19 research outputs found

    Imperceptible Individuals: issues in the applications of social theory to Lower Palaeolithic material culture

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    This thesis aims to explore whether idiosyncrasies in Acheulean handaxe manufacture can be seen and, if so, whether these can be used to trace the actions of hominins within the Lower Palaeolithic. This analysis has important implications for the application of current social theory to Palaeolithic contexts, which advocates a 'bottom-up' approach to archaeological study. This socially orientated theoretical approach emphasises the individual as the primary unit of analysis. However, as Hopkinson and White (2005) state, there is currently no methodology for such an analysis, rendering many discussions as exercises in what has been termed 'theoretical storytelling'. Using a series of innovative experiments, the question of whether the individual is a viable unit of analysis was tested. The results show that a suite of other factors that also contribute to stone tool manufacture currently masks the actions of individuals. Chief amongst these is variability in the raw material nodules selected for reduction. However, intra-site variability may indicate differences that are linked to socially mediated knapping strategies, or 'group templates' (c.f. Ashton & McNabb 1994). While this possibility requires further exploration, the thesis suggests that the individual is currently not viable as a primary unit of analysis within Palaeolithic archaeology and stresses that the theories posited from the standpoint of the individual cannot be interpreted as fact. At the same time, it appears that further work needs to be conducted that focuses on the more traditional group as the primary analytical unit and the prospect of teasing apart the interplay between the individuals, groups and the effects of raw material variability

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    Cave acoustics in prehistory: Exploring the association of Palaeolithic visual motifs and acoustic response

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    During the 1980 s, acoustic studies of Upper Palaeolithic imagery in French caves—using the technology then available—suggested a relationship between acoustic response and the location of visual motifs. This paper presents an investigation, using modern acoustic measurement techniques, into such relationships within the caves of La Garma, Las Chimeneas, La Pasiega, El Castillo, and Tito Bustillo in Northern Spain. It addresses methodological issues concerning acoustic measurement at enclosed archaeological sites and outlines a general framework for extraction of acoustic features that may be used to support archaeological hypotheses. The analysis explores possible associations between the position of visual motifs (which may be up to 40 000 yrs old) and localized acoustic responses. Results suggest that motifs, in general, and lines and dots, in particular, are statistically more likely to be found in places where reverberation is moderate and where the low frequency acoustic response has evidence of resonant behavior. The work presented suggests that an association of the location of Palaeolithic motifs with acoustic features is a statistically weak but tenable hypothesis, and that an appreciation of sound could have influenced behavior among Palaeolithic societies of this region
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