HÁ UMA GOTA DE SANGUE EM CADA MUSEU: contranarrativa e contramemória no espaço expositivo

O presente artigo parte do pressuposto de que o museu é um lugar de memória e como tal território de disputa de poder. Partindo do diálogo com o trabalho Há uma gota de sangue em cada museu de Mário Chagas publicado nos anos 1990, realizamos uma breve contextualização dos museus modernos para realizar uma leitura de duas exposições de arte que colocam em debate a memória colonial: Bottanica Tirannica, individual da artista brasileira Giselle Beiguelman, que critica o colonialismo científico e Caminhantes, exposição on line fruto da colaboração entre Gabriel Bogossian, Victor Leguy e o artista indígena Ariel Ortega que assume a forma de uma fábula decolonial para refletir sobre os modos de ver o mundo ameríndio e as diferentes instâncias discursivas – religiosa, militar, estética, científica – que moldam a relação entre os mundos indígena e não-indígena

Memory, Colonialism, Art and Technology: Exploring Posible Dialogues

[EN] This current article approaches, from an interdisciplinary perspective, the relationship between memory, nature, and colonialism through a dialogue with the works of Brazilian artists, with the purpose of highlighting how Brazilian contemporary art, especially that which engages with technologies, has brought environmental crises and violence related to colonization into the debate. Initially, the need for a plural view of memory is emphasized to underscore the increase in memory practices in the digital age, driven by social media. Then, artistic projects that address the relationship between memory, nature, and technology are explored. Solastalgia by Lucas Bambozzi denounces the environmental degradation caused by iron mining in Minas Gerais. Memoria de la Tierra by Paulo Tavares addresses the dispossession of indigenous peoples from their territories and their resistance through memory and documentation. Caminantes, an online exhibition, investigates the fictional history of a Swiss ethnographer to question the colonialism of indigenous peoples and surveillance practices in the realm of data memory. Finally, Terra de Gigantes by Daniel Lima proposes a game of proportions and interactions with the audience, involving technology with ancestral memories. Despite the differences, the analyzed projects create a powerful dialogue between memory and oblivion, memory and counter-memory. They elucidate power dynamics in the construction of memory and the complex relationship between the memory of the land, data memory, and ancestral technologies. They explore the intricate relationships between the past, present, and future, promoting critical dialogue about memory and its political role in the contemporary context.[ES] Este artículo actual aborda, desde una perspectiva interdisciplinaria, la relación entre la memoria, la naturaleza y el colonialismo a través del diálogo con las obras de artistas brasileños, con el propósito de señalar cómo el arte contemporáneo brasileño, especialmente aquel que se involucra con las tecnologías, ha llevado al debate las crisis ambientales y las violencias relacionadas con los procesos de colonización. Inicialmente, se señala la necesidad de una mirada plural hacia la memoria para resaltar el aumento de las prácticas de memoria en la era digital, impulsado por las redes sociales. Luego, se exploran proyectos artísticos que abordan la relación entre la memoria, la naturaleza y la tecnología. Solastalgia de Lucas Bambozzi denuncia la degradación ambiental causada por la minería de hierro en Minas Gerais. Memoria de la Tierra , de Paulo Tavares, aborda la desposesión de los pueblos indígenas de sus territorios y la resistencia a través de la memoria y la documentación. Caminantes , una exposición en línea, investiga la historia ficticia de un etnógrafo suizo para cuestionar el colonialismo de los pueblos originarios y las prácticas de vigilancia en el ámbito de la memoria de datos. Por último, Terra de Gigantes de Daniel Lima propone un juego de proporciones e interacciones con el público, involucrando la tecnología con las memorias ancestrales. A pesar de las diferencias, los proyectos analizados crean un diálogo potente entre la memoria y el olvido, la memoria y la contramemoria . Explican los juegos de poder presentes en la construcción de la memoria y en la compleja relación entre la memoria de la tierra , la memoria de datos y las tecnologías ancestrales. Exploran las complejas relaciones entre el pasado, el presente y el futuro, promoviendo un diálogo crítico sobre la memoria y su papel político en el contexto contemporáneo.Arantes, PAC. (2024). Memoria, colonialismo, arte y tecnología: explorando diálogos posibles. ANIAV - Revista de Investigación en Artes Visuales. (14):1-9. https://doi.org/10.4995/aniav.2024.20636191

