Artists on the edge of the world : an integrated approach to the study of Magdalenian engraved stone plaquettes from Jersey (Channel Islands)

Excavations at Les Varines were funded by Jersey Heritage through the States of Jersey Tourism Development Fund (https://www.gov.je/Leisure/Events/TourismDevelopmentFundTDF/pages/abouttdf.aspx) in 2013-15 and in 2017 (BS received the funding), by the British Museum research fund in 2016-18 (https://www.britishmuseum.org/research) (Grant nos EC164/EC208) (BS received the funding), in 2016 by British Academy (https://www.thebritishacademy.ac.uk) small grant SG152868 (CC received the funding) and Society of Antiquaries (https://www.sal.org.uk/) Research Grants R121086 in 2017 and BH181355 in 2018 (CC received the funding). Funding from the Universities of Manchester, Southampton and UCL supported student training at the excavation. Silvia Bello’s work was part of the ‘Human Behaviour in 3D’ Project funded by the Calleva Foundation. Beccy Scott’s work was also supported by the Calleva foundation (Pathways to Ancient Britain project).The Upper Palaeolithic is characterised by the appearance of iconographic expressions most often depicting animals, including anthropomorphic forms, and geometric signs. The Late Upper Palaeolithic Magdalenian saw a flourishing of such depictions, encompassing cave art, engraving of stone, bone and antler blanks and decoration of tools and weapons. Though Magdalenian settlement exists as far northwest as Britain, there is a limited range of art known from this region, possibly associated with only fleeting occupation of Britain during this period. Stone plaquettes, flat fragments of stone engraved on at least one surface, have been found in large quantities at numerous sites spanning the temporal and geographical spread of the Magdalenian, but they have been absent so far from the archaeological record of the British Isles. Between 2015 and 2018, ten fragments of stone plaquettes extensively engraved with abstract designs were uncovered at the Magdalenian site of Les Varines, Jersey, Channel Islands. In this paper, we report detailed analyses of these finds, which provide new evidence for technologies of abstract mark-making, and their significance within the lives of people on the edge of the Magdalenian world. These engraved stone fragments represent important, rare evidence of artistic expression in what is the far northern and western range of the Magdalenian and add new insight to the wider significance of dynamic practices of artistic expression during the Upper Palaeolithic.Publisher PDFPeer reviewe

Art by firelight? Using experimental and digital techniques to explore Magdalenian engraved plaquette use at Montastruc (France)

Palaeolithic stone plaquettes are a type of mobiliary art featuring engravings and recovered primarily from Magdalenian sites, where they can number from single finds to several thousand examples. Where context is available, they demonstrate complex traces of use, including surface refreshing, heating, and fragmentation. However, for plaquettes with limited or no archaeological context, research tends to gravitate toward their engraved surfaces. This paper focuses on 50 limestone plaquettes excavated by Peccadeau de l’Isle from Montastruc, a Magdalenian rockshelter site in southern France with limited archaeological context; a feature common to many art bearing sites excavated across the 19th and early 20th Centuries. Plaquette use at Montastruc was explored via a programme of microscopy, 3D modelling, colour enhancement using DStretch©, virtual reality (VR) modelling, and experimental archaeology, the latter focusing on limestone heating related to different functional and non-functional uses. While the limited archaeological context available ensures the results remain only indicative, the data generated suggests plaquettes from Montastruc were likely positioned in proximity to hearths during low ambient light conditions. The interaction of engraved stone and roving fire light made engraved forms appear dynamic and alive, suggesting this may have been important in their use. Human neurology is particularly attuned to interpreting shifting light and shadow as movement and identifying visually familiar forms in such varying light conditions through mechanisms such as pareidolic experience. This interpretation encourages a consideration of the possible conceptual connections between art made and experienced in similar circumstances, such as parietal art in dark cave environments. The toolset used to investigate the Montastruc assemblage may have application to other collections of plaquettes, particularly those with limited associated context

