Textiling World Politics:Towards an extended epistemology, methodology, and ontology

This article argues that textiling—a particular kind of making that simultaneously constitutes a concept, a metaphor, and a practice—can facilitate a radical rethinking and redoing of the study of world politics. Specifically, we suggest three ways in which textiling, and the relationality it enables, facilitates this innovation: as a different way of theorizing in the discipline of international relations (IR), as a creative method and methodology for the empirical study of world politics, and as ontological world-making through cosmopraxis. These three ways open up possibilities of engaging the world and its politics differently by enabling an extended epistemology that accounts not only for propositional (abstract and textual) knowledge, but also for experiential, presentational, and practical ways of knowing. Thereby, textiling is not only an innovative practical instrument by means of which different research traditions within IR can cultivate non-propositional ways of knowing; it can also entangle these new insights with the propositional knowledge traditionally privileged by IR and interweave theory and practice in IR scholarship

Knowing Through Needlework: Curating the Difficult Knowledge of Conflict Textiles

Drawing on our experience of commissioning and co-curating an exhibition of international conflict textiles – appliquéd wall-hangings (arpilleras), quilts, embroidered handkerchiefs, banners, ribbons, and mixed-media art addressing topics such as forced disappearances, military dictatorship, and drone warfare – this article introduces these textiles as bearers of knowledge for the study of war and militarized violence, and curating as a methodology to care for the unsettling, difficult knowledge they carry. Firstly, we explain how conflict textiles as object witnesses voice difficult knowledge in documentary, visual and sensory registers, some of which are specific to their textile material quality. Secondly, we explore curating conflict textiles as a methodology of ‘caring for’ this knowledge. We suggest that the conflict textiles in our exhibition brought about an affective force in many of its visitors, resulting in some cases in a transformation of thought

Guidelines for the use of flow cytometry and cell sorting in immunological studies (third edition)

The third edition of Flow Cytometry Guidelines provides the key aspects to consider when performing flow cytometry experiments and includes comprehensive sections describing phenotypes and functional assays of all major human and murine immune cell subsets. Notably, the Guidelines contain helpful tables highlighting phenotypes and key differences between human and murine cells. Another useful feature of this edition is the flow cytometry analysis of clinical samples with examples of flow cytometry applications in the context of autoimmune diseases, cancers as well as acute and chronic infectious diseases. Furthermore, there are sections detailing tips, tricks and pitfalls to avoid. All sections are written and peer‐reviewed by leading flow cytometry experts and immunologists, making this edition an essential and state‐of‐the‐art handbook for basic and clinical researchers.DFG, 389687267, Kompartimentalisierung, Aufrechterhaltung und Reaktivierung humaner Gedächtnis-T-Lymphozyten aus Knochenmark und peripherem BlutDFG, 80750187, SFB 841: Leberentzündungen: Infektion, Immunregulation und KonsequenzenEC/H2020/800924/EU/International Cancer Research Fellowships - 2/iCARE-2DFG, 252623821, Die Rolle von follikulären T-Helferzellen in T-Helferzell-Differenzierung, Funktion und PlastizitätDFG, 390873048, EXC 2151: ImmunoSensation2 - the immune sensory syste

Problematising war: Towards a reconstructive critique of war as a problem of deviance

This article redirects extant critiques of the modern problem of war at this problem’s underlying logic of deviance. According to this logic, war constitutes a kind of international conduct that contravenes behavioural norms and that can be corrected through diagnostic and didactic means. Thereby, war is rendered into a problem falling within the scope of human agency. However, this agency rests on and reproduces this logic’s constitutive blind spots. Therefore, it seems imperative to develop ways of problematising war otherwise. The article provides two starting points for (critical) IR scholarship seeking to undertake such a project. Firstly, it combines two Foucaultian tools, the concept of problematisation and the method of genealogy, to direct critique at the logics underlying our evaluative – analytical, ethical, and political –judgements. Secondly, it uses these tools to trace the contingent emergence of the logic of deviance in a crucial example within the wider genealogy of the problem of war: the Carnegie Endowment’s commission of inquiry into the Balkan Wars of 1912 and 1913. Based on original archival research, I highlight different elements of this inquiry’s problematisation of war – its frames, assumptions, ways of knowing, and subjects of knowledge – to make them available for reconstruction

Crafting Stories, Making Peace?: Creative Methods in Peace Research

This article examines the analytical and political potentials of creative methods for peace research. Specifically, the article argues that creative methods can textile, i.e. render material and irregularly textured, (research on) post-conflict politics. Grounded in a collaborative research project with former combatants in Colombia, the article takes this project’s methods – narrative practice, textile-making, and a travelling exhibition – as examples to demonstrate how creative methods’ element of making contributes to the development of post-conflict subjectivities and relationships. Casting the data generated by creative methods as crafted stories, the article also shows how in these stories, semantic meaning becomes entangled with material traces of emotional, affective, and embodied experiences of violence and its aftermath, effecting a shift in the post-conflict distribution of the sensible. By exploring creative methods’ capacity for textiling peace (research), the article contributes to research on creativity, the arts, and peace and on the post-conflict trajectories of former combatants