attorneys in this region

    Prediction of combustion state through a semi-supervised learning model and flame imaging

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    Accurate prediction of combustion state is crucial for an in-depth understanding of furnace performance and optimize operation conditions. Traditional data-driven approaches such as artificial neural networks and support vector machine incorporate distinct features which require prior knowledge for feature extraction and suffers poor generalization for unseen combustion states. Therefore, it is necessary to develop an advanced and accurate prediction model to resolve these limitations. This study presents a novel semi-supervised learning model integrating denoising autoencoder (DAE), generative adversarial network (GAN) and Gaussian process classifier (GPC). The DAE network is established to extract representative features of flame images and the network trained through the adversarial learning mechanism of the GAN. Structural similarity (SSIM) metric is introduced as a novel loss function to improve the feature learning ability of the DAE network. The extracted features are then fed into the GPC to predict the seen and unseen combustion states. The effectiveness of the proposed semi-supervised learning model, i.e., DAE-GAN-GPC was evaluated through 4.2 MW heavy oil-fired boiler furnace flame images captured under different combustion states. The averaged prediction accuracy of 99.83% was achieved for the seen combustion states. The new states (unseen) were predicted accurately through the proposed model by fine-tuning of GPC without retraining the DAE-GAN and averaged prediction accuracy of 98.36% was achieved for the unseen states. A comparative study was also carried out with other deep neural networks and classifiers. Results suggested that the proposed model provides better prediction accuracy and robustness capability compared to other traditional prediction models

    Protecting the Protectors: Preserving and Enhancing the Rights of Legal Observers

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    Cruel and Unusual Performance: (Re)producing Capital Punishment on the U.S. Stage

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    Thesis (Ph.D.)--University of Washington, 2020This dissertation examines theatrical representations of state-sanctioned executions in the U.S. from the late eighteenth century to the early twentieth century alongside real-life executions and federal capital punishment policy. Through an in-depth engagement with stage performance, contemporaneously circulating scholarly and legal discourses regarding the death penalty, and Foucauldian concepts of punishment, governmentality, and liberalism, my research reveals how theatre artists reformulated their works, genres, and the art form to engage and enter into a dialogue with oppressive death penalty politics. A majority of the stagings of death, dying, and the death penalty throughout the late eighteenth, nineteenth, and early twentieth centuries with which this dissertation engages did not simply (re)produce the conditions under which capital punishment in the U.S thrived. Rather, they reveal the nuanced ways in which theatre artists sought to consistently reassess their works, the genres, and the art form for the betterment of society. Moreover, when read through the lens of death penalty politics and stagings, these productions offer up new ways of understanding how liberalism was practiced throughout these eras. By turning to the theatre’s engagement with capital punishment and death penalty politics, nearly an additional century of critical engagement with the topic is unlocked, as Supreme Court cases surrounding the death penalty did not begin until 1879. Through plays by William Dunlap, Dion Boucicault, George Aiken, John Wexley, Elliott Lester, and Sophie Treadwell, as well as their relevant production records, this dissertation traces the development of execution on the U.S. stage alongside major wars in the country and major political, cultural, and technological developments that aided and/or hindered capital punishment. Through each work, not only are themes are liberalism read through in-depth critical readings, but also concepts of civility, security, and danger, which have proven paramount to the maintenance of capital punishment in the U.S
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