A lower bound for Garsia's entropy for certain Bernoulli convolutions

Let $\beta\in(1,2)$ be a Pisot number and let $H_\beta$ denote Garsia's entropy for the Bernoulli convolution associated with $\beta$. Garsia, in 1963 showed that $H_\beta<1$ for any Pisot $\beta$. For the Pisot numbers which satisfy $x^m=x^{m-1}+x^{m-2}+...+x+1$ (with $m\ge2$) Garsia's entropy has been evaluated with high precision by Alexander and Zagier and later improved by Grabner, Kirschenhofer and Tichy, and it proves to be close to 1. No other numerical values for $H_\beta$ are known. In the present paper we show that $H_\beta>0.81$ for all Pisot $\beta$, and improve this lower bound for certain ranges of $\beta$. Our method is computational in nature.Comment: 16 pages, 4 figure

A Characterization of Infinite LSP Words

G. Fici proved that a finite word has a minimal suffix automaton if and only if all its left special factors occur as prefixes. He called LSP all finite and infinite words having this latter property. We characterize here infinite LSP words in terms of $S$-adicity. More precisely we provide a finite set of morphisms $S$ and an automaton ${\cal A}$ such that an infinite word is LSP if and only if it is $S$-adic and all its directive words are recognizable by ${\cal A}$

A context-free and a 1-counter geodesic language for a Baumslag-Solitar group

We give a language of unique geodesic normal forms for the Baumslag-Solitar group BS(1,2) that is context-free and 1-counter. We discuss the classes of context-free, 1-counter and counter languages, and explain how they are inter-related

A Coloring Problem for Sturmian and Episturmian Words

We consider the following open question in the spirit of Ramsey theory: Given an aperiodic infinite word $w$, does there exist a finite coloring of its factors such that no factorization of $w$ is monochromatic? We show that such a coloring always exists whenever $w$ is a Sturmian word or a standard episturmian word

Finite automata for testing uniqueness of Eulerian trails

We investigate the condition under which the Eulerian trail of a digraph is unique, and design a finite automaton to examine it. The algorithm is effective, for if the condition is violated, it will be noticed immediately without the need to trace through the whole trail

k-Spectra of weakly-c-Balanced Words

A word $u$ is a scattered factor of $w$ if $u$ can be obtained from $w$ by deleting some of its letters. That is, there exist the (potentially empty) words $u_1,u_2,..., u_n$, and $v_0,v_1,..,v_n$ such that $u = u_1u_2...u_n$ and $w = v_0u_1v_1u_2v_2...u_nv_n$. We consider the set of length-$k$ scattered factors of a given word w, called here $k$-spectrum and denoted \ScatFact_k(w). We prove a series of properties of the sets \ScatFact_k(w) for binary strictly balanced and, respectively, $c$-balanced words $w$, i.e., words over a two-letter alphabet where the number of occurrences of each letter is the same, or, respectively, one letter has $c$-more occurrences than the other. In particular, we consider the question which cardinalities n= |\ScatFact_k(w)| are obtainable, for a positive integer $k$, when $w$ is either a strictly balanced binary word of length $2k$, or a $c$-balanced binary word of length $2k-c$. We also consider the problem of reconstructing words from their $k$-spectra

Avoidability of formulas with two variables

In combinatorics on words, a word $w$ over an alphabet $\Sigma$ is said to avoid a pattern $p$ over an alphabet $\Delta$ of variables if there is no factor $f$ of $w$ such that $f=h(p)$ where $h:\Delta^*\to\Sigma^*$ is a non-erasing morphism. A pattern $p$ is said to be $k$-avoidable if there exists an infinite word over a $k$-letter alphabet that avoids $p$. We consider the patterns such that at most two variables appear at least twice, or equivalently, the formulas with at most two variables. For each such formula, we determine whether it is $2$-avoidable, and if it is $2$-avoidable, we determine whether it is avoided by exponentially many binary words

Pairwise Well-Formed Modes and Transformations

One of the most significant attitudinal shifts in the history of music occurred in the Renaissance, when an emerging triadic consciousness moved musicians towards a new scalar formation that placed major thirds on a par with perfect fifths. In this paper we revisit the confrontation between the two idealized scalar and modal conceptions, that of the ancient and medieval world and that of the early modern world, associated especially with Zarlino. We do this at an abstract level, in the language of algebraic combinatorics on words. In scale theory the juxtaposition is between well-formed and pairwise well-formed scales and modes, expressed in terms of Christoffel words or standard words and their conjugates, and the special Sturmian morphisms that generate them. Pairwise well-formed scales are encoded by words over a three-letter alphabet, and in our generalization we introduce special positive automorphisms of $F3$, the free group over three letters.Comment: 12 pages, 3 figures, paper presented at the MCM2017 at UNAM in Mexico City on June 27, 2017, keywords: pairwise well-formed scales and modes, well-formed scales and modes, well-formed words, Christoffel words, standard words, central words, algebraic combinatorics on words, special Sturmian morphism

Schweizer Volksmusik Sammlung. Die Tanzmusik der Schweiz des 19. und der ersten Hälfte des 20. Jahrhunderts, gesammelt von Hanny Christen

Voilà le fruit d’une vaste entreprise menée conjointement et courageusement par la Société pour la musique populaire en Suisse et les éditions Mülirad de Zürich. Il fallait en effet une bonne dose d’audace pour publier les travaux de collecte de la folkloriste Hanny Christen (1899-1976), puisque le corpus comprend plus de 10000 pièces musicales, ce qui donne un ensemble de 11 volumes de format 30x22 cm, chacun dans une belle reliure rigide. Ce travail éditorial, dont la direction a été confié..

Les Musiques Traditionnelles en Suisse Romande, tout au long du XXe siècle… et au tout début du XXIe !

Ce double CD constitue la première publication de la « Fondation pour les Musiques Traditionnelles Romandes» récemment créée. En quarante-deux plages, il offre un véritable et bien complet panorama des musiques traditionnelles en Suisse romande. Le pluriel s’impose ici, comme le fait remarquer Nikita Pfister dans sa notice, car il s’agit pour les membres de la Fondation de ne pas se laisser enfermer dans une quelconque définition restrictive de la notion de musique traditionnelle, mais de don..