411 research outputs found

    On the Anisotropic Nature of MRI-Driven Turbulence in Astrophysical Disks

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    The magnetorotational instability is thought to play an important role in enabling accretion in sufficiently ionized astrophysical disks. The rate at which MRI-driven turbulence transports angular momentum is related to both the strength of the amplitudes of the fluctuations on various scales and the degree of anisotropy of the underlying turbulence. This has motivated several studies of the distribution of turbulent power in spectral space. In this paper, we investigate the anisotropic nature of MRI-driven turbulence using a pseudo-spectral code and introduce novel ways to robustly characterize the underlying turbulence. We show that the general flow properties vary in a quasi-periodic way on timescales comparable to 10 inverse angular frequencies motivating the temporal analysis of its anisotropy. We introduce a 3D tensor invariant analysis to quantify and classify the evolution of the anisotropic turbulent flow. This analysis shows a continuous high level of anisotropy, with brief sporadic transitions towards two- and three-component isotropic turbulent flow. This temporal-dependent anisotropy renders standard shell-average, especially when used simultaneously with long temporal averages, inadequate for characterizing MRI-driven turbulence. We propose an alternative way to extract spectral information from the turbulent magnetized flow, whose anisotropic character depends strongly on time. This consists of stacking 1D Fourier spectra along three orthogonal directions that exhibit maximum anisotropy in Fourier space. The resulting averaged spectra show that the power along each of the three independent directions differs by several orders of magnitude over most scales, except the largest ones. Our results suggest that a first-principles theory to describe fully developed MRI-driven turbulence will likely have to consider the anisotropic nature of the flow at a fundamental level.Comment: 13 pages, 13 figures, submitted to Ap

    Multidimensional simulations of magnetic field amplification and electron acceleration to near-energy equipartition with ions by a mildly relativistic quasi-parallel plasma collision

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    The energetic electromagnetic eruptions observed during the prompt phase of gamma-ray bursts are attributed to synchrotron emissions. The internal shocks moving through the ultrarelativistic jet, which is ejected by an imploding supermassive star, are the likely source of this radiation. Synchrotron emissions at the observed strength require the simultaneous presence of powerful magnetic fields and highly relativistic electrons. We explore with one and three-dimensional relativistic particle-in-cell simulations the transition layer of a shock, that evolves out of the collision of two plasma clouds at a speed 0.9c and in the presence of a quasi-parallel magnetic field. The cloud densities vary by a factor of 10. The number densities of ions and electrons in each cloud, which have the mass ratio 250, are equal. The peak Lorentz factor of the electrons is determined in the 1D simulation, as well as the orientation and the strength of the magnetic field at the boundary of the two colliding clouds. The relativistic masses of the electrons and ions close to the shock transition layer are comparable as in previous work. The 3D simulation shows rapid and strong plasma filamentation behind the transient precursor. The magnetic field component orthogonal to the initial field direction is amplified in both simulations to values that exceed those expected from the shock compression by over an order of magnitude. The forming shock is quasi-perpendicular due to this amplification. The simultaneous presence of highly relativistic electrons and strong magnetic fields will give rise to significant synchrotron emissions.Comment: 8 pages, 5 figures. This work was presented at 21st International Conference on Numerical Simulation of Plasmas (ICNSP'09). Accepted for publication IEEE Trans. on Plasma Scienc

    Monitoring denaturation behaviour and comparative stability of DNA triple helices using oligonucleotide–gold nanoparticle conjugates

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    Gold nanoparticle labels, combined with UV-visible optical absorption spectroscopic methods, are employed to probe the temperature-dependent solution properties of DNA triple helices. By using oligonucleotide-nanoparticle conjugates to characterize triplex denaturation, for the first time triplex to duplex melting transitions may be sensitively monitored, with minimal signal interference from duplex to single strand melting, for both parallel and antiparallel triple helices. Further, the comparative sequence-dependent stability of DNA triple helices may also be examined using this approach. Specifically, triplex to duplex melting transitions for triplexes formed using oligonucleotides that incorporate 8-aminoguanine derivatives were successfully monitored and stabilization of both parallel and antiparallel triplexes following 8-aminoguanine substitutions is demonstrated

