14 research outputs found
Dire un Dieu de vie devant la mort. Trois prises de parole : Johannes Brahms, Igor Stravinsky, Frank Martin
La multiplication des « Requiems » dans la modernitĂ© occidentale constitue un phĂ©nomĂšne paradoxal dans notre monde apparemment dominĂ© par lâathĂ©isme et lâagnosticisme. Lâauteur a choisi trois oeuvres â Un Requiem allemand de Brahms (1861-1869), le Requiem de Frank Martin (1971-1973) et les Requiem Canticles dâIgor Stravinsky (1965-1966). Il se propose de situer chacune dans son contexte intellectuel puis dâen dĂ©crire lâarchitecture afin dâen donner une interprĂ©tation thĂ©ologique. Pour fonder celle-ci, lâargumentation analyse chacun des « Requiems » et met en Ă©vidence la rĂ©flexion thĂ©ologique, explicitement prĂ©sente dans les Ă©crits de Stravinsky et dans la correspondance de Frank Martin, qui a accompagnĂ© leur travail de composition. La pensĂ©e propre Ă chaque musicien et la conscience dâune responsabilitĂ© dâordre spirituel et intellectuel dĂ©terminent les solutions esthĂ©tiques adoptĂ©es. Elles permettent de comprendre la transformation que chacun opĂšre du genre musical du requiem pour transmettre une espĂ©rance universelle Ă une humanitĂ© sĂ©cularisĂ©e.The multiplication of âRequiemsâ in Western modernity appears as a paradoxical phenomenon in a world that is apparently ruled by atheism and agnosticism. The author has chosen three works â A German Requiem by Brahms (1861-1869), the Requiem by Franck Martin (1971-1973), and the Requiem Canticles by Igor Stravinsky (1965-1966). He replaces each of them in their intellectual context and describes their architecture in order to bring out a theological interpretation. Particularly, he analyses each Requiem and highlights the theological reflections that are explicitly part of Stravinskyâs writings and of Franck Martinâs letters, reflections that supported their compositions. The esthetical solutions they adopted were determined by their own way of thinking, as well as a sense of responsibility of spiritual and intellectual order. These allow us to understand how each of the composers have transformed the requiem musical genre to share a universal hope to a secularized humanity
François Vouga : Résonances théologiques de la musique, Bach - Beethoven - Stravinsky - Mozart - Verdi - Britten, GenÚve 1982, Labor et Fides
V. F. François Vouga : Résonances théologiques de la musique, Bach - Beethoven - Stravinsky - Mozart - Verdi - Britten, GenÚve 1982, Labor et Fides. In: Revue d'histoire et de philosophie religieuses, 63e année n°4, Octobre-décembre 1983. p. 518
François Vouga : Résonances théologiques de la musique, Bach - Beethoven - Stravinsky - Mozart - Verdi - Britten, GenÚve 1982, Labor et Fides
V. F. François Vouga : Résonances théologiques de la musique, Bach - Beethoven - Stravinsky - Mozart - Verdi - Britten, GenÚve 1982, Labor et Fides. In: Revue d'histoire et de philosophie religieuses, 63e année n°4, Octobre-décembre 1983. p. 518
François Vouga, A l'aube du christianisme, Une surprenante diversité, 1986
Vouga François. François Vouga, A l'aube du christianisme, Une surprenante diversité, 1986. In: Revue d'histoire et de philosophie religieuses, 66e année n°3, Juillet-septembre 1986. pp. 381-382
"LibertĂ© de l'Ă©vangile et vĂ©ritĂ© de l'exĂ©gĂšte", Ătudes thĂ©ologiques et religieuses 95/3
International audienc
Activités physiques chez l'enfant atteint d'un cancer: aspects psycho-corporels = Physical activity with children suffering from cancer: Psychological and physical aspects
(from the journal abstract) These are considerations about an original activity offered to children hospitalized for cancer treatment. These children benefit from various sports adapted to their needs and state of health. The aim is to develop appropriate resources for each child. Over nearly ten years these activities have been used by more than 14,000 patients between the ages of 2 and 18. Sport in a hospital room brings spatial modifications, gives a different rhythm to time, leads to changes in the child's vision about himself and the world, as well as changes in the vision that others have of the "sick child in sport activity". One could observe a new appropriation by the child of his own body as a source of pleasure in spite of alienation due to cancer. The relationship to the medical staff was also modified, introducing a space where subjectivity can take place beyond the constraints bound to medical techniques. (PsycINFO Database Record (c) 2005 APA, all rights reserved