Do modo de existência dos objetos técnicos: introdução

Este estudo é incentivado pela intenção de suscitar uma tomada de consciência do sentido dos objetos técnicos. A cultura constitui-se em sistema de defesa contra as técnicas; ora, essa defesa apresenta-se como defesa do homem supondo que os objetos técnicos não incluem a realidade humana. Quereríamos mostrar que a cultura ignora na realidade técnica uma realidade humana e que para desempenhar cabalmente o seu papel, a cultura deve incorporar os seres técnicos sob a forma de conhecimento e de ..

El modo de existencia de los objetos técnicos: introducción

Este estudio está animado por la intención de suscitar una toma de conciencia del sentido de los objetos técnicos. La cultura se ha constituido en sistema de defensa contra las técnicas; ahora bien, esta defensa se presenta como una defensa del hombre, suponiendo que los objetos técnicos no contienen realidad humana. Querríamos mostrar que la cultura ignora en la realidad técnica una realidad humana y que, para cumplir su rol completo, la cultura debe incorporar los seres técnicos bajo la for..

Cinema as mnemotechnics

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Merleau-Ponty and the Measuring Body

In recent years a growing number of scholars in science studies and related fields are developing new ontologies to displace entrenched dualisms. These efforts often go together with a renewed interest in the roles played by symbolisms and tools in knowledge and being. This article brings Maurice Merleau-Ponty into these conversations, positioning him as a precursor of today’s innovative recastings of technoscience. While Merleau-Ponty is often invoked in relation to his early work on the body and embodiment, this article focuses on his later work, where the investigation of perception is integrated with an ontological exploration. The resulting approach revolves around the highly original idea of the body as a standard of measurement. We further develop this idea by coining the term ‘the measuring body’, which to a greater extent than did Merleau-Ponty accentuates the relative autonomy of symbolisms and tools and their capacity to decentre the perceiving body

Life and the Technical Transformation of Différance: Stiegler and the Noopolitics of Becoming Non-Inhuman

Through a re-articulation of Derridean différance, Bernard Stiegler claims that the human is defined by an originary default that displaces all psychic and social life onto technical supplements. His philosophy of technics re-articulates the logic of the supplement as concerning both human reflexivity and its supports, and the history of the différance of life itself. This has been criticised for reducing Derrida’s work to a metaphysics of presence, and for instituting a humanism of the relation to the inorganic. By refuting these claims, this article will show that Stiegler’s doubling of différance enables him to articulate the human as constituted by both the individuation characteristic of ‘life’, and that of a technical, psychic and collective individuation. Putting forward a reading of the logic of the trace in life, and emphasising the aspects of Leroi-Gourhan, Simondon, and Canguilhem that Stiegler uses in his reading of Derrida, I will demonstrate that the political stakes of adaption and adoption in Noo-Politics require this re-articulation of différance. Technics shapes the human future, arising from this differential mutation; marking the invention of the human as the site of the political

What More Do Bodies Know? Moving with the Gendered Affects of Place

This article focuses on what bodies know yet which cannot be expressed verbally. It starts with a problem encountered during conventional interviewing in an ex-mining community in south Wales when some teen girls struggled to speak. This led us to focus on the body, corporeality and movement in improvisational dance workshops. By slowing down and speeding up video footage from the workshops, we notice movement patterns and speculate about how traces of gendered body-movement practices developed within mining communities over time become actualised in girls’ habitual movement repertoires. Inspired by the works of Gilles Deleuze, Felix Guattari and Erin Manning, a series of cameos (room dancing; the hold; the wiggle; the leap and dance of the not-yet) are presented. We speculate about relations between the actual movements we could see, the in-act infused with the history of place and the virtual potential of what movement

Translation: The relative native

Translation by Julia Sauma and Martin Holbraad of: Viveiros de Castro, Eduardo (2002) "O Nativo Relativo." Mana, vol. 8, no. 1, p. 113-14