Scalable and perceptual audio compression

This thesis deals with scalable perceptual audio compression. Two scalable perceptual solutions as well as a scalable to lossless solution are proposed and investigated. One of the scalable perceptual solutions is built around sinusoidal modelling of the audio signal whilst the other is built on a transform coding paradigm. The scalable coders are shown to scale both in a waveform matching manner as well as a psychoacoustic manner. In order to measure the psychoacoustic scalability of the systems investigated in this thesis, the similarity between the original signal\u27s psychoacoustic parameters and that of the synthesized signal are compared. The psychoacoustic parameters used are loudness, sharpness, tonahty and roughness. This analysis technique is a novel method used in this thesis and it allows an insight into the perceptual distortion that has been introduced by any coder analyzed in this manner

Audio Signal Processing Using Time-Frequency Approaches: Coding, Classification, Fingerprinting, and Watermarking

Audio signals are information rich nonstationary signals that play an important role in our day-to-day communication, perception of environment, and entertainment. Due to its non-stationary nature, time- or frequency-only approaches are inadequate in analyzing these signals. A joint time-frequency (TF) approach would be a better choice to efficiently process these signals. In this digital era, compression, intelligent indexing for content-based retrieval, classification, and protection of digital audio content are few of the areas that encapsulate a majority of the audio signal processing applications. In this paper, we present a comprehensive array of TF methodologies that successfully address applications in all of the above mentioned areas. A TF-based audio coding scheme with novel psychoacoustics model, music classification, audio classification of environmental sounds, audio fingerprinting, and audio watermarking will be presented to demonstrate the advantages of using time-frequency approaches in analyzing and extracting information from audio signals.</p

Audio Coding Based on Integer Transforms

Die Audiocodierung hat sich in den letzten Jahren zu einem sehr populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3 (MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für professionelle Anwendungen, wie etwa die Archivierung und Übertragung im Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht. Die bisherigen Ansätze für gehörangepasste und verlustlose Audiocodierung sind technisch völlig verschieden. Moderne gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der überlappenden orthogonalen Transformation "Modifizierte Diskrete Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden bisher versucht. Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das Lifting-Schema auf die in der gehörangepassten Audiocodierung verwendeten überlappenden Transformationen anwendet. Dies ermöglicht eine invertierbare Integer-Approximation der ursprünglichen Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler Lifting-Ansatz und eine Technik zur Spektralformung von Quantisierungsfehlern eine Verbesserung der Approximation der ursprünglichen Transformation. Basierend auf diesen neuen Integer-Transformationen werden in dieser Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren umfassen verlustlose Audiocodierung, eine skalierbare verlustlose Erweiterung eines gehörangepassten Audiocoders und einen integrierten Ansatz zur fein skalierbaren gehörangepassten und verlustlosen Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for research and applications. Especially perceptual audio coding schemes, such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are widely used for efficient storage and transmission of music signals. Nevertheless, for professional applications, such as archiving and transmission in studio environments, lossless audio coding schemes are considered more appropriate. Traditionally, the technical approaches used in perceptual and lossless audio coding have been separate worlds. In perceptual audio coding, the use of filter banks, such as the lapped orthogonal transform "Modified Discrete Cosine Transform" (MDCT), has been the approach of choice being used by many state of the art coding schemes. On the other hand, lossless audio coding schemes mostly employ predictive coding of waveforms to remove redundancy. Only few attempts have been made so far to use transform coding for the purpose of lossless audio coding. This work presents a new approach of applying the lifting scheme to lapped transforms used in perceptual audio coding. This allows for an invertible integer-to-integer approximation of the original transform, e.g. the IntMDCT as an integer approximation of the MDCT. The same technique can also be applied to low-delay filter banks. A generalized, multi-dimensional lifting approach and a noise-shaping technique are introduced, allowing to further optimize the accuracy of the approximation to the original transform. Based on these new integer transforms, this work presents new audio coding schemes and applications. The audio coding applications cover lossless audio coding, scalable lossless enhancement of a perceptual audio coder and fine-grain scalable perceptual and lossless audio coding. Finally an approach to data hiding with high data rates in uncompressed audio signals based on integer transforms is described

