A preliminary experiment definition for video landmark acquisition and tracking

Six scientific objectives/experiments were derived which consisted of agriculture/forestry/range resources, land use, geology/mineral resources, water resources, marine resources and environmental surveys. Computer calculations were then made of the spectral radiance signature of each of 25 candidate targets as seen by a satellite sensor system. An imaging system capable of recognizing, acquiring and tracking specific generic type surface features was defined. A preliminary experiment definition and design of a video Landmark Acquisition and Tracking system is given. This device will search a 10-mile swath while orbiting the earth, looking for land/water interfaces such as coastlines and rivers

Flamingo Vol. III N 4

Schmitz. Cover. Picture. 0. Octopus. The Creed of a Frosh. Poem. 4. Widow. Chanson Du Frosh. Poem. 4. Widow. Untitled. Prose. 4. W.M.P. The College Creed. Prose. 4. Anonymous. SHE\u27S GOT THE CLOTHES, THIS FROSH SO FINE, AND HEAVEN KNOWS SHE\u27S GOT THE LINE. SHE\u27S TEETH OF PEARL THAT OFTEN SHOW. HER HAIR WOULD CURL IF IT COULD GROW. WITH ME SHE\u27S IT, GETS BY IMMENSE— BUT I MUST ADMIT SHE\u27S GOT NO SENSE. Picture. 5. Schmitz. SHADES OF THE SUMMER RESORTSOME, ER, KIDD. Picture. 6. Holt, Kilburn. Priest and Levite. Prose. 7. Anonymous. Commentary on a Poem. Prose. 9. Anonymous. Address to an Idle Dream. Poem. 10. Anonymous. Apology. Poem. 10. Uber, D. ONCE MEN LIKED THE GIRLS WHOSE ACQUAINTANCE THEY MADE FOR THE SHY, BASHFUL GLANCES THEY MET. BUT NOW IT\u27S THE HANG OF THE EARRINGS OF JADE, AND THE TILT OF THE CIGARETTE. Picture. 11. K.K.H. Helpful Hints for Foggy Freshmen. Prose. 11. Anonymous. Sonnet in Slang. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Clyde. CAN YOU FIGHT? NOT WITH A WOMAN. COME ON THEN YOU PIE-FACE! . Picture. 11. Anonymous. VITRIOLA RECORDS FOR SEPTEMBER. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. Untitled. Prose. 12. Anonymous. Untitled. Prose. 12. E.B. Chapel Cherubs. Picture. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. DO YOU THINK YOU COULD CARE FOR A CHAP LIKE ME? I THINK SO—IF HE WASN\u27T TOO MUCH LIKE YOU. Picture. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. Untitled. Prose. 13. Anonymous. BASIC PLOT FOR SOCIETY DRAMA. Prose. 13. Anonymous. Untitled. Prose. 14. Anonymous. Editor. Picture. 15. Bridge. Denison Comics. Picture. 16. Ubersax. I HAVE BAD NEWS FOE YOU, CLARENCE. SO? YES. I VISITED A FORTUNE TELLER\u27S THIS AFTERNOON, AND SHE TOLD ME THAT I AM GOING TO MARRY A HANDSOME MAN. Picture. 18. Anonymous. The Career of a Good Joke. Prose. 18. W.M.P. Gentle Hints on Curriculum-Synopsis of Popular Courses. Prose. 18. Anonymous. Untitled. Prose. 18. Anonymous. MAY— WOULD YOU WEAR A RENTED BATHING SUIT? JUNE-\u27TT DEPENDS WHERE THE RENT WAS. Picture. 18. Anonymous. Untitled. Poem. 18. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. A READ-LETTER DAY AT THE SEM THIS MONTH. Picture. 19. Anonymous. Famous Greens. Prose. 19. Anonymous. TIE— HOW CAN I THICKEN MY HAIR? CURLS— TRY MOLASSES AND FLOUR. Picture. 19. Anonymous. \u27Twas Ever Thus! Poem. 19. Anonymous. Untitled. Prose. 22. Anonymous. Untitled. Prose. 22. Anonymous. Untitled. Prose. 22. Anonymous. Untitled. Prose. 22. Anonymous. Untitled. Prose. 22. Anonymous. Untitled. Prose. 22. Schmitz. POPULAR COURSE IN TENNYSON. Picture. 23. Purple Cow. Untitled. Prose. 24. Purple Parrot. Heard After Vacation. Prose. 24. Octopus. The Cost of Custom. Prose. 24. Purple Cow. Untitled. Prose. 24. Chaparral. All That Glitters-. Prose. 24. Jack-0-Lantern. Untitled. Prose. 24. Juggler. Untitled. Prose. 24. Reel, Virginia. Untitled. Prose. 24. Anonymous. Oh Gosh! Prose. 25. Brown Jug. Untitled. Prose. 25. Orange Peel. Try and Laugh This Off. Prose. 25. Widow. Untitled. Prose. 25. Banter. Untitled. Prose. 25. Punch Bowl. Extract From Mythology. Prose. 26. Dodo. Untitled. Prose. 26. Puppet. Untitled. Prose. 26. Orange Owl. PAGE MUELLER. Prose. 26. Juggler. Untitled. Prose. 26. Widow. Untitled. Prose. 26. Gargoyle. Untitled. Prose. 26. The Cougar\u27s Paw. The Devil\u27s Dictionary. Prose. 27. Chaparral. Where Did IO Dine? Prose. 27. Octopus. Untitled. Prose. 27. Malteaser. Untitled. Prose. 27. Widow. Untitled. Prose. 27. Chaparral. Untitled. Prose. 27. Malteaser. Untitled. Prose. 27. Mirror. Untitled. Prose. 28. Chaparral. Untitled. Prose. 28. Widow. Higher Mathematics. Prose. 28. Cougar\u27s Paw. Untitled. Prose. 28. Reel, Virginia. Untitled. Prose. 28. Tiger. This May Be New To Someone. Prose. 28. Dodo. Untitled. Prose. 28. Purple Cow. Untitled. Prose. 28. Widow. Page Red Stone. Prose. 28. Dodo. Untitled. Prose. 28. Anonymous. Their Idea of Something Funny. Prose. 29. Anonymous. Untitled. Prose. 29. Garber, Jock. OUR QUESTIONABLE DEPARTMENT. Prose. 30. Brown Jug. Untitled. Prose. 31. Cougar\u27s Paw. Untitled. Prose. 31. Anonymous. Untitled. Prose. 32. Dodo. Untitled. Prose. 32. Purple Cow. Untitled. Prose. 32

