63 research outputs found
A oposição à ditadura brasileira no exterior através de charges e caricaturas (1964-1979)
Graphic humor can make a strong contribution to the understanding of the struggles between the state and other political forces whose words have been limited by state repression in times of “emergency”. This combat was also fought from the exile, as cartoons published in international newspapers and magazines became strong weapons in the exposure of crimes perpetrated by the military. Through a selection of satirical cartoons published by Marcha and Front BrĂ©silien d’Information (FBI), this article examines the contributions of the iconographic analysis of graphic sources to understanding the image of the Brazilian dictatorship that the opposition – specially through the actions of the exiles – struggled to disseminate abroad.Keywords: graphic humor, repression, exile.As imagens gráficas de humor podem contribuir sobremaneira para a compreensĂŁo do combate travado entre o Estado e as demais forças polĂticas cuja palavra foi limitada pela repressĂŁo estatal em perĂodos de “exceção”. Esse combate tambĂ©m foi travado no exĂlio, tornando as charges e caricaturas fortes armas de denĂşncia dos crimes cometidos pelos militares por meio dos periĂłdicos internacionais. A partir de uma seleção de imagens de humor publicadas em Marcha e no Front BrĂ©silien d’Information (FBI), o presente artigo busca analisar as contribuições da análise iconográfica de fontes gráficas para a compreensĂŁo da imagem da ditadura brasileira que a oposição – sobretudo por meio da ação dos exilados –, buscava divulgar no exterior.Palavras-chave: humor gráfico, repressĂŁo, exĂlio
A oposição à ditadura brasileira no exterior através de charges e caricaturas (1964-1979)
Graphic humor can make a strong contribution to the understanding of the struggles between the state and other political forces whose words have been limited by state repression in times of “emergency”. This combat was also fought from the exile, as cartoons published in international newspapers and magazines became strong weapons in the exposure of crimes perpetrated by the military. Through a selection of satirical cartoons published by Marcha and Front BrĂ©silien d’Information (FBI), this article examines the contributions of the iconographic analysis of graphic sources to understanding the image of the Brazilian dictatorship that the opposition – specially through the actions of the exiles – struggled to disseminate abroad.Keywords: graphic humor, repression, exile.As imagens gráficas de humor podem contribuir sobremaneira para a compreensĂŁo do combate travado entre o Estado e as demais forças polĂticas cuja palavra foi limitada pela repressĂŁo estatal em perĂodos de “exceção”. Esse combate tambĂ©m foi travado no exĂlio, tornando as charges e caricaturas fortes armas de denĂşncia dos crimes cometidos pelos militares por meio dos periĂłdicos internacionais. A partir de uma seleção de imagens de humor publicadas em Marcha e no Front BrĂ©silien d’Information (FBI), o presente artigo busca analisar as contribuições da análise iconográfica de fontes gráficas para a compreensĂŁo da imagem da ditadura brasileira que a oposição – sobretudo por meio da ação dos exilados –, buscava divulgar no exterior.Palavras-chave: humor gráfico, repressĂŁo, exĂlio
The opposition to the Brazilian dictatorship abroad through cartoons and caricatures (1964-1979)
Graphic humor can make a strong contribution to understanding the struggles between the state and other political forces whose words were limited by state repression in times of “emergency”. This struggle was also waged from exile, as cartoons published in international newspapers and magazines became strong weapons to expose crimes perpetrated by the military. Through a selection of satirical cartoons published by Marcha and Front Brésilien d’Information (FBI), this article examines the contributions of the iconographic analysis of graphic sources to understanding the image of the Brazilian dictatorship that the opposition – specially through the actions of the exiles – struggled to disseminate abroad.Keywords: graphic humor, repression, exile.Graphic humor can make a strong contribution to understanding the struggles between the state and other political forces whose words were limited by state repression in times of “emergency”. This struggle was also waged from exile, as cartoons published in international newspapers and magazines became strong weapons to expose crimes perpetrated by the military. Through a selection of satirical cartoons published by Marcha and Front Brésilien d’Information (FBI), this article examines the contributions of the iconographic analysis of graphic sources to understanding the image of the Brazilian dictatorship that the opposition – specially through the actions of the exiles – struggled to disseminate abroad.Keywords: graphic humor, repression, exile
Editorial: Revista Conversas e Controvérsias – v. 5, n.1, 2018
Com a publicação do presente número, a revista Conversas e Controvérsias inicia o seu terceiro ano após a retomada das suas atividades em 2016. Ao longo dos últimos dois anos, a revista passou por um importante processo de consolidação da sua equipe, da sua marca e da sua proposta. Em 2018, a revista se consolida enquanto um espaço de democratização da produção acadêmica e também enquanto um espaço de aprendizado
De Praga ao mundo árabe: uma análise comparada de primaveras polĂticas
The Prague Spring of 1968 marked the political world as the Arab spring that emerged more than four decades after. Almost two years after the start of the revolts in the Arab world, this article aims to analyze the two movements with the comparative methodology. Thus, we expect to better understand the meaning of the events, in addition to verify the role of civil society in the international scene.A Primavera de Praga de 1968 marcou o contexto polĂtico mundial assim como a primavera árabe que emergiu mais de quatro dĂ©cadas depois. Quase dois anos apĂłs o inĂcio da revoltas no mundo árabe, o presente artigo objetiva analisar os dois movimentos a partir da metodologia comparada. Dessa forma, espera-se compreender melhor o significado das manifestações, alĂ©m de verificar o papel da sociedade civil no cenário internacional
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