Empirical Standards for Software Engineering Research

Empirical Standards are natural-language models of a scientific community's expectations for a specific kind of study (e.g. a questionnaire survey). The ACM SIGSOFT Paper and Peer Review Quality Initiative generated empirical standards for research methods commonly used in software engineering. These living documents, which should be continuously revised to reflect evolving consensus around research best practices, will improve research quality and make peer review more effective, reliable, transparent and fair.Comment: For the complete standards, supplements and other resources, see https://github.com/acmsigsoft/EmpiricalStandard

Scrivere a scuola. Analisi di alcuni testi salentini del XIX sec.

Il contributo riguarda la lingua scritta nella scuola elementare e superiore alla fine dell''800. Si basa sull'analisi di un corpus di elaborati scritti di una scuola salentina

ACM SIGSOFT Empirical Standards

Empirical Standards are brief public document that communicate expectations for a specific kind of study (e.g. a questionnaire survey). The ACM SIGSOFT Paper and Peer Review Quality Initiative generated empirical standards for common research methods in software engineering. These living documents, which should be continuously revised to reflect evolving consensus around research best practices, can be used to make peer review more transparent, structured, harmonious and fair

Firenze 1911: la mostra del ritratto italiano e le radici iconografiche dell’identità nazionale

Il saggio indaga la storia della Mostra del ritratto italiano tenutasi a Firenze nel 1911 in occasione del cinquantenario del Regno. La grande mostra, ideata e organizzata dal critico d'arte Ugo Ojetti, fu episodio di grande rilevanza per la riscoperta della pittura di ritratto in relazione all'identità nazionale a confronto con quella di altri paesi europei.The essay investigates the history of the exhibition of Italian portrait held in Florence in 1911 on the occasion of the fiftieth anniversary of the Italian Kingdom. The exhibition, conceived and organized by the art critic Ugo Ojetti was an episode of great importance for the rediscovery of portrait's painting in relation to national identity in comparison with that of other European countries