50 research outputs found
Aspectos anatomopatolĂłgicos do paciente portador de Pneumonia: Anatomopathological aspects of the patient with Pneumonia
A pneumonia condiz a uma condensação inflamatĂłria aguda dos alvĂ©olos e/ou infiltração tecidual intersticial pulmonar que resulta da ação de cĂ©lulas inflamatĂłrias em resposta a injĂșrias de um determinado agente microbiano. A patologia conforme o local de aquisição, o padrĂŁo de comprometimento, o agente etiolĂłgico sĂŁo determinantes para o quadro clĂnico, lesĂ”es e achados radiogrĂĄficos. O seguinte artigo objetivou descrever atravĂ©s da revisĂŁo bibliogrĂĄfica, os aspectos gerais da pneumonia com foco em abordar os aspectos anatomopatolĂłgicos desta enfermidade. Trata-se de um estudo qualitativo de revisĂŁo narrativa, elaborado para abordar sobre os aspectos anatomopatolĂłgicos do paciente portador de pneumonia. Ă composta por uma anĂĄlise ampla da literatura, e com uma metodologia rigorosa e replicĂĄvel ao nĂvel de reprodução de dados e questĂ”es quantitativas para resoluçÔes especĂficas. Conforme as informaçÔes disponĂveis na literatura, elucida-se que os pulmĂ”es contam com um aparato de mecanismos de defesa. Mas, mediante injĂșrias e agentes agressores geram um desequilĂbrios e posteriormente originam condiçÔes que favorecem doenças respiratĂłrias. A pneumonia possui vĂĄrios agentes etiolĂłgicos, e de acordo com este, distintos padrĂ”es de acometimento pulmonar e achados radiogrĂĄficos irĂŁo se manifestar
Gordon Craigâs Scene Project: a history open to revision
The article proposes a review of Gordon Craigâs Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craigâs original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the BibliothĂšque Nationale de France, Craigâs original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean, indeed, the materialisation of the dreamed device of the thousand scenes in one scene.Lâarticle a pour but de faire une rĂ©vision du projet Scene, de Gordon Craig, une invention brevetĂ©e en 1910 et dĂ©veloppĂ©e jusquâen 1922. Craig lui-mĂȘme a soutenu une position ambiguĂ« sâil sâagissait ou non dâun projet irrĂ©alisĂ©. Son fils et biographe, Edward Craig a dĂ©fendu que les aspirations originales de Craig nâaient jamais Ă©tĂ© atteintes Ă cause des limitations techniques et la plupart des chercheurs qui ont examinĂ© la question ont suivi cette position. Je pars des Ă©crans modĂšles gardĂ©s Ă la BibliothĂšque Nationale de France, des cahiers dâannotations originaux de Craig et dâun court mĂ©trage datant de 1963, pour dĂ©fendre que le projet brevetĂ© et lâessai publiĂ© en 1923 reprĂ©sentent la vraie concrĂ©tisation du dispositif rĂȘvĂ© des milles scĂšnes en une scĂšne.The article proposes a review of Gordon Craigâs Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craigâs original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the BibliothĂšque Nationale de France, Craigâs original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean, indeed, the materialisation of the dreamed device of the thousand scenes in one scene
O Projeto Scene de Gordon Craig: uma histĂłria aberta Ă revisĂŁo
The article proposes a review of Gordon Craigâs Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craigâs original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the BibliothĂšque Nationale de France, Craigâs original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean,indeed, the materialisation of the dreamed device of the thousand scenes in one scene.Lâarticle a pour but de faire une rĂ©vision du projet Scene, de Gordon Craig, une invention brevetĂ©e en 1910 et dĂ©veloppĂ©e jusquâen 1922. Craig lui-mĂȘme a soutenu une position ambiguĂ« sâil sâagissait ou non dâun projet irrĂ©alisĂ©. Son fils et biographe, Edward Craig a dĂ©fendu que les aspirations originales de Craig nâaient jamais Ă©tĂ© atteintes Ă cause des limitations techniques et la plupart des chercheurs qui ont examinĂ© la question ont suivi cette position. Je pars des Ă©crans modĂšles gardĂ©s Ă la BibliothĂšque Nationale de France, des cahiers dâannotations originaux de Craig et dâun court mĂ©trage datant de 1963, pour dĂ©fendre que le projet brevetĂ© et lâessai publiĂ© en 1923 reprĂ©sentent la vraie concrĂ©tisation du dispositif rĂȘvĂ© des milles scĂšnes en une scĂšne.O artigo propĂ”e uma revisĂŁo do projeto Scene, de Gordon Craig, uma invenção patenteada em 1910 e desenvolvida atĂ© 1922. O prĂłprio Craig manteve uma posição ambĂgua sobre se foi ou nĂŁo um projeto irrealizado. Seu filho e biĂłgrafo Edward Craig sustentou que as aspiraçÔes originais de Craig nunca foram alcançadas devido a limitaçÔes tĂ©cnicas, e a maioria dos estudiosos que examinaram o assunto seguiram essa posição. Partindo das telas modelos guardadas na Biblioteca Nacional da França, dos cadernos de anotação originais de Craig e de um curta-metragem de 1963, eu defendo que o projeto patenteado e o ensaio publicado em 1923 representam, de fato, a concretização do sonhado dispositivo das mil cenas em uma cena
