Les filles de Dibutade : voyageuses britanniques et hiérarchie des genres picturaux en Europe au XVIIIe siècle

Cette étude illustre la culture artistique considérable que les voyageuses britanniques parvenaient à acquérir au cours de leurs déplacements en Europe continentale dans la seconde moitié du XVIIIe siècle. Sans avoir reçu une éducation classique , les auteures des récits de voyages étudiés ici se montraient parfaitement capables de comprendre et d'apprécier la peinture d'histoire, genre pictural réputé le plus érudit. Toutefois, si la connaissance de la hiérarchie des genres picturaux leur permettait parfois de se distinguer socialement, le respect pour ce classement artistique et son application, les obligeaient à user de critères d'excellence genrés et entravaient ainsi la construction d'une généalogie féminine de la création artistique

Le premier art anglais

International audienceCet article analyse l'émergence du concept d'art britannique. Il part de la révolution historiographique qui, au Royaume-Uni, entre 1980 et 1990, a promu un nouveau référent, la Britishness, catégorie sociale, politique et culturelle qui devint le support privilégié d'une réflexion diachronique sur l'identité de la nation. La démarche généalogique à l'œuvre dans les travaux sur la Britishness entraîna un renouvellement des études sur le XVIIIe siècle, puisque les années allant de la " révolution glorieuse " de 1688 à la victoire de Waterloo en 1815 ou à l'accession au trône de la reine Victoria en 1837 furent identifiées comme celles de la création, voire de la fabrication, de cette identité britannique. Suivant le même tournant culturel, historiens et historiens de l'art portèrent une attention nouvelle aux systèmes de représentation, à leur genèse, à leur diffusion et à leur réception. S'appuyant sur quatre ouvrages publiés récemment, cet article analyse la vitalité de cette histoire de l'art britannique ouverte sur les sciences humaines, qui a produit depuis vingt ans des expositions et des travaux scientifiques conduisant à réinterpréter les parcours des artistes, des œuvres et des mouvements artistiques

Sociography of argentinian business corporations. Union Industrial Argentina, 1966-1974

La Unión Industrial Argentina (UIA) constituye un observable saliente para acercarnos al comportamiento corporativo de la burguesía en tanto constituye una de las asociaciones más representativas e influyentes de la misma en Argentina. Abordamos la problemática a partir de la reconstrucción de la dirección política de la entidad y las empresas insignia de cada dirigente. Mediante diversas fuentes especializadas las clasificamos de acuerdo a su lugar en los Rankings de ventas, ganancias, capital invertido y posición en el mercado internacional. Concluimos que la UIA en el período analizado (1966-1974) se componía de un pequeño grupo de capitales grandes y un número mayoritario de capitales pequeños a escala nacional, unificados por su marginalidad en el concierto mundial.The Argentina Industrial Union (UIA) is a projection observable to approach the corporate behavior of the bourgeoisie as it constitutes one of the most representative and influential associations thereof in this country. We approach the problem from the reconstruction of the political leadership of the company and the flagship companies of every leader. Through various specialized sources classify them according to their place in the rankings for sales, profits, capital and position in the international market. We conclude that the UIA in the analyzed period (1966-1974) consisted in a small group of large capital and a major number of small capitals nationwide, unified by their marginalization in world market.Fil: Baudino, Verónica. Consejo Nacional de Investigaciones Científicas y Técnicas. Centro Científico Tecnológico Conicet - la Plata. Instituto de Investigaciones En Humanidades y Ciencias Sociales. Universidad Nacional de la Plata. Facultad de Humanidades y Ciencias de la Educación. Instituto de Investigaciones En Humanidades y Ciencias Sociales; Argentin

Azzi, M. S. y Titto, R., Pioneros de la industria argentina

Azzi, M. S. y Titto, R., Pioneros de la industria argentin

Sustainable Methods for Lithium Recovery from Water and Unconventional Resources

L'abstract è presente nell'allegato / the abstract is in the attachmen

Difficult Beginning ? The Early Years of the Royal Academy of Arts in London

International audienceThe Royal Academy of Arts was founded in London on December 10th 1768, after a long and arduous process of academic establishment. Its early days were difficult and uncertain: the legitimacy and rule of royal academicians was questioned by artists who had been excluded from the newly-created institution, which instead of figuring as a collaborative venture of the artistic community, had clearly been established by the former Directors of the Society of Artists of Great Britain - to the detriment of their former fellow artists. Since the Royal Academy built upon the system of annual public art exhibitions, which had become a defining feature of London cultural life since 1760, it had to advertise its exhibitions alongside those organised by other artists' societies. As there exist very few official sources on the rift that was caused in the artistic community by the foundation of the Royal Academy, these advertisements are worth studying. They not only allow us to trace the continuing struggle between Royal Academicians and their opponents, they also brought the aims of artists from both sides in the public sphere. Press advertisements show how royal academicians managed to establish their rule and authority by emphasising the royal nature and national purpose of the Royal Academy, and by presenting it as the only liberal academic body - thus drawing upon a centuries-old tradition.La Royal Academy of Arts de Londres fut fondée le 10 décembre 1768 à l'issue d'un mouvement académique particulièrement long. Ses premières années d'existence furent difficiles et incertaines, car les artistes qui avaient été exclus de l'institution nouvellement créée refusèrent d'accepter la légitimité et l'autorité des académiciens royaux. La Royal Academy n'était pas le fruit d'une démarche consensuelle mais fut établie par ceux qui avaient dirigé la " Société des Artistes de Grande-Bretagne " au détriment de leurs anciens collègues artistes. En adoptant le système des expositions publiques d'art annuelles, qui était devenu l'une des caractéristiques de la vie culturelle londonienne depuis 1760, la Royal Academy dut faire la publicité de ses expositions au même moment que les autres sociétés d'artistes. L'étude des publicités annonçant ces expositions est très précieuse. En effet, comme très peu de sources officielles documentent la fracture que causa la création de la Royal Academy dans la communauté artistique, ces annonces permettent de retracer le déroulement du conflit entre les académiciens et leurs opposants ainsi que les intentions exprimées par les deux partis dans l'espace public. Elles illustrent comment les académiciens royaux parvinrent à affirmer leur autorité en s'appuyant sur la nature royale et la dimension nationale de l'institution à laquelle ils appartenaient mais aussi, en la présentant comme la seule garante des valeurs académiques et libérales, comme l'héritière d'une tradition séculaire