A moda como dispositivo da memória no espaço museológico

This article aims to establish relationships between fashion, memory and the museum, with a view to understanding the phenomenon of fashion that leaves the commonplace and enters the museum spaces. Thus, we are dedicated to examining how fashion and the museum, as fields of cultural production, are structured. The theoretical framework comprises the following authors: Le Goof (2013), Nora (1993), Crane (2008), Lipovetsky (2009), Sant'Anna (2010), Norogrando (2015), Andrade (2008). This work was developed from the result of exploratory research adopting the following methodological steps: literature review, documentary research and case studies that guided the analyzes and syntheses presented.Cet article vise à établir des relations entre la mode, la mémoire et le musée, en vue de comprendre le phénomène de la mode qui sort du commun et entre dans les espaces muséaux. Ainsi, nous nous consacrons à examiner comment la mode et le musée, en tant que champs de production culturelle, sont structurés. Le cadre théorique comprend les auteurs suivants: Le Goof (2013), Nora (1993), Crane (2008), Lipovetsky (2009), Sant'Anna (2010), Norogrando (2015), Andrade (2008). Ce travail a été développé à partir du résultat de recherches exploratoires adoptant les étapes méthodologiques suivantes: revue de la littérature, recherche documentaire et études de cas qui ont guidé les analyses et les synthèses. O presente artigo tem por objetivo estabelecer relações entre moda, memória e museu, tendo em vista a compreensão do fenômeno da moda que sai do lugar comum e adentra os espaços museológicos. Assim, dedicamo-nos, também a examinar como a moda e o museu, enquanto campos de produção cultural, se estruturam. O referencial teórico compreende os seguintes autores: Le Goof (2013), Nora (1993), Crane (2008), Lipovetsky (2009), Sant'Anna (2010), Norogrando (2015), Andrade (2008). Este trabalho foi desenvolvido a partir do resultado de pesquisa exploratória adotando as seguintes etapas metodológicas: revisão de literatura, pesquisa documental e estudos de caso que pautaram as análises e sínteses apresentadas

Poesia, corpo e rede na obra de Lenora de Barros

O artigo discute a poesia e o corpo como principais materiais na obra de Lenora de Barros, refletindo sobre como a certa altura sua produção se aproxima das práticas de autorrepresentação na cultura em rede. A partir da análise de poemas como Homenagem a George Segal e Poema, o texto reflete sobre a inserção da obra da artista no contexto da poesia visual. Ao abordar Língua Vertebral, No país da língua grande e Procuro-me, entre outros, explora os diálogos com a arte contemporânea. Dessa forma, propõe o entendimento de como a produção de Lenora de Barros transita entre diferentes circuitos. Esta última obra também serve de ponto de partida para pensar o problema da representação de si, conforme ela transita da arte para as redes sociais

Breve panorama histórico do entrelaçamento entre museus, exposições e expografia

This paper intends to give a brief historical overview about museums, exhibitions and the current expographic incursions. Despite conforming to a widely discussed subject, there is a shortage of brief, concise reports that relate the three terms. Thus, this text propose a synthetic chronological compilation of the historical journey of museums from their ancestors as the mouseion of antiquity, moving through universal exhibitions, museums and science centers to what should be expected from the museum in the 21st century, constantly relating the evolution of the museal environment and its design. Keywords: Expography. Exhibition. Museum. Historical Overview.Este artículo esta destinado de dar una breve descripción histórica sobre museos, exposiciones y las incursiones en la expografía. A pesar de apareserse a un tema ampliamente discutido, hay una escasez de informes breves y concisos que relacionen los tres términos. Por lo tanto, se propone una compilación cronológica sintética del viaje histórico de los museos desde sus antepasados ​​como el mouseion de la antigüedad, moviéndose a través de exposiciones universales, museos y centros de ciencia con lo que se debe esperar del museo en el siglo XXI, relacionando constantemente la evolución de la historia del entorno museal y su diseño. Palabras clave: Expografía. Exposiciones. Museo. Reseña histórica.Este artigo[1] pretende tecer um breve panorama histórico a respeito dos museus, exposições e as incursões expográficas presentes. Apesar se conformar como um assunto bastante discutido, nota-se a lacuna de relatos breves, concisos e que relacionem os três termos. Assim, propõe-se a compilação cronológica sintética da jornada histórica dos museus desde seus ancestrais como o mouseion da antiguidade, transitando pelas exposições universais, museus e centros de ciências até o que deve se esperar do museu no século XXI, constantemente relacionando a evolução do ambiente museal e seu desenho. Palavras-chave: Expografia. Exposição. Museu. Panorama Histórico.   [1] O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - Brasil (CAPES) - Código de Financiamento 001

