Accessibility and self-archiving of conference articles: A study on a selection of Swedish institutional repositories

The main purpose of this project has been to examine the accessibility of refereed conference articles and the OAand publishing policies of conferences in order to in this way elucidate different aspects concerning self-archiving in Swedish institutional repositories. For this purpose, the project participants have examined a number of conferences and references to conference articles via their institutional repositories during a specific time period and described these from the perspective of a common scheme. The study has showed that the local institutional repositories fill an important role to make conference publications visible. We have found that ca. 50% of the conference papers can be published as postprints in our institutional repositories. We have noticed that ca. 15% or the studied conference articles are not available at all. It is, therefore, of great importance to use local institutional repositories as a publishing channel, not only for primary published material such as dissertations and reports, but also as a source for finding these conference articles “without a home”. Between 20–25% of the examined articles were found in some type of OA archive; ca. half of these were found in one of the project participants’ own institutional repositories. This indicates that the publishing database of respective higher education institution is an important factor for open accessibility. Ca. 10% of the conferences in the study had an explicit OA policy or expressed such a policy by openly making conference articles accessible on their conference sites. A big problem when it comes to self-archiving of conference articles is the lack of information about OA policy. The landscape of conference publishing is complex and the selfarchiving of documents from conferences is very time-consuming. Above all, we would wish a policy resource for conferences similar to the SHERPA/RoMEO. At present, however, there is no other alternative than scrutinizing the conferences’ copyright information to the authors and from this attempt to draw conclusions about possible self-archiving. To facilitate the future handling and classification of conference articles in Swedish institutional repositories a number of recommendations are suggeste

Accessibility and Self Archiving of Conference Articles: A Study on a Selection of Swedish Institutional Repositories*

Abstract. The main purpose of this project has been to examine the accessibility of refereed conference articles and the OA-and publishing policies of conferences in order to in this way elucidate different aspects concerning self-archiving in Swedish institutional repositories. For this purpose, the project participants have examined a number of conferences and references to conference articles via their institutional repositories during a specific time period and described these from the perspective of a common scheme. The study has showed that the local institutional repositories fill an important role to make conference publications visible. We have found that ca. 50 % of the conference papers can be published as postprints in our institutional repositories. We have noticed that ca. 15% or the studied conference articles are not available at all. It is, therefore, of great importance to use local institutional repositories as a publishing channel, not only for primary published material such as dissertations and reports, but also as a source for finding these conference articles "without a home". Between 20-25 % of the examined articles were found in some type of OA archive; ca. half of these were found in one of the project participants' own institutional repositories. This indicates that the publishing database of respective higher education institution is an important factor for open accessibility. Ca. 10% of the conferences in the study had an explicit OA policy or expressed such a policy by openly making conference articles accessible on their conference sites. A big problem when it comes to selfarchiving of conference articles is the lack of information about OA policy. The landscape of conference publishing is complex and the self-archiving of documents from conferences is very time-consuming. Above all, we would wish a policy resource for conferences similar to the SHERPA/RoMEO. At present, however, there is no other alternative than scrutinizing the conferences' copyright information to the authors and from this attempt to draw conclusions about possible self-archiving. To facilitate the future handling and classification of conference articles in Swedish institutional repositories a number of recommendations are suggested

Accessibility and Self Archiving of Conference Articles: A Study on a Selection of Swedish Institutional Repositories

Abstract. The main purpose of this project has been to examine the accessibility of refereed conference articles and the OA-and publishing policies of conferences in order to in this way elucidate different aspects concerning self-archiving in Swedish institutional repositories. For this purpose, the project participants have examined a number of conferences and references to conference articles via their institutional repositories during a specific time period and described these from the perspective of a common scheme. The study has showed that the local institutional repositories fill an important role to make conference publications visible. We have found that ca. 50 % of the conference papers can be published as postprints in our institutional repositories. We have noticed that ca. 15% or the studied conference articles are not available at all. It is, therefore, of great importance to use local institutional repositories as a publishing channel, not only for primary published material such as dissertations and reports, but also as a source for finding these conference articles "without a home". Between 20-25 % of the examined articles were found in some type of OA archive; ca. half of these were found in one of the project participants' own institutional repositories. This indicates that the publishing database of respective higher education institution is an important factor for open accessibility. Ca. 10% of the conferences in the study had an explicit OA policy or expressed such a policy by openly making conference articles accessible on their conference sites. A big problem when it comes to selfarchiving of conference articles is the lack of information about OA policy. The landscape of conference publishing is complex and the self-archiving of documents from conferences is very time-consuming. Above all, we would wish a policy resource for conferences similar to the SHERPA/RoMEO. At present, however, there is no other alternative than scrutinizing the conferences' copyright information to the authors and from this attempt to draw conclusions about possible self-archiving

Can a Buddha Image be Untrue? The Grahi Buddha and the Way to Make Buddha Images in Southeast Asia