    An Introduction to the Quasi-Optical Design of the HIFI Instrument for the Herschel Space Observatory

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    This paper is concerned with the quasi-optical design and analysis of the Heterodyne Instrument for the Far Infrared (HIFI) on board the European Space Agency’s Herschel Space Observatory, which is due for launch in 2007. The paper begins with an introduction to astronomy at submillimetre wavelengths followed by the science that will be carried out by HIFI. The optical layout of HIFI is presented and the quasi-optical techniques used in the analysis of band 5 of the instrument are discussed, in particular, issues associated with the design and performance of the integrated lens antenna for this band. A power coupling efficiency calculation is carried out and the overall performance of the telescope is analysed

    A Qualitative Analysis of Haptic Feedback in Music Focused Exercises

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    We present the findings of a pilot-study that analysed the role of haptic feedback in a musical context. To examine the role of haptics in Digital Musical Instrument (DMI) design an experiment was formulated to measure the users’ perception of device usability across four separate feedback stages: fully haptic (force and tactile combined), constant force only, vibrotactile only, and no feedback. The study was piloted over extended periods with the intention of exploring the application and integration of DMIs in real-world musical contexts. Applying a music orientated analysis of this type enabled the investigative process to not only take place over a comprehensive period, but allowed for the exploration of DMI integration in everyday compositional practices. As with any investigation that involves creativity, it was important that the participants did not feel rushed or restricted. That is, they were given sufficient time to explore and assess the different feedback types without constraint. This provided an accurate and representational set of qualitative data for validating the participants’ experience with the different feedback types they were presented with

    Mobile access to personal digital photograph archives

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    Handheld computing devices are becoming highly connected devices with high capacity storage. This has resulted in their being able to support storage of, and access to, personal photo archives. However the only means for mobile device users to browse such archives is typically a simple one-by-one scroll through image thumbnails in the order that they were taken, or by manually organising them based on folders. In this paper we describe a system for context-based browsing of personal digital photo archives. Photos are labeled with the GPS location and time they are taken and this is used to derive other context-based metadata such as weather conditions and daylight conditions. We present our prototype system for mobile digital photo retrieval, and an experimental evaluation illustrating the utility of location information for effective personal photo retrieval

    My digital photos: where and when?

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    In recent years digital cameras have seen an enormous rise in popularity, leading to a huge increase in the quantity of digital photos being taken. This brings with it the challenge of organising these large collections. We preset work which organises personal digital photo collections based on date/time and GPS location, which we believe will become a key organisational methodology over the next few years as consumer digital cameras evolve to incorporate GPS and as cameras in mobile phones spread further. The accompanying video illustrates the results of our research into digital photo management tools which contains a series of screen and user interactions highlighting how a user utilises the tools we are developing to manage a personal archive of digital photos

    A qualitative analysis of haptic feedback in music focused exercises new interfaces for musical expression

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    We present the findings of a pilot-study that analysed the role of haptic feedback in a musical context. To closely examine the role of haptics in Digital Musical Instrument (DMI) design an experiment was formulated to measure the users’ perception of device usability across four separate feedback stages: fully haptic (force and tactile combined), constant force only, vibrotactile only, and no feedback. The study was piloted over extended periods with the intention of exploring the application and integration of DMIs in real-world musical contexts. Applying a music orientated analysis of this type enabled the investigative process to not only take place over a comprehensive period, but allowed for the exploration of DMI integration in everyday compositional and explorative practices. As with any investigation that involves creativity, it was important that the participants did not feel rushed or restricted. That is, they were given sufficient time to explore and assess the different feedback types without constraint. This provided an accurate and representational set of qualitative data for validating the participants’ experience with the different feedback types they were presented with
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