Folkestone futures: an elevated excursion

The town of Folkestone on the south Kent coast in the UK once enjoyed a thriving identity as both seaside resort and gateway to Europe. From the 1960s onwards a gradual decline set in with the advent of mass global travel, culminating in the deathblow that was dealt by the nearby Eurotunnel’s inauguration towards century’s end, which signalled the end of the town’s ferry link to the continental mainland. A concerted attempt has been underway for a decade now to revitalise the town using the arts, creative industries and education as the drivers of regeneration. One of the main initiatives in this endeavour was the introduction in 2008 of the Folkestone Triennial, a three-month summer event in which high-profile international artists were commissioned to produce sited artworks for the town. Focusing on the third triennial in 2014, this article analyses some of the ways in which artists have sought to engage and identify with notions suggested by its title, Lookout. In particular it will outline a curated constellation of artworks – or complex – that implicitly inscribes itself into the townscape and is characterised by installations that are sited in elevated locations, from whose respective vantage points they contemplate what the future holds for Folkestone

PuraStat in gastrointestinal bleeding: results of a prospective multicentre observational pilot study

Background: A recently developed haemostatic peptide gel for endoscopic application has been introduced to improve the management of gastrointestinal bleeding. The aim of this pilot study was to evaluate the feasibility, safety, efficacy and indication profiles of PuraStat in a clinical setting. Methods: In this prospective observational multicentre pilot study, patients with acute non-variceal gastrointestinal bleeding (upper and lower) were included. Primary and secondary application of PuraStat was evaluated. Haemoglobin, prothrombin time, platelets and transfusion behaviour were documented before and after haemostasis. The efficacy of PuraStat was assessed during the procedure, at 3 days and 1 week after application. Results: 111 patients with acute gastrointestinal bleeding were recruited into the study. 70 percent (78/111) of the patients had upper gastrointestinal bleeding and 30% (33/111) had lower gastrointestinal bleeding. After primary application of PuraStat, initial haemostatic success was achieved in 94% of patients (74/79, 95% CI 88-99%), and in 75% of the patients when used as a secondary haemostatic product, following failure of established techniques (24/32, 95% CI 59-91%). The therapeutic success rates (absence of rebleeding) after 3 and 7 days were 91% and 87% after primary use, and 87% and 81% in all study patients. Overall rebleeding rate at 30 day follow-up was 16% (18/111). In the 5 patients who finally required surgery (4.5%), PuraStat allowed temporary haemostasis and stabilisation. Conclusions: PuraStat expanded the therapeutic toolbox available for an effective treatment of gastrointestinal bleeding sources. It could be safely applied and administered without complications as a primary or secondary therapy. PuraStat may additionally serve as a bridge to surgery in order to achieve temporary haemostasis in case of refractory severe bleeding, possibly playing a role in preventing immediate emergency surgery

Possible Worlds : Sculpture from Europe

Introducing seven European sculptors, the authors examine the artists' indebtedness to and difference from the sculptural languages of the 1960s by their refusal of the fragmentary and the systemic, and by the viewer's relation to the work. Includes an interview with each artist and biographical notes. Circa 145 bibl. ref

Helen Chadwick : Effluvia

" This exhibition presented a selection of work by Helen Chadwick, one of Britain’s most prominent and provocative artists. Staged just two years before her untimely death, the exhibition explored Chadwick’s work from the previous five years, including Cacao, a large bubbling chocolate fountain, specially made for the Serpentine Gallery. " -- Publisher's website