I’d like to teach the world to sing: Music and conflict transformation

Modern conflict transformation emerged after World War II as a discipline and a field of academic research. Since the early 1990s it has increasingly concerned itself with psycho-social issues (e.g. trauma treatment or reconciliation) in the aftermath of violent protracted social conflicts. Within this psycho-social space there has been a growing interest in the use of music in conflict transformation to improve relationships between in and out-groups. However, the field of music and conflict transformation is still nascent, with little in-depth research available. The majority of studies have been undertaken by interested parties or relies on anecdotal evidence from organisers and musicians with little concern for the context of the music use. Participants, whose attitudes and relationships to out-groups are the focus of conflict transformation interventions, are largely overlooked and their views are rarely discussed. Furthermore, there are few detailed studies on exactly how music affects conflict transformation outcomes. Instead allusions are often made to terms such as “the power of music” which act as a black box intended to explain how music “works”, but patently fail to do so. This thesis attempts to fill these two gaps in the literature by focusing on the participants’ experiences in two different conflict transformation contexts, a multi- cultural music project for school children in Noway and the casual music use in a settlement of internally displaced persons in Sudan. Through qualitative research methods, rich descriptive data from different parties is gathered. The data is analysed using grounded theory. As a result a very different and more complex picture emerges that enriches the current understanding of how music is used and perceived in conflict transformation contexts. In particular, how participants view these activities and how power relationships, though rarely mentioned, affect the music use is explored in detail. Some tentative suggestions indicate that music works best when used in longitudinal bottom-up activities and that music can augment conflict transformation activities rather than replace them. Additionally, it is proposed that music may work as a form of benign interruption in conflict transformation activities and that musical events provide a liminal space where the real work lies in the process of bringing any changes in attitudes from the liminal space into everyday life

Music and art in conflict transformation: a review

Theme issue on music and arts in conflict transformationSince the early 1990s, there has been an increase in the use of music and the arts within a conflict transformation context. This guest editorial discusses the developments in this research and practical area. The current status of the field, and challenges it faces, are then examined within the context of this issue's theme of the arts and conflict transformation/peace building

Post-Caledonian Brittle Fault Zones on the Hyperextended SW Barents Sea Margin: New Insights into Onshore and Offshore Margin Architecture

Onshore-offshore correlation of brittle faults and tectonic lineaments has been undertaken along the SW Barents Sea margin off northern Norway. The study has focused on onshore mapping of fault zones, the mapping of offshore fault complexes and associated basins from seismic interpretation, and the linkage of fault complexes onshore and offshore by integrating a high-resolution DEM, covering both onshore and offshore portions of the study area, and processed magnetic anomaly data. This study shows that both onshore and offshore brittle faults manifest themselves mainly as alternating NNE–SSW- and ENE–WSW-trending, steeply to moderately dipping, normal fault zones constituting at least two major NE-SW-trending fault complexes, the Troms-Finnmark and Vestfjorden-Vanna fault complexes. These fault complexes in western Troms bound a major basement horst (the West Troms Basement Complex), run partly onshore and offshore and link up with the offshore Nysleppen and Måsøy fault complexes. Pre-existing structures in the basement, such as foliation, lithological boundaries and ductile shear zones are shown, at least on a local scale, to have exerted a controlling effect on faulting. On a larger scale, at least two major transfer fault zone systems, one along the reactivated Precambrian Senja Shear Belt and the other, the Fugløya transfer zone, accommodate changes in brittle fault polarity along the margin. Our results suggest that distributed rifting during Carboniferous and Late Permian/Early Triassic time was followed by a northwestward localisation of displacement to the Troms–Finnmark and Ringvassøy–Loppa fault complexes during the Late Jurassic/Early Cretaceous, resulting in the formation of a short-tapered, hyperextended margin with final break-up at ~55 Ma. An uplift of the margin and preservation of the West Troms Basement Complex as a basement outlier is suggested to be due to unloading and crustal flexure of the short-tapered margin in the region

A dual-track transition to global carbon pricing

Unilateral climate policies have been unable to achieve intended emissions reductions. We argue that international harmonization of climate policy beyond the Paris Agreement is the only way forward and that global carbon pricing, either through a tax or market, is the best available instrument to manage this. A foundation has already been laid, as current carbon pricing initiatives cover about 20% of global CO2 emissions. Since it limits free-riding by countries/jurisdictions, global carbon pricing is, in principle, behaviourally easier to negotiate than other instruments, such as emission targets or technical standards

Parallel tracks towards a global treaty on carbon pricing

We argue that a global carbon price is the only way to effectively tackle free riding in international climate policy, required to substantially reduce greenhouse gas emissions. We briefly review the main reasons behind the essential role of carbon pricing, address common misunderstandings and scepticism, and identify key complementary policy instruments. Negotiating global carbon pricing is argued to be much easier than negotiating binding country-level targets, especially if it includes equitable revenue recycling. Moreover, a global carbon price can be more readily adapted to new data and insights of climate science. We propose a political strategy towards a global carbon price that consists of two tracks. The first entails assembly of a carbon-pricing club, a specific case of a climate club, to gradually move towards a full participatory agreement on carbon pricing. The second track involves putting time and energy into re-focusing UNFCCC negotiations on a carbon-pricing agreement. The two tracks reinforce one another, increasing the likelihood of a successful outcome

A dual-track transition to global carbon pricing: the glass is half full

We appreciate the response by Erik Haites (2020) to our paper (van den Bergh et al., 2020a), not only because it is well-informed and contains many subtle remarks, but also because our article was aimed at stimulating debate on how to achieve effective climate policies that limit global warming change to 1.5-2°C. There is no question that the latter represents a tremendous challenge for the global community, and our dual-track proposal is intended to provide a workable approach to it by addressing the free-riding problem through policy harmonization. Although we feel that Haites raises many relevant points regarding the difficulties of carrying out the proposal, most of these were, in fact, already addressed by our paper (...

