Dark memories in the provincial words of Ingmar Bergman's Fanny and Alexander and Federico Fellini's Amarcord

Dark memories in the provincial words of Ingmar Bergman's Fanny and Alexander and Federico Fellini's AmarcordThis article about Federico Fellini’s Amarcord (1973) and Ingmar Bergman’s Fanny and Alexander (1982) concerns one aspect of the directors’ childhood memories, namely how authoritarian institutions are used to disrupt otherwise fairly idyllic and nostalgic lives and worlds. The films blend detailed memories with playful fantasies, combine experiences of the directors’ alter egos, Titta and Alexander, with rituals of family and larger communities in the provincial cities of Rimini and Uppsala. In each film, bitter memories are given a central role. This article explores the similarities of these bitter memories, as they are imagined in the mature auteurs’ last exceptionally successful films

Good Versus Evil in Austen’s Mansfield Park and Iris Murdoch’s A Fairly Honourable Defeat

The character of Tallis Browne in Iris Murdoch's novel 'A Fairly Honourable Defeat' is characterised by her as a figure of good, taking the place of Christ in a post-Christian allegory. This article compares Murdoch's exploration of theological themes with the ethical world created in Jane Austen's 'Mansfield Park'. Various possibilities for theological schemes in 'Mansfield Park' are discussed, and the characters analysed and compared to Murdoch's characters in 'A Fairly Honourable Defeat'. It is established, by examining point of view and voice in both novels, that, while Tallis is the moral centre of Murdoch's novel, Fanny is far from embodying the implied morality of the author of Mansfield Park, whose world view is more worldly and sophisticated than Fanny Price's

Fanny Copeland and the geographical imagination

Raised in Scotland, married and divorced in the English south, an adopted Slovene, Fanny Copeland (1872 – 1970) occupied the intersection of a number of complex spatial and temporal conjunctures. A Slavophile, she played a part in the formation of what subsequently became the Kingdom of Yugoslavia that emerged from the First World War. Living in Ljubljana, she facilitated the first ‘foreign visit’ (in 1932) of the newly formed Le Play Society (a precursor of the Institute of British Geographers) and guided its studies of Solčava (a then ‘remote’ Alpine valley system) which, led by Dudley Stamp and commended by Halford Mackinder, were subsequently hailed as a model for regional studies elsewhere. Arrested by the Gestapo and interned in Italy during the Second World War, she eventually returned to a socialist Yugoslavia, a celebrated figure. An accomplished musician, linguist, and mountaineer, she became an authority on (and populist for) the Julian Alps and was instrumental in the establishment of the Triglav National Park. Copeland’s role as participant observer (and protagonist) enriches our understanding of the particularities of her time and place and illuminates some inter-war relationships within G/geography, inside and outside the academy, suggesting their relative autonomy in the production of geographical knowledge

The girl is kind of image-like : female passivity in the fiction of Fanny Fern

In each of Fanny Fern\u27s three works of fiction (Ruth Hall, Fanny Ford, and Rose Clark), the title character is a very passive female. In the past, this has hindered people from studying these works, since a passive character is hard to become interested in. This thesis examines exactly that feature of each of these characters and attempts to show that Fanny Fern created these characters deliberately and subversively, in an attempt to show exactly how limiting and unbelievable the ideal of the true woman actually was. Special attention is paid to Fanny Ford and Rose Clark, which have been neglected by most critics in recent years. A comprehensive bibliography of Fanny Fern resources is appended

Fanny

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Fanny

https://thekeep.eiu.edu/little_theatre_1959_programs/1009/thumbnail.jp

John Keats’ Mixed Feelings of Love to Fanny Brawne in "Ode on Melancholy"

This paper tries to answer how John Keats’ feeling of love to Fanny Brawne is expressed in the poem Ode on Melancholy This research uses Expressive to find the objective. The primarydata is John Keats’ poem, Ode on Melancholy.The secondary data are the author’s biography and the letters.Thus, the result shows that Keats has conflict of his feeling and emotion,which is influenced by the early boyhood life. At the first time he meets Fanny, he pushes himself not to fall in love because of his fear of being defeated. Keats then starts to trust his feeling and realizes that he really loves Fanny. He further encourages himself to claim Fanny as his own

I Was Quiet, But I Was Not Blind : The Surprising Consistency of Fanny Price

Mansfield Park’s Fanny is not the heroine most readers expect to encounter in a Jane Austen novel. Unlike the heroines of Pride and Prejudice, or Emma, for example, she does not have to undergo any period of being wrong, and she does not have to change in order for her position to be accepted. In the midst of conversations about Fanny as a model of perfect conduct book activity, exemplary Christian morals, or Regency era femininity, readers and scholars often focus on whether or not Fanny exists as a perfect and consistent heroine, providing very strong and polarizing opinions on either side. This thesis claims that whether or not Fanny is an interesting protagonist or a disappointing character, her consistency in perfectly acceptable actions and decision cannot be ignored. Despite opinions and readings that suggest Fanny provides little to no value to the novel, as the protagonist, she drives the climactic action in the novel’s plot. This thesis considers the shift that occurs from Sir Thomas’s promise that Fanny would never be a Miss Bertram to his acceptance of her as his daughter-in-law and a Mrs. Bertram and aims to understand her role as a model of rational and consistent perceptivity. In contrast to the inconsistent and unobservant characters that surround her, Fanny’s consistent observations allow her to offer a new form of sensibility as a reactive, sensitive, and responsive heroine. Furthermore, this thesis reflects upon how readers and scholars respond to and understand Fanny in an attempt to show that Fanny can be an Austen heroine worthy of study when considered through a different lens by focusing on her ability to understand the actions and motives of those around her when no other character can

Simple Measures of Individual Cluster-Membership Certainty for Hard Partitional Clustering

We propose two probability-like measures of individual cluster-membership certainty which can be applied to a hard partition of the sample such as that obtained from the Partitioning Around Medoids (PAM) algorithm, hierarchical clustering or k-means clustering. One measure extends the individual silhouette widths and the other is obtained directly from the pairwise dissimilarities in the sample. Unlike the classic silhouette, however, the measures behave like probabilities and can be used to investigate an individual's tendency to belong to a cluster. We also suggest two possible ways to evaluate the hard partition. We evaluate the performance of both measures in individuals with ambiguous cluster membership, using simulated binary datasets that have been partitioned by the PAM algorithm or continuous datasets that have been partitioned by hierarchical clustering and k-means clustering. For comparison, we also present results from soft clustering algorithms such as soft analysis clustering (FANNY) and two model-based clustering methods. Our proposed measures perform comparably to the posterior-probability estimators from either FANNY or the model-based clustering methods. We also illustrate the proposed measures by applying them to Fisher's classic iris data set