Audio Coding Based on Integer Transforms

Die Audiocodierung hat sich in den letzten Jahren zu einem sehr populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3 (MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für professionelle Anwendungen, wie etwa die Archivierung und Übertragung im Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht. Die bisherigen Ansätze für gehörangepasste und verlustlose Audiocodierung sind technisch völlig verschieden. Moderne gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der überlappenden orthogonalen Transformation "Modifizierte Diskrete Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden bisher versucht. Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das Lifting-Schema auf die in der gehörangepassten Audiocodierung verwendeten überlappenden Transformationen anwendet. Dies ermöglicht eine invertierbare Integer-Approximation der ursprünglichen Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler Lifting-Ansatz und eine Technik zur Spektralformung von Quantisierungsfehlern eine Verbesserung der Approximation der ursprünglichen Transformation. Basierend auf diesen neuen Integer-Transformationen werden in dieser Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren umfassen verlustlose Audiocodierung, eine skalierbare verlustlose Erweiterung eines gehörangepassten Audiocoders und einen integrierten Ansatz zur fein skalierbaren gehörangepassten und verlustlosen Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for research and applications. Especially perceptual audio coding schemes, such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are widely used for efficient storage and transmission of music signals. Nevertheless, for professional applications, such as archiving and transmission in studio environments, lossless audio coding schemes are considered more appropriate. Traditionally, the technical approaches used in perceptual and lossless audio coding have been separate worlds. In perceptual audio coding, the use of filter banks, such as the lapped orthogonal transform "Modified Discrete Cosine Transform" (MDCT), has been the approach of choice being used by many state of the art coding schemes. On the other hand, lossless audio coding schemes mostly employ predictive coding of waveforms to remove redundancy. Only few attempts have been made so far to use transform coding for the purpose of lossless audio coding. This work presents a new approach of applying the lifting scheme to lapped transforms used in perceptual audio coding. This allows for an invertible integer-to-integer approximation of the original transform, e.g. the IntMDCT as an integer approximation of the MDCT. The same technique can also be applied to low-delay filter banks. A generalized, multi-dimensional lifting approach and a noise-shaping technique are introduced, allowing to further optimize the accuracy of the approximation to the original transform. Based on these new integer transforms, this work presents new audio coding schemes and applications. The audio coding applications cover lossless audio coding, scalable lossless enhancement of a perceptual audio coder and fine-grain scalable perceptual and lossless audio coding. Finally an approach to data hiding with high data rates in uncompressed audio signals based on integer transforms is described

Parametric coding of stereo audio

Parametric-stereo coding is a technique to efficiently code a stereo audio signal as a monaural signal plus a small amount of parametric overhead to describe the stereo image. The stereo properties are analyzed, encoded, and reinstated in a decoder according to spatial psychoacoustical principles. The monaural signal can be encoded using any (conventional) audio coder. Experiments show that the parameterized description of spatial properties enables a highly efficient, high-quality stereo audio representation

Étude de transformées temps-fréquence pour le codage audio faible retard en haute qualité

In recent years there has been a phenomenal increase in the number of products and applications which make use of audio coding formats. Amongthe most successful audio coding schemes, the MPEG-1 Layer III (mp3), the MPEG-2 Advanced Audio Coding (AAC) or its evolution MPEG-4High Efficiency-Advanced Audio Coding (HE-AAC) can be cited. More recently, perceptual audio coding has been adapted to achieve codingat low-delay such to become suitable for conversational applications. Traditionally, the use of filter bank such as the Modified Discrete CosineTransform (MDCT) is a central component of perceptual audio coding and its adaptation to low delay audio coding has become an important researchtopic. Low delay transforms have been developed in order to retain the performance of standard audio coding while reducing dramatically the associated algorithmic delay.This work presents some elements allowing to better accommodate the delay reduction constraint. Among the contributions, a low delay blockswitching tool which allows the direct transition between long transform and short transform without the insertion of transition window. The sameprinciple has been extended to define new perfect reconstruction conditions for the MDCT with relaxed constraints compared to the original definition.As a consequence, a seamless reconstruction method has been derived to increase the flexibility of transform coding schemes with the possibility toselect a transform for a frame independently from its neighbouring frames. Finally, based on this new approach, a new low delay window design procedure has been derived to obtain an analytic definition for a new family of transforms, permitting high quality with a substantial coding delay reduction. The performance of the proposed transforms has been thoroughly evaluated, an evaluation framework involving an objective measurement of the optimal transform sequence is proposed. It confirms the relevance of the proposed transforms used for audio coding. In addition, the new approaches have been successfully applied to the recent standardisation work items, such as the low delay audio coding developed at MPEG (LD-AAC and ELD-AAC) and they have been evaluated with numerous subjective testing, showing a significant improvement of the quality for transient signals. The new low delay window design has been adopted in G.718, a scalable speech and audio codec standardized in ITU-T and has demonstrated its benefit in terms of delay reduction while maintaining the audio quality of a traditional MDCT.Codage audio à faible retard à l'aide de la définition de nouvelles fenêtres pour la transformée MDCT et l'introduction d'un nouveau schéma de commutation de fenêtre