8,092 research outputs found

    DARIAH and the Benelux

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    Annual Report 2007-2008

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    Unit reports Addition of web-based bibliographic instruction Establishment of the Learning Commons Installation of new workstations Lots of statisticshttps://digitalcommons.humboldt.edu/library_pub/1039/thumbnail.jp

    DiSCmap : digitisation of special collections mapping, assessment, prioritisation. Final project report

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    Traditionally, digitisation has been led by supply rather than demand. While end users are seen as a priority they are not directly consulted about which collections they would like to have made available digitally or why. This can be seen in a wide range of policy documents throughout the cultural heritage sector, where users are positioned as central but where their preferences are assumed rather than solicited. Post-digitisation consultation with end users isequally rare. How are we to know that digitisation is serving the needs of the Higher Education community and is sustainable in the long-term? The 'Digitisation in Special Collections: mapping, assessment and prioritisation' (DiSCmap) project, funded by the Joint Information Systems Committee (JISC) and the Research Information Network (RIN), aimed to:- Identify priority collections for potential digitisation housed within UK Higher Education's libraries, archives and museums as well as faculties and departments.- Assess users' needs and demand for Special Collections to be digitised across all disciplines.- Produce a synthesis of available knowledge about users' needs with regard to usability and format of digitised resources.- Provide recommendations for a strategic approach to digitisation within the wider context and activity of leading players both in the public and commercial sector.The project was carried out jointly by the Centre for Digital Library Research (CDLR) and the Centre for Research in Library and Information Management (CERLIM) and has taken a collaborative approach to the creation of a user-driven digitisation prioritisation framework, encouraging participation and collective engagement between communities.Between September 2008 and March 2009 the DiSCmap project team asked over 1,000 users, including intermediaries (vocational users who take care of collections) and end users (university teachers, researchers and students) a variety of questions about which physical and digital Special Collections they make use of and what criteria they feel must be considered when selecting materials for digitisation. This was achieved through workshops, interviews and two online questionnaires. Although the data gathered from these activities has the limitation of reflecting only a partial view on priorities for digitisation - the view expressed by those institutions who volunteered to take part in the study - DiSCmap was able to develop:- a 'long list' of 945 collections nominated for digitisation both by intermediaries andend-users from 70 HE institutions (see p. 21);- a framework of user-driven prioritisation criteria which could be used to inform current and future digitisation priorities; (see p. 45)- a set of 'short lists' of collections which exemplify the application of user-driven criteria from the prioritisation framework to the long list (see Appendix X):o Collections nominated more than once by various groups of users.o Collections related to a specific policy framework, eg HEFCE's strategically important and vulnerable subjects for Mathematics, Chemistry and Physics.o Collections on specific thematic clusters.o Collections with highest number of reasons for digitisation

    Book of abstracts for [e]motion - 1st Graduate Conference on Science and Technology of the Arts

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    Our relationship with the body and the material world has been transforming following processes of digitalization that were in motion before COVID-19 but, as consequence, were potentially accelerated. It is urgent to foster research on what is the place for physicality and (i)materiality in our time. In this context, the 1st Graduate Conference on Science and Technology of the Arts chose to focus on the intertwinement of notions of motion and emotion through interdisciplinary approaches from and towards the arts and/or heritage.info:eu-repo/semantics/publishedVersio

    The Center for Teaching & Learning: July 1, 2014 - December 2015

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    Contents: From the Director New Center Supports Teaching and Learning CTL Supports Scholarly Publishing iCE Platform Fosters Interactive Learning Experience A Physical and Virtual Makeover for Scott Library Reaching Out to Our Users Exhibits & Special Events Staff Highlight

    A Drum Speaks: Partnership to Create a Digital Archive Based on Traditional Ojibwe Systems of Knowledge

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    I want to take back, as an ambassador to my people [the Ojibwe], that new lesson I learned [at the Penn Museum (UPM)], we no longer have to be afraid of having pictures taken because they don’t steal the spirit of what’s being taken. They can invigorate and enliven and inspire knowledge and wisdom and learning … Digital imaging is a new thing … that can [bring to life these Ojibwe artifacts] for our kids and our generation … We’re going to digitally image some of the things and take them back to our people … All of these things . .

    SumutSiana: A Framework for Applying ICT to Preserve the Cultural Heritage of Sumatera Utara Indonesia

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    Preservation of cultural heritage is a task given by UNESCO charter. In the information age, this task becomes a challenge due to the high level of growth and rapid changes of ICT. Additionally, complex cultural heritage has been neglected because of the stream of information global and the high cost of the legal application of ICT. In this context, SumutSiana, has been proposed as an ICT-based preservation of heritage cultural of “Sumatera Utara”. It involves people, content, processes, management, budged, facilities and infrastructure, evaluation, and result as a resource. This was the basis of the proposed framework for developing information system for preserving the cultural heritage

    Proceedings of digital cultural heritage: FUTURE VISIONS London Symposium

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    YUL Annual Report; 2008-2009

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