Gordon Craigâs Scene Project: a history open to revision
The article proposes a review of Gordon Craigâs Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craigâs original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the BibliothĂšque Nationale de France, Craigâs original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean, indeed, the materialisation of the dreamed device of the thousand scenes in one scene.Lâarticle a pour but de faire une rĂ©vision du projet Scene, de Gordon Craig, une invention brevetĂ©e en 1910 et dĂ©veloppĂ©e jusquâen 1922. Craig lui-mĂȘme a soutenu une position ambiguĂ« sâil sâagissait ou non dâun projet irrĂ©alisĂ©. Son fils et biographe, Edward Craig a dĂ©fendu que les aspirations originales de Craig nâaient jamais Ă©tĂ© atteintes Ă cause des limitations techniques et la plupart des chercheurs qui ont examinĂ© la question ont suivi cette position. Je pars des Ă©crans modĂšles gardĂ©s Ă la BibliothĂšque Nationale de France, des cahiers dâannotations originaux de Craig et dâun court mĂ©trage datant de 1963, pour dĂ©fendre que le projet brevetĂ© et lâessai publiĂ© en 1923 reprĂ©sentent la vraie concrĂ©tisation du dispositif rĂȘvĂ© des milles scĂšnes en une scĂšne.The article proposes a review of Gordon Craigâs Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craigâs original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the BibliothĂšque Nationale de France, Craigâs original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean, indeed, the materialisation of the dreamed device of the thousand scenes in one scene
O Projeto Scene de Gordon Craig: uma histĂłria aberta Ă revisĂŁo
The article proposes a review of Gordon Craigâs Scene project, an invention patented in 1910 and developed until 1922. Craig himself kept an ambiguous position whether it was an unfulfilled project or not. His son and biographer Edward Craig sustained that Craigâs original aims were never achieved because of technical limitation, and most of the scholars who examined the matter followed this position. Departing from the actual screen models saved in the BibliothĂšque Nationale de France, Craigâs original notebooks, and a short film from 1963, I defend that the patented project and the essay published in 1923 mean,indeed, the materialisation of the dreamed device of the thousand scenes in one scene.Lâarticle a pour but de faire une rĂ©vision du projet Scene, de Gordon Craig, une invention brevetĂ©e en 1910 et dĂ©veloppĂ©e jusquâen 1922. Craig lui-mĂȘme a soutenu une position ambiguĂ« sâil sâagissait ou non dâun projet irrĂ©alisĂ©. Son fils et biographe, Edward Craig a dĂ©fendu que les aspirations originales de Craig nâaient jamais Ă©tĂ© atteintes Ă cause des limitations techniques et la plupart des chercheurs qui ont examinĂ© la question ont suivi cette position. Je pars des Ă©crans modĂšles gardĂ©s Ă la BibliothĂšque Nationale de France, des cahiers dâannotations originaux de Craig et dâun court mĂ©trage datant de 1963, pour dĂ©fendre que le projet brevetĂ© et lâessai publiĂ© en 1923 reprĂ©sentent la vraie concrĂ©tisation du dispositif rĂȘvĂ© des milles scĂšnes en une scĂšne.O artigo propĂ”e uma revisĂŁo do projeto Scene, de Gordon Craig, uma invenção patenteada em 1910 e desenvolvida atĂ© 1922. O prĂłprio Craig manteve uma posição ambĂgua sobre se foi ou nĂŁo um projeto irrealizado. Seu filho e biĂłgrafo Edward Craig sustentou que as aspiraçÔes originais de Craig nunca foram alcançadas devido a limitaçÔes tĂ©cnicas, e a maioria dos estudiosos que examinaram o assunto seguiram essa posição. Partindo das telas modelos guardadas na Biblioteca Nacional da França, dos cadernos de anotação originais de Craig e de um curta-metragem de 1963, eu defendo que o projeto patenteado e o ensaio publicado em 1923 representam, de fato, a concretização do sonhado dispositivo das mil cenas em uma cena
ReflexĂ”es sobre PatrimĂłnio e Intervenção ArtĂstica
info:eu-repo/semantics/publishedVersio