Flamingo Vol. III N 2

Anonymous. Cover. Picture. 0. Anonymous. Untitled. Picture. 4. Price, John M. Dada--Esthetic Nihilism. Prose. 5. G.C. Tolerance. Poem. 6. G.W.B. The Castaway. Poem. 6. G.W.B. Cinquains. Poem. 7. Holt, K. HORATI CARMINA, Liber I, ix. Prose. 7. W.A.V. Untitled. Poem. 7. A.E.R. Moods. Poem. 7. G.W.B. Some Say The Moon. Poem. 7. A.E.R. On Quoting The Night Has A Thousand Eyes . Poem. 7. Anonymous. Chapel Cherubs. Prose. 8. E.B. Untitled. Picture. 8. E.B. Untitled. Picture. 8. Anonymous. Untitled. Prose. 9. Anonymous. Untitled. Prose. 9. Anonymous. FLIP— MIGHT I ASK YOU FOR THIS DANCE? FLAP— PLEASE DO, I\u27VE BEEN DYING TO REFUSE YOU ALL EVENING. . Picture. 9. Anonymous. HUSBAND (SAVAGELY)— MARIA, WHERE\u27S MY CLOTHES? MARIA— GOOD HEAVENS, DEAR, I WONDER IF I USED THEM IN THE SALAD. Picture. 9. Anonymous. Our Log Table. Prose. 9. Anonymous. Approved Vocabulary For Fans. Prose. 9. Anonymous. Untitled. Prose. 9.; Anonymous. Untitled. Prose. 9. Anonymous. Untitled. Prose. 9. Anonymous. Untitled. Prose. 9. Anonymous. Only Too True! Prose. 10. F.T. GEORGE TOLD ME ALL THE SECRETS OF HIS PAST LAST NIGHT. REALLY! WHAT DID YOU THINK OF THEM? OH, I THOUGHT THEY WERE HORRIBLY DISAPPOINTING. Picture. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Anonymous. Untitled. Prose. 10. Howard, Lillis. The Engaged Homo. Poem. 10. Anonymous. Before and After. Poem. 11. Anonymous. Untitled. Poem. 11. Ubersax. AS OTHERS MIGHT SEE US—CLEVELAND HALL TO A CUBIST. Picture. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. Anonymous. SECOND FROM THE RIGHT— WHAT\u27S THAT DESERTED OLD BUILDING OVER THERE? DITTO LEFT— MUST BE WHERE THEY USED TO MAKE HAIRPINS. Picture. 11. Anonymous. Untitled. Prose. 11. Anonymous. Untitled. Prose. 11. E.T.B. Broadway Bizarre. Prose. 12. E.B. Untitled. Picture. 13. E.B. The First One. Picture. 13. Anonymous. It\u27s done. Prose. 14. W.G.M. Mother. Prose. 15. Anonymous. Our Daily Mud. Prose. 15. G.C. Optimism. Poem. 15. Bridge. Denison Comics. Picture. 16. Anonymous. Our Asinetic Appreciation Corner. Prose. 18. Anonymous. STILL LIFE OF A NEAR-BEER AT THE TURNING POINT. Picture. 18. Rine, Russell. Stewed and Hashed. Poem. 18. Anonymous. Untitled. Poem. 18. Anonymous. Untitled. Poem. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Mercer, Hod. OUR OWN IDEA OF SOMETHING AESTHETIC. Picture. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Anonymous. Such Is Life. Poem. 19. Anonymous. Untitled. Prose. 19. Anonymous. Untitled. Prose. 19. Grayce. THE FLIGHT IS ON—THE FESTIVAL IS HERE. Picture. 20. W.G.K. Eutopia Regained. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Oh You Nine Weeks. Poem. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. Untitled. Prose. 20. Anonymous. THAT MAUSOLEUM HAS BEEN CONDEMNED BY THE BUILDING INSPECTOR. WHAT\u27S WRONG WITH IT? IT HASN\u27T ANY FIRE ESCAPES. Picture. 20. Jester. Untitled. Prose. 24. Anonymous. Untitled. Prose. 24. Panther. Untitled. Prose. 24. Octopus. Untitled. Prose. 24. Mugwump. Untitled. Prose. 24. Reel, Virginia. Untitled. Prose. 24. Garber, Jock. Kows and Why Not. Prose. 25. Texas Scalper. Untitled. Prose. 25. Lord Jeff. Untitled. Prose. 28. Lampoon. Cut Rates. Prose. 28. Malteaser. Untitled. Prose. 28. Sun Dodger. Untitled. Prose. 28. Beanpot. Untitled. Prose. 28. Malteaser. Untitled. Prose. 28. Gargoyle. Putting It Fairly. Prose. 29. Malteaser. Untitled. Prose. 29. Gargoyle. Untitled. Prose. 29. Sun Dial. Untitled. Prose. 29. Gargoyle. Untitled. Prose. 30. Malteaser. Untitled. Prose. 30. Panther. Untitled. Prose. 30. Sun Dial. The Stuffed Kind. Prose. 30. Student Life. Untitled. Prose. 30. Malteaser. Heard in EC. Class. Prose. 30. Nashville Tennessean. Untitled. Prose. 30. Lemon Punch. Untitled. Prose. 31. Sun Dial. Untitled. Prose. 31. Gargoyle. Two is a Crowd. Prose. 31. Phoenix. Untitled. Prose. 31