Prediction of function in daily life following multidisciplinary rehabilitation for individuals with chronic musculoskeletal pain; a prospective study

Background: The prevalence of chronic musculoskeletal pain is high, with widespread negative economic, psychological, and social consequences for the individual. It is therefore important to find ways to predict the outcome of rehabilitation programmes in terms of function in daily life. The aims of this study were to investigate the improvements over time from multidisciplinary rehabilitation in terms of pain and function, and analyse the relative impact of individual and psychosocial factors as predictors of function in daily life in individuals with chronic musculoskeletal pain. Methods: A prospective study was conducted among one hundred and forty three (N = 143) musculoskeletal pain patients. Measures of pain, function, and functional health status were obtained at baseline, after 5 weeks of intensive training, at the end of the 57-week rehabilitation programme, and at a 1 year follow-up, using validated self-administrated measures. Linear regression analysis was applied to investigate the relative impact of musculoskeletal pain, individual- , and psychosocial factors in function. Results: The participants studied showed a significant increase in function during the 57 weeks rehabilitation period. There was also a significant increase in function from the end of the rehabilitation period (57th week) to the one year follow-up measures. Pain intensity associated significantly with pain experience over all measurement periods. High levels of pain intensity (β = .42**) and pain experience (β = .37*), and poor psychological capacity (β = -.68*) at baseline, as well as poor physiological capacity (β = -.44**) and high levels of anxiety (β = .48**) and depression (β = .58***) at the end of the rehabilitation program were the most important prognostic factors of variance in functioning over the 4 measurement periods. Conclusion: The data suggest that physical capacity, emotional distress and coping skills should be priority areas in rehabilitation programmes to improve functioning in daily life

Music and Art in Conflict Transformation: A Review

Since the early 1990s, there has been an increase in the use of music and the arts within a conflict transformation context. This guest editorial discusses the developments in this research and practical area. The current status of the field, and challenges it faces, are then examined within the context of this issue's theme of the arts and conflict transformation/peace building

I'd like to teach the world to sing : music and conflict transformation

Modern conflict transformation emerged after World War II as a discipline and a field of academic research. Since the early 1990s it has increasingly concerned itself with psycho-social issues (e.g. trauma treatment or reconciliation) in the aftermath of violent protracted social conflicts. Within this psycho-social space there has been a growing interest in the use of music in conflict transformation to improve relationships between in and out-groups. However, the field of music and conflict transformation is still nascent, with little in-depth research available. The majority of studies have been undertaken by interested parties or relies on anecdotal evidence from organisers and musicians with little concern for the context of the music use. Participants, whose attitudes and relationships to out-groups are the focus of conflict transformation interventions, are largely overlooked and their views are rarely discussed. Furthermore, there are few detailed studies on exactly how music affects conflict transformation outcomes. Instead allusions are often made to terms such as “the power of music” which act as a black box intended to explain how music “works”, but patently fail to do so. This thesis attempts to fill these two gaps in the literature by focusing on the participants’ experiences in two different conflict transformation contexts, a multi- cultural music project for school children in Noway and the casual music use in a settlement of internally displaced persons in Sudan. Through qualitative research methods, rich descriptive data from different parties is gathered. The data is analysed using grounded theory. As a result a very different and more complex picture emerges that enriches the current understanding of how music is used and perceived in conflict transformation contexts. In particular, how participants view these activities and how power relationships, though rarely mentioned, affect the music use is explored in detail. Some tentative suggestions indicate that music works best when used in longitudinal bottom-up activities and that music can augment conflict transformation activities rather than replace them. Additionally, it is proposed that music may work as a form of benign interruption in conflict transformation activities and that musical events provide a liminal space where the real work lies in the process of bringing any changes in attitudes from the liminal space into everyday life.EThOS - Electronic Theses Online ServiceGBUnited Kingdo

Structural development of the Tertiary fold-and-thrust belt in east Oscar II Land, Spitsbergen

The Tertiary deformation in east Oscar II Land, Spitsbergen, is compressional and thin-skinned, and includes thrusts with ramp-flat geometry and associated fault-bend and fault-propagation folds. The thrust front in the Mediumfjellct-Lappdalen area consists of intensely deformed Paleozoic and Mesozoic rocks thrust on top of subhorizontal Mesozoic rocks to the east. The thrust front represents a complex frontal ramp duplex in which most of the eastward displacement is transferred from sole thrusts in the Permian and probably Carboniferous strata to roof thrusts in the Triassic sequence. The internal geometries in the thrust front suggest a complex kinematic development involving not only simple 'piggy-back', in-sequencc thrusting, but also overstep as well as out-of-sequence thrusting. The position of the thrust front and across-strike variation in structural character in east Oscar II Land is interpreted to be controlled by lithological (facies) variations and/or pre-existing structures, at depth, possibly cxtensional faults associated with the Carboniferous graben system