Lithic Residue Survival and Characterisation at Star Carr: a burial experiment

A modern burial experiment was devised to test microscopic residue survival in acidic peat and slightly acidic clay soils at the Early Mesolithic site of Star Carr (North Yorkshire, UK), and at nearby control location. The experiment addresses concerns regarding the applicability of residue analysis in varied burial environments, and particularly in highly acidic archaeological conditions. Flint flakes (n= 78, including blank controls) were used on twelve plant, animal, and mineral materials to create residues and then buried. The residues were examined 1 month and 11 months after burial. An unburied reference collection containing the same twelve residue types in a fresh state was compared to the buried residues to assess diagenesis. The residue types that survived across all burial conditions and time intervals were: softwood tissue, tree resin, bird feathers, squirrel hair, and red ochre. During microscopic analysis, it became clear that many residues lack diagnostic traits, and thus an assessment of the extent to which each residue can be identified was conducted. The degree to which residues were able to be identified was further investigated with a variable pressure scanning electron microscope (SEM). SEM images of the reference residues were compared to the reflected VLM micrographs of the same residues, which improved characterisation in some cases. Residues were grouped into three categories (diagnostic, distinctive, and non-distinctive) within a visual characterisation guide. Our in situ microscopic analyses indicated that few residue types have diagnostic traits that allow them to be identified unambiguously, and thus further characterisation techniques are often required

Hafting of a Neolithic leister: Identification of adhesives from Lolland (Denmark)

Birch tar has been identified as the predominant adhesive used for hafting purposes in the European Mesolithic and Neolithic. Its role in the manufacture of composite tools and weapons comprising wooden, bone and flint components attests its importance during these periods. The discovery of birch tar lumps, some bearing tooth imprints, suggests a broader range of functions beyond its adhesive properties. In this study, we present an analysis of five residues from two sites (Syltholm II and Strandholm I) that have been excavated through the Femern project, with the aim to shed light on the adhesives used in relation to their functions. Through chemical analyses, we show that birch tar constitutes the main component of two lumps and one chewed piece. We also found that birch tar served to haft a bone point within leister prongs, providing new information on its previously unknown role in composite fishing tool technology. These findings have significant implications for our understanding of the functional role and performance of birch tar in aquatic environments

Spinning in Circles: the Production and Function of Upper Palaeolithic Rondelles

Rondelles are thin, circular disc cut-outs typically made from the blade of the scapula of medium sized ungulates, such as horse or cervid. These are primarily associated with the Late Upper Palaeolithic Magdalenian and focused around northwest Europe. Rondelles are frequently perforated, with 2 mm - 3 mm diameter holes being common. There are many questions as to the production and use of rondelles. In this article, we discuss experiments on the making of both bone and slate rondelles and their usage

Nonlinear mm-sectorial operators and time-dependent Ginzburg-Landau equations(Nonlinear Evolution Equations and Applications)

<p>(a) Z-stack photo of ‘exploded’ appearance to the ventral side of the perforations on the artefact. (b) Replica perforation with the same ‘exploded’ appearance produced from using a core tool to peck through the crania.</p

A unique engraved shale pendant from the site of Star Carr: the oldest Mesolithic art in Britain

In 2015 an engraved shale pendant was found during excavations at the Early Mesolithic site of Star Carr, UK. Engraved motifs on Mesolithic pendants are extremely rare, with the exception of amber pendants from southern Scandinavia. The artwork on the pendant is the earliest known Mesolithic art in Britain; the 'barbed line' motif is comparable to styles on the Continent, particularly in Denmark. When it was first uncovered the lines were barely visible but using a range of digital imaging techniques it has been possible to examine them in detail and determine the style of engraving as well as the order in which the lines might have been made. In addition, microwear and residue analyses were applied to examine whether the pendant showed signs that it had been strung or worn, and whether the lines had been made more visible through the application of pigments, as has been suggested for some Danish amber pendants. This approach of using multiple scientific and analytical techniques has not been used previously and provides a methodology for the examination of similar artefacts in the future

Depiction of an Evenki shaman wearing antler headdress (after Witsen 1785, 655).

<p>Depiction of an Evenki shaman wearing antler headdress (after Witsen 1785, 655).</p