Introduction: Shakespeare's public spheres

Habermas’ sense of a “cultural Public Sphere” is a notoriously complex term and, when applied to Early Modern cultures, needs careful definition. This essay both introduces the variety of methods by which we might approach playtexts with a view to their public – auditory – impact and contributes to a debate about an audience's understanding of Shakespeare's plays. By selecting two words and their spread of use in one play, Twelfth Night, we might appreciate the potential for meaningful ambiguity latent in how we hear the language of live performance. If we search for how certain terms (in this case, the cluster of semes derived from repetitions of “fancy” and “play”), we might find at times incompatible senses, yet we get near to appreciating the range of Early Modern dramatic language

Ceremonies and Time in Shakespeare

This essay considers some moments in Shakespeare's texts which exemplify the Janus-faced quality of ceremonies: their enactment in the present looking backwards to past traditions and forwards to inaugurate new social relations. The argument draws on Victor Turner's theorization of ritual as an event that gives shape to “liminality,” that which “eludes or slips through the network of classification that normally locate states and positions in cultural space,” and argues that this applies to time as well. It also considers the construction of time in terms of kairos, a moment of time infused with meaning. The essay analyses ceremony in three Shakespearean genres. First, it examines Bertram's and Helena's ring exchange in All's Well That Ends Well as a “distended” ritual that collapses time. It then turns to Richard III, unpacking its complex sequence of ceremonies of betrothal, mourning, and sovereignty that are “continuously disrupted”. The final section describes the ceremonial time of romance in The Winter's Tale, unfolding the power invested in the kairotic time evoked by the oracle of Delphi, the sheep-shearing ceremony, and Paulina's “resurrection” of Hermione

The Italian London of John North: Cultural contact and linguistic encounter in early modern England

This article takes as its subject the remarkable diary kept by a young English gentleman named John North from 1575 to 1579. On his journey home from Italy in 1575 -77, North changed the language of his diary from English to Italian. On his return to London, he continued to keep a record of his everyday life in Italian. This article uses North's diary as a starting point from which to reconstruct the social and sensory worlds of a returned traveler and Italianate gentleman. In doing so, it offers a way of bridging the gap between individual experiences and personal networks on the one hand, and the wider processes of cultural encounter and linguistic contact on the other

Strange News

The LEME Corpus Manual has an editorial introduction, indexes of subjects, proper names, and chronology, a primary bibliography of LEME corpus texts, as well as English language texts not included in the Corpus, a description of the XML encoding and of lemmatization and source analysis tools. The appendix includes lists of language abbreviations and of abbreviations for parts of speech.Social Sciences and Humanities Research Council of CanadaCanada Foundation for InnovationUniversity of Toronto LibrariesUniversity of Toronto PressInformation & Instructional Technology, Faculty of Arts and Science, University of Toront

Onion, a sobriquet relevant to Thomas Nashe?

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