WHAT! No Spinach?

With Ukulele arrangement. Contains advertisements and/or short musical examples of pieces being sold by publisher.https://digitalcommons.library.umaine.edu/mmb-vp/7006/thumbnail.jp

What! No Spinach?

Photograph of Harvey Margurger Orchestra; Illustration of man in suit with an empty platehttps://scholarsjunction.msstate.edu/cht-sheet-music/11085/thumbnail.jp

Technology and feminism : a strange couple

The "gender digital divide" constitutes a prolific research program that compares the differences between women and men in access to Information and Communication Technologies (ICT). Nevertheless, those using feminist socio-constructivist perspectives argue for the need to pay attention, not only to "access," but also to "design," in addition to considering social relations as something that is coded within technological artifacts. From this perspective, gender constitutes an integral part of technological production. This paper explores the co-constitution of gender and technology, considering a specific action-research experience. It is argued that the re-signification of gendered and technological codes drifts through: a) the opening of gendered and technological codes; b) the production of new cultural imaginaries that question hegemonic representations of gender; and c) the production of new subjectivities through the reorganization of socio-technical practices to develop performative acts that transform patriarchal relationsLa "brecha digital de género" constituye un prolífico programa de investigación que compara las diferencias entre mujeres y hombres en el acceso a las Tecnologías de Información y Comunicación. Las perspectivas socio-constructivistas feministas, sin embargo, abogan por la necesidad de prestar atención no sólo al "acceso", sino también al "diseño", y consideran las relaciones sociales como elementos codificados en el interior los artefactos tecnológicos. Desde esta perspectiva, el género constituye una parte integral de la producción tecnológica. Este trabajo explora la constitución conjunta de género y tecnología a partir de una experiencia de investigación-acción específica. Se argumenta que la resignificación de los códigos de género y tecnológicos se desplaza a través de: a) la apertura de los códigos de género y tecnológicos; b) la producción de nuevos imaginarios culturales que cuestionan las representaciones hegemónicas de género; y c) la producción de nuevas subjetividades a través de la reorganización de las prácticas socio-técnicas para el desarrollo de actos performativos que transforman las relaciones patriarcales

Lit from Within: Contemporary Masters on the Art and Craft of Writing

Lit from Within offers creative writers a window into the minds of some of America’s most celebrated contemporary authors. Witty, direct, and thought-provoking, these essays offer something to creative writers of all backgrounds and experience. With contributions from fiction writers, poets, and nonfiction writers, this is a collection of unusual breadth and quality.https://corescholar.libraries.wright.edu/dlpp_all/1038/thumbnail.jp

What! no spinach?

Gift of Dr. Mary Jane Esplen.Piano vocal ukulele [instrumentation]C major [key]Moderato [tempo]Popular song [form/genre]Man, plate, spoon; photo:Dan Russo's & Ted Fiorito's Oriole orchestra [illustration]Wohilurchi [engraver]Publisher's advertisement on front inside cover & back cover [note

What! No spinach? Don\u27t tell me that. What! No spinach? [first line of chorus]

Performance Medium: Piano and Voice (with lyrics