What exactly is a Buddha image? Why does a Buddha image take the particular shape it has, rather than some other form? Is it realistic to assume that someone has consciously composed an image like the Grahi Buddha? Has it, instead, been made by mistake, by mere chance or ignorance? There have been some attempts to explain the Grahi Buddha before. One aim with this paper is to elucidate these interpretations and see how valid they are, and if necessary work out an alternative interpretation of this unusual image. To do this and answer the questions above, we must examine the religious tradition behind Buddha images, both within historical times and in Southeast Asia today. A second aim is to be acquainted with this, not so well-known Buddhist tradition. The first thing we have to do is to ask the statue itself. Unfortunately, the inscription on the image does not mention the unusual shape of the image. It can however give us some information about the context in which the statue was made. A Buddha image is a complex object withholding different aspects, and taken in isolation it can be understood in many different ways, but its religious meaning becomes clear only when it is considered as a part of the religious tradition and the society at large

Face to face with the absent Buddha : The formation of Buddhist Aniconic art

Early art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context. Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the practice of different meditationalexercises cannot explain this transformation. Instead, it is important to understand thatearly art at Buddhist cultic sites consisted of simple signs belonging to a shared sacredIndian culture. This art reflected a notion of auspiciousness, fertility and abundance.The formation of Buddhist aniconic art was indicated by the connection of these auspi- cious signs with a narrative tradition about the life and teachings of the Buddha. The study emphasizes the importance Sakyamuni Buddha played in the formation ofBuddhist art. The Buddha was interpreted as an expression of auspiciousness, but hewas also connected with a soteriological perspective. Attention is also focused on thefact that the development of Buddhist art and literature was a gradual and mutualprocess. Furthermore, Buddhist aniconic art presaged the making of anthropomorphicimages of the Buddha. It was not an innovation of motive for the Buddhists when theystarted to make anthropomorphic images of the Buddha. He was already there

Can a Buddha Image be Untrue? The Grahi Buddha and the Way to Make Buddha Images in Southeast Asia

What exactly is a Buddha image? Why does a Buddha image take the particular shape it has, rather than some other form? Is it realistic to assume that someone has consciously composed an image like the Grahi Buddha? Has it, instead, been made by mistake, by mere chance or ignorance? There have been some attempts to explain the Grahi Buddha before. One aim with this paper is to elucidate these interpretations and see how valid they are, and if necessary work out an alternative interpretation of this unusual image. To do this and answer the questions above, we must examine the religious tradition behind Buddha images, both within historical times and in Southeast Asia today. A second aim is to be acquainted with this, not so well-known Buddhist tradition. The first thing we have to do is to ask the statue itself. Unfortunately, the inscription on the image does not mention the unusual shape of the image. It can however give us some information about the context in which the statue was made. A Buddha image is a complex object withholding different aspects, and taken in isolation it can be understood in many different ways, but its religious meaning becomes clear only when it is considered as a part of the religious tradition and the society at large

Face to face with the absent Buddha : The formation of Buddhist Aniconic art

Early art in Buddhist cultic sites was characterized by the absence of anthropomorphicimages of the Buddha. The Buddha was instead represented by different signs, like awheel, a tree, a seat and footprints. This study emphasizes the transformation this artunderwent from simple signs to carefully made aniconic compositions representing theBuddha in a narrative context. Buddhist aniconic art has been explained by a prohibition against images of theBuddha or by a doctrine that made it inappropriate to depict the body of the Buddha.This study rejects such explanations. Likewise, the practice of different meditationalexercises cannot explain this transformation. Instead, it is important to understand thatearly art at Buddhist cultic sites consisted of simple signs belonging to a shared sacredIndian culture. This art reflected a notion of auspiciousness, fertility and abundance.The formation of Buddhist aniconic art was indicated by the connection of these auspi- cious signs with a narrative tradition about the life and teachings of the Buddha. The study emphasizes the importance Sakyamuni Buddha played in the formation ofBuddhist art. The Buddha was interpreted as an expression of auspiciousness, but hewas also connected with a soteriological perspective. Attention is also focused on thefact that the development of Buddhist art and literature was a gradual and mutualprocess. Furthermore, Buddhist aniconic art presaged the making of anthropomorphicimages of the Buddha. It was not an innovation of motive for the Buddhists when theystarted to make anthropomorphic images of the Buddha. He was already there

A Place of Belonging in Myths and Memories: The Origin and Early History of the Imagined Tai Khuen Nation (Chiang Tung/Kyaingtong, Myanmar)

"Stories across Borders: Myths of Origin and Their Contestation in the Borderlands of South and Southeast Asia" edited by Monica Janowski and Erik de MaakerThis study is about a borderland between three dominant cultures: the Burmese, the Chinese, and the Siamese/Thai, i.e., the former Shan State of Chiang Tung. The region of Chiang Tung (also transcribed Keng Tung, Kyaingtong) lies in the Eastern Shan State of Myanmar/Burma in Upper Southeast Asia and borders on Thailand, China, and Laos. The majority of the people living in Chiang Tung are called Tai Khuen. This paper explores the origin and early history of the imagined Tai Khuen nation in Chiang Tung through myths and memories recorded in the Chiang Tung Chronicle (CTC). Myths and memories may be used to tell us something of what a people has held and holds to be of lasting value. Important for a common imagined community is a myth of common ancestry. The CTC narrates the way in which the Khuen people understand the origin and early history of the place where they live-- the "imagined Khuen nation." The myths and memories recorded in the CTC express a sense of place and belonging for the Tai Khuen people