Prawa nabyte wobec wygaśnięcia konwencji górnośląskiej

Digitalizacja i deponowanie archiwalnych zeszytów RPEiS sfinansowane przez MNiSW w ramach realizacji umowy nr 541/P-DUN/201

Kodyfikacja prawa międzynarodowego

Digitalizacja i deponowanie archiwalnych zeszytów RPEiS sfinansowane przez MNiSW w ramach realizacji umowy nr 541/P-DUN/201

In Search of the Civil Law (excerpt)

Książka, której fragmenty przypominamy powstała niemal w przeddzień wybuchu II wojny światowej. Ukazała się w 1939 r. jako tom 14. serii „Biblioteka Umiejętności Prawnych i Politycznych” redagowanej przez prokuratora SN Artura Millera oraz adw. Stanisława Tylbora, a wydawanej przez Księgarnię Powszechną. Książka stanowi bardzo dojrzały wykład na temat prawa i idei prawa w zderzeniu z zagrożeniami, jakie niosły doktryny totalitarne. Przedrukowujemy trzy krótkie rozdziały z czternastu składających się na książkę: rozdział I oraz rozdziały VI i VII. Na temat autora – Szymona Rundsteina – piszemy w kolejnej odsłonie „Pocztu Jurystów i Ekonomistów”.The book, fragments of which we recall here, was written almost on the eve of an outbreak of World War II. It was published in 1939 as volume 14 of the series “Library of Legal and Political Skills” edited by the Artur Miller, Prosecutor of the Supreme Court, and by Stanisław Tylbor, an attorney-at-law. It was published by the Powszechna Bookshop. The book features a very mature lecture on law and on the idea of law in the face of the threats posed by totalitarian doctrines. We reprint three short chapters out of the fourteen that make up the book: Chapter I and Chapters VI and VII. Szymon Rundstein will be introduced in the next installment of the “Lexicon of Jurists and Economists”

Kodyfikacja prawa międzynarodowego

Digitalizacja i deponowanie archiwalnych zeszytów RPEiS sfinansowane przez MNiSW w ramach realizacji umowy nr 541/P-DUN/201

Das Recht der Kartelle

von Simon Rundstei

The moment of inspiration: its meaning in the life of William Blake

William Blake, poet and artist, is considered a unique figure in the history of literature and art. Although he was a contemporary of Wordsworth, Coleridge, Southey, and Lamb, he lived his life isolated from their companionship and communication. Blake's style, both in painting and poetry, was appreciated by only a very few persons during his life. Yet he firmly believed that his art was superior to that of the prevailing fashion because it was imaginative art, and, to him, the imagination was the eternal element in temporal man. Despite all the hardships and disappointments in his life, Blake never lost his determination to create imaginative art. This thesis will examine Blake's political, social, philosophical, and religious convictions of his youth to the interval at Felpham, 1800-1803, and the changes that occurred after that period. The artistic dilemma, in which he found himself at Felpham, forced him to re-evaluate his life and his thought. The prophecy, Milton whose major theme is the validity of inspiration in art, was written as a result of the tension-filled period at Felpham. Blake's character was tried severely, but he triumphed over the temptation to quelch his creative impulses. In addition, Milton contains the transcription of a vision that truly was an inspiration to Blake. Blake's outlook on life showed evidences of a major change after his experience at Felpham. His poetry, especially Milton and Jerusalem, and his art reflect his altered views of the political and social structures, of Neo-Platonio philosophy, and of his renewed devotion to Jesus, the Human Form Divine, the Divine Imagination