Whole blood methylome-derived features to discriminate endocrine hypertension

Background: Arterial hypertension represents a worldwide health burden and a major risk factor for cardiovascular morbidity and mortality. Hypertension can be primary (primary hypertension, PHT), or secondary to endocrine disorders (endocrine hypertension, EHT), such as Cushing's syndrome (CS), primary aldosteronism (PA), and pheochromocytoma/paraganglioma (PPGL). Diagnosis of EHT is currently based on hormone assays. Efficient detection remains challenging, but is crucial to properly orientate patients for diagnostic confirmation and specific treatment. More accurate biomarkers would help in the diagnostic pathway. We hypothesized that each type of endocrine hypertension could be associated with a specific blood DNA methylation signature, which could be used for disease discrimination. To identify such markers, we aimed at exploring the methylome profiles in a cohort of 255 patients with hypertension, either PHT (n = 42) or EHT (n = 213), and at identifying specific discriminating signatures using machine learning approaches. Results: Unsupervised classification of samples showed discrimination of PHT from EHT. CS patients clustered separately from all other patients, whereas PA and PPGL showed an overall overlap. Global methylation was decreased in the CS group compared to PHT. Supervised comparison with PHT identified differentially methylated CpG sites for each type of endocrine hypertension, showing a diffuse genomic location. Among the most differentially methylated genes, FKBP5 was identified in the CS group. Using four different machine learning methods—Lasso (Least Absolute Shrinkage and Selection Operator), Logistic Regression, Random Forest, and Support Vector Machine—predictive models for each type of endocrine hypertension were built on training cohorts (80% of samples for each hypertension type) and estimated on validation cohorts (20% of samples for each hypertension type). Balanced accuracies ranged from 0.55 to 0.74 for predicting EHT, 0.85 to 0.95 for predicting CS, 0.66 to 0.88 for predicting PA, and 0.70 to 0.83 for predicting PPGL. Conclusions: The blood DNA methylome can discriminate endocrine hypertension, with methylation signatures for each type of endocrine disorder

Narrative constructions of anorexia and abuse: An athlete's search for meaning in trauma

Interpretive approaches to the study of eating disorders are scarce. Narrative analysis provides an attractive means to address this shortfall and is applied to the life story of Beth, a former elite athlete with experience of anorexia nervosa and, as she revealed, sexual abuse. Six unstructured life history interviews took place yielding more than 9 hours of interview data. Throughout our conversations, Beth constructed multiple, fragile, and sometimes contrasting narrative coherences indicative of a fragmented and uncertain understanding of her life. It is argued that how Beth makes sense of her trauma is consequential for her future experiences