Power in Meaning: Changing Indigenous Museum Collection Narratives

New Museum Theory is successful not only in creating space for Native voice(s) at the Spencer Museum of Art through the exhibition, Passages: Persistent Visions of a Native Place, but also in beginning a new chapter for the ethnographic collection at the University of Kansas. In this thesis, I discover the success of the exhibition and the repurposing of the collection through critical analysis of how the collection has been and is now interpreted and managed. This discovery involves conducting a summative evaluation of the exhibit, and exploring the ways in which New Museum Theory affects the collection. The summative evaluation includes an analysis of visitor surveys, interviews with Native American artists, and observations of programming. The summative evaluation and my analysis reveals that New Museum Theory is successful in creating space for Native voice(s) in the museum, as well as changing the narrative of the collection. Broader conclusions can be drawn from these results for the positive effect New Museum Theory may have on the future of indigenous collections across the United States

Subduction consequences along the Andean margin : thermal and topographic signature of an ancient ridge subduction in the Marañón Basin of Perú

All along the eastern border of the Andes lie foreland basins that are among the most prolific hydrocarbon provinces of the world. Their Cenozoic evolution was controlled by the Andean uplift and its consequences on deformation and sedimentation. In turn, the Andean uplift results from the interplay between the subducting Nazca oceanic plate and the South American continental plate. Although the process exists all along the margin, the subducting plate is not regular including bathymetric anomalies and segments that result in different response in the deformation and active volcanism of the overriding plate. In the Marañón Basin of Peru, evidences allow documenting the consequences of a topographic anomaly subduction on the thermal regime and deformation of the Andean foreland during the Neogene. In this basin, a maturity anomaly is difficult to explain by considering only the present day thermal regime. However, it spatially coincides with the trace of a lost subducting ridge, the Inca Plateau. Other features like differential uplift and erosion can be related to the same event in the area. We review the consequences of oceanic ridge subduction along the Andean margin. Their effects on the deformation and volcanism of the forearc and arc regions have been extensively described. Their influence on the present day foreland topography is testified by the existence of giant alluvial fans and displaced terraces. Their effect on magmatism and ore deposits formation has also been demonstrated. The example illustrated here shows that their influence on thermal regime, deformation, erosion and ultimately on petroleum systems must also be taken into account in the search for hydrocarbons in subduction related basins

Subduction consequences along the Andean margin: thermal and topographic signature of an ancient ridge subduction in the Marañón Basin of Perú

All along the eastern border of the Andes lie foreland basins that are among the most prolific hydrocarbon provinces of the world. Their Cenozoic evolution was controlled by the Andean uplift and its consequences on deformation and sedimentation. In turn, the Andean uplift results from the interplay between the subducting Nazca oceanic plate and the South American continental plate. Although the process exists all along the margin, the subducting plate is not regular including bathymetric anomalies and segments that result in different response in the deformation and active volcanism of the overriding plate. In the Marañón Basin of Peru, evidences allow documenting the consequences of a topographic anomaly subduction on the thermal regime and deformation of the Andean foreland during the Neogene. In this basin, a maturity anomaly is difficult to explain by considering only the present day thermal regime. However, it spatially coincides with the trace of a lost subducting ridge, the Inca Plateau. Other features like differential uplift and erosion can be related to the same event in the area. We review the consequences of oceanic ridge subduction along the Andean margin. Their effects on the deformation and volcanism of the forearc and arc regions have been extensively described. Their influence on the present day foreland topography is testified by the existence of giant alluvial fans and displaced terraces. Their effect on magmatism and ore deposits formation has also been demonstrated. The example illustrated here shows that their influence on thermal regime, deformation, erosion and ultimately on petroleum systems must also be taken into account in the search for hydrocarbons in subduction related basins.All along the eastern border of the Andes lie foreland basins that are among the most prolific hydrocarbon provinces of the world. Their Cenozoic evolution was controlled by the Andean uplift and its consequences on deformation and sedimentation. In turn, the Andean uplift results from the interplay between the subducting Nazca oceanic plate and the South American continental plate. Although the process exists all along the margin, the subducting plate is not regular including bathymetric anomalies and segments that result in different response in the deformation and active volcanism of the overriding plate. In the Marañon Basin of Peru, evidences allow documenting the consequences of a topographic anomaly subduction on the thermal regime and deformation of the Andean foreland during the Neogene. In this basin, a maturity anomaly is difficult to explain by considering only the present day thermal regime. However, it spatially coincides with the trace of a lost subducting ridge, the Inca Plateau. Other features like differential uplift and erosion can be related to the same event in the area.We review the consequences of oceanic ridge subduction along the Andean margin. Their effects on the deformation and volcanism of the forearc and arc regions have been extensively described. Their influence on the present day foreland topography is testified by the existence of giant alluvial fans and displaced terraces. Their effect on magmatism and ore deposits formation has also been demonstrated.This example illustrated here shows that their influence on thermal regime, deformation, erosion and ultimately on petroleum systems, must also be taken into account in the search for hydrocarbons in subduction related basins