Estudos Artísticos

O número 18 da revista Gama apresenta 16 artigos respondendo ao desafio a editorial lançado por esta revista. Trata-se de apresentar a obra de artistas contemporâneos ou mais antigos numa perspetiva de um resgate patrimonial, uma revisitação valorizadora do seu testemunho artístico.info:eu-repo/semantics/publishedVersio

Pervasive gaps in Amazonian ecological research

Biodiversity loss is one of the main challenges of our time,1,2 and attempts to address it require a clear un derstanding of how ecological communities respond to environmental change across time and space.3,4 While the increasing availability of global databases on ecological communities has advanced our knowledge of biodiversity sensitivity to environmental changes,5–7 vast areas of the tropics remain understudied.8–11 In the American tropics, Amazonia stands out as the world’s most diverse rainforest and the primary source of Neotropical biodiversity,12 but it remains among the least known forests in America and is often underrepre sented in biodiversity databases.13–15 To worsen this situation, human-induced modifications16,17 may elim inate pieces of the Amazon’s biodiversity puzzle before we can use them to understand how ecological com munities are responding. To increase generalization and applicability of biodiversity knowledge,18,19 it is thus crucial to reduce biases in ecological research, particularly in regions projected to face the most pronounced environmental changes. We integrate ecological community metadata of 7,694 sampling sites for multiple or ganism groups in a machine learning model framework to map the research probability across the Brazilian Amazonia, while identifying the region’s vulnerability to environmental change. 15%–18% of the most ne glected areas in ecological research are expected to experience severe climate or land use changes by 2050. This means that unless we take immediate action, we will not be able to establish their current status, much less monitor how it is changing and what is being lostinfo:eu-repo/semantics/publishedVersio

Pervasive gaps in Amazonian ecological research

Biodiversity loss is one of the main challenges of our time,1,2 and attempts to address it require a clear understanding of how ecological communities respond to environmental change across time and space.3,4 While the increasing availability of global databases on ecological communities has advanced our knowledge of biodiversity sensitivity to environmental changes,5,6,7 vast areas of the tropics remain understudied.8,9,10,11 In the American tropics, Amazonia stands out as the world's most diverse rainforest and the primary source of Neotropical biodiversity,12 but it remains among the least known forests in America and is often underrepresented in biodiversity databases.13,14,15 To worsen this situation, human-induced modifications16,17 may eliminate pieces of the Amazon's biodiversity puzzle before we can use them to understand how ecological communities are responding. To increase generalization and applicability of biodiversity knowledge,18,19 it is thus crucial to reduce biases in ecological research, particularly in regions projected to face the most pronounced environmental changes. We integrate ecological community metadata of 7,694 sampling sites for multiple organism groups in a machine learning model framework to map the research probability across the Brazilian Amazonia, while identifying the region's vulnerability to environmental change. 15%–18% of the most neglected areas in ecological research are expected to experience severe climate or land use changes by 2050. This means that unless we take immediate action, we will not be able to establish their current status, much less monitor how it is changing and what is being lost

Pervasive gaps in Amazonian ecological research

Biodiversity loss is one of the main challenges of our time,1,2 and attempts to address it require a clear understanding of how ecological communities respond to environmental change across time and space.3,4 While the increasing availability of global databases on ecological communities has advanced our knowledge of biodiversity sensitivity to environmental changes,5,6,7 vast areas of the tropics remain understudied.8,9,10,11 In the American tropics, Amazonia stands out as the world's most diverse rainforest and the primary source of Neotropical biodiversity,12 but it remains among the least known forests in America and is often underrepresented in biodiversity databases.13,14,15 To worsen this situation, human-induced modifications16,17 may eliminate pieces of the Amazon's biodiversity puzzle before we can use them to understand how ecological communities are responding. To increase generalization and applicability of biodiversity knowledge,18,19 it is thus crucial to reduce biases in ecological research, particularly in regions projected to face the most pronounced environmental changes. We integrate ecological community metadata of 7,694 sampling sites for multiple organism groups in a machine learning model framework to map the research probability across the Brazilian Amazonia, while identifying the region's vulnerability to environmental change. 15%–18% of the most neglected areas in ecological research are expected to experience severe climate or land use changes by 2050. This means that unless we take immediate action, we will not be able to establish their current status, much less monitor how it is changing and what is being lost