LAS PASIONES DEL ALMA SEGUN SABUCO EN SU NUEVA FILOSOPA DE LA NATURALEZA DEL HOMBRE

This article revises Bachiller Sabuco's work, puning the text in relation with the physiognomy's treatises and on the soul's passions which were d e n during the last years of the XVIth century and the beginning of the XVIIth century by other authon, like Huarte de Dan Juan, Lomazzo or Della Porta, and his possible influence in the sphere of the artistic literature and at the pictonal production.Este artículo analiza la obra del bachiller Sabuco, poniendo su texto en relación con los tratados de fisiognomía, y sobre las pasiones del alma que se realizaron durante finales del siglo XVI y principios del siglo XVII por otros autores, como Huarte de San Juan, Lomazzo o Della Porta, así como su posible influencia en el campo de la literatura artística y de la producción pictórica

Physiognomy and expression of the passions in some libraries of Spanish artists in the Seventeenth century

Este artículo analiza los textos y tratados sobre fisiognomía y expresión de las pasiones que se podían encontrar en tres bibliotecas de teóricos y pintores especialmente significativos del siglo XVII, como son Diego Velázquez, Vicente Carducho y Francisco Pacheco, todos ellos doctus artifex españoles. Esta aproximación contribuirá a un mejor conocimiento acerca de su formación teórica y de las fuentes fisiognómicas y pathognómicas manejadas a la hora de componer sus obras.This paper presents a study of the physiognomic texts and treaties that could be found in the libraries of three theoreticians and painters of particular importance during the 17th century: Diego Velazquez, Vicente Carducho and Francisco Pacheco, all of them Spanish doctus artifex. This information allows us to gain a greater understanding about their theoretical training and the physiognomic and pathognomic sources consulted when they composed their works

La fisiognomía en la cartilla del pintor valenciano Vicente Salvador Gómez

During the 17th century some artists wrote the first artistic treaties in Spain, and decided to compose their own drawing books too. It is the case of the Valencian artist Vicente Salvador Gómez who in 1674 began one of the first examples that is preserved, the Cartilla y fundamentales reglas de la pintura. Director of the Academy of Painting of the convent of Santo Domingo, contemporary of Ribera and Alonso Cano, owned one of the most valuable and know artist?s library, with an enviable collection of four hundred volumes. This paper studies the pages that are conserved of the drawing books and shows how the artist knew the artistic theories that circulated by Europe, among them physiognomics. This subject, between the mantic and the science was object of study of numerous artists and had been included in the treaties of Leonardo or Dürer, but also in Spain by Carducho. The remains of the drawing book shows the knowledge of the painter on the clasic physiognomic theories, but their drawings also suppose the first and only examples of illustration of these theories in Spain in XVII century, uniting the image and the word in an exercise of marked didactic vocation

Deregulated cellular circuits driving immunoglobulins and complement consumption associate with the severity of COVID-19 patients

SARS-CoV-2 infection causes an abrupt response by the host immune system, which is largely responsible for the outcome of COVID-19. We investigated whether the specific immune responses in the peripheral blood of 276 patients were associated with the severity and progression of COVID-19. At admission, dramatic lymphopenia of T, B, and NK cells is associated with severity. Conversely, the proportion of B cells, plasmablasts, circulating follicular helper T cells (cTfh) and CD56–CD16+ NK-cells increased. Regarding humoral immunity, levels of IgM, IgA, and IgG were unaffected, but when degrees of severity were considered, IgG was lower in severe patients. Compared to healthy donors, complement C3 and C4 protein levels were higher in mild and moderate, but not in severe patients, while the activation peptide of C5 (C5a) increased from the admission in every patient, regardless of their severity. Moreover, total IgG, the IgG1 and IgG3 isotypes, and C4 decreased from day 0 to day 10 in patients who were hospitalized for more than two weeks, but not in patients who were discharged earlier. Our study provides important clues to understand the immune response observed in COVID-19 patients, associating severity with an imbalanced humoral response, and identifying new targets for therapeutic interventionThe study was funded by grants SAF2017- 82886-R to FS-M from the Ministerio de Economía y Competitividad, and from “La Caixa Banking Foundation” (HR17-00016) to FS-M. Grant PI018/01163 to CMC and grant PI19/00549 to AA were funded by Fondo de Investigaciones Sanitarias, Ministerio de Sanidad y Consumo, Spain. SAF2017-82886-R, PI018/01163 and PI19/00549 grants were also co-funded by European Regional Development Fund, ERDF/FEDER. This work has been funded by grants Fondo Supera COVID (CRUE-Banco de Santander) to FSM, and “Ayuda Covid 2019” from Comunidad de Madri

Fisiognomía y expresión de las pasiones y su influencia en los tratados artísticos del siglo XVII en España / María del Mar Albero Muñoz; directores, Cristóbal Belda Navarro, Concepción de la Peña Velasco

Texto en español, resumen en inglés.Tesis-Universidad de Murcia.Consulte la tesis en: BCA. GENERAL. ARCHIVO UNIVERSITARIO. T.M. 3574

La investigación sobre fisiognomía y expresión de las pasiones: objetivos y metodología.

The search of the emotional expressivity in the arts during the 17th century, guided both artists and theorist to the analysis of the expression of the passions, the physiognomy and the appearance of emotions. This subject had been developed into the artistic literature from the ancient times until this century by writers like PseudoAristotle, Alberti, Leonardo or Gaurico. This study analyzes the research methods applied to know the influence of these theories into the Spanish XVII century artistic literature. Mainly in the study of the treatises wrote by Vicente Carducho, Francisco Pacheco and Jusepe Martinez, showing the different paths used by them in order to guide other painters to illustrate the emotions of the soul

La investigación sobre fisiognomía y expresión de las pasiones. Objetivos y metodología

La búsqueda de la expresividad emocional en las artes durante el siglo XVII guió tanto a artistas como a teóricos en el análisis de la expresión de las pasiones, la fisiogmonía y la apariencia de las emociones. Este tema se desarrolló en la literatura artística desde la antigüedad hasta esa época por escritores como Pseudo-Aristóteles, Alberti, Leonardo o Gaurico. Este trabajo presenta los métodos de investigación apli-cados en el estudio de la influencia de estas teorías en la literatura artística española del siglo XVII, principalmente en los tratados de Vicente Carducho, Francisco Pacheco y Jusepe Martínez. Estos teóricos, tal y como se demuestra en el trabajo, utilizaron distintos métodos y compartieron diferentes experiencias en sus tratados, pero a to-dos ellos les impulsaba una misma finalidad, la de guiar en la práctica de la pintura y en la ilustración de las emociones del alma a artistas más jóvenes.The search of the emotional expressivity in the arts during the 17th century, guided both artists and theorist to the analysis of the expression of the passions, the physi-ognomy and the appearance of emotions. This subject had been developed into the artistic literature from the ancient times until this century by writers like Pseudo-Aristotle, Alberti, Leonardo or Gaurico. This study analyzes the research methods applied to know the influence of these theories into the Spanish XVII century artistic literature. Mainly in the study of the treatises wrote by Vicente Carducho, Francisco Pacheco and Jusepe Martinez, showing the different paths used by them in order to guide other painters to illustrate the emotions of the soul