18 research outputs found

    Ouverture de ‘Global Networks and Local Development-1’

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    The global competitive landscapes of innovation and imitation have significantly changed the relative position of many Nation-States and the business relations between global networks and local firms.The US large corporations have lost their historical leadership in innovation. As a matter of fact US in the past had ruled the diffusion of innovations and the 'block' of imitations, but now they are looking for a new role in the control of the innovation and creative imitation processes, without any engagement in the local development.In addition, the main European countries (such as Germany, UK and the Russia) lost their leadership in innovation, although they played a leading role in the social and economic development of last century closed markets.At the same time, global markets have expanded the market power of corporations based in countries with high investments in innovation (e.g. the Japanese firms) or focused on creative imitation (e.g. the South Korea and Taiwan corporations)

    Ouverture de ‘Global Networks and Local Development-2’

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    The global boundaries of innovation, creative imitation and imitation have significantly changed the relative position of many Nation-States and their competitive positions face to global networks and local firms’ development. Chinese production organisations, not casually, are actually involved in the global economic growth as a process of continuous technological innovation and industrial upgrading (creative imitation), with a massive engagement in the local development. Globalization shifted also India to become an important R&D hub in many industries. After years of self-imposed exclusion (for the long, post-colonial license orientation) India has gone beyond the limit of reverse engineering of products developed elsewhere (creative imitation) and has finally joined the global business of innovation and imitation. Finally, the growth model of Italian businesses abroad is consistent with the characteristics of Italian designer products and the country’s fragmented industrial structure, which are reflected in a ‘global gap’. Italian firms are therefore progressively oriented to confine their competitive policies to internal markets, with productions focused on imitation and creative imitation
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