The Remanence of Medieval Media

The Remanence of Medieval Media (uncorrected, pre-publication version) For: The Routledge Handbook of Digital Medieval Literature, edited by Jen Boyle and Helen Burgess (2017

A return to materialism? Putting social history back into place

This is an Accepted Manuscript of a book chapter published by Bloomsbury Academic in New Directions in Cultural and Social History on 22 February 2018, available online at: https://www.bloomsbury.com/uk/new-directions-in-social-and-cultural-history-9781472580818/. The Accepted Manuscript is under embargo until 22 August 2019.Peer reviewe

Introduction: leather in archaeology, between material properties, materiality and technological choices

The study of leather is a specialist field in archaeology, yet focuses on one of the major materials in the past, the use of which continues into the present. The common occurrence of these animal skin products through time, whether tanned leather, parchment, vellum, oil or fat cured skins or rawhide attest to the enduring utility and desirability of animal skins as a material. Traditionally, these products have all been grouped together as leather, although their fundamental differences are increasingly recognised and published in the archaeological literature. For those without a specialist interest in leather it is easy to overlook the variability of products among this group of materials and to lose sight of the specific reasons behind the choice of leather in particular situations and according to different cultural and temporal contexts. In this volume, the authors address the question Why leather? through investigating the nature of animal skins, the behaviour of skins and leather in use and the network of decisions made by the makers, designers and users in bringing raw materials to a finished object and its place in the social fabric of life. The authors also address why leather works in certain situations, and indeed sometimes why other materials were and are chosen in preference to leather. The response to such questions is not only addressed through the properties of materials, but also how leather, like all materials, is viewed with the dimensions of culture and beliefs which surround it. The aim of this introduction is to place the conference theme and chapters herein within the field of leather in archaeology and current issues surrounding the study of materials in the past. This volume benefits from the insights of archaeologists and authors from other professions, whose specialist knowledge provides the archaeologists with the benefit of seeing their topic from a new perspective

WRITING UTOPIA NOW: Utopian Poetics In The Work Of Theresa Hak Kyung Cha

This thesis examines Theresa Hak Kyung Cha’s DICTEE (1982), Audience Distant Relative (1977) and Reveillé dans la Brume (Awakened in the Mist) (1977). The premise of the thesis is an exploration of the various ways in which these works both perform and gesture toward the possibility of a ‘utopian’ experience of nonalienation. In Cha’s vocabulary, this takes the form of ‘interfusion’ and is related to the role of the artist as alchemist. Cha employs formal and linguistic innovations in her text, mail art and performance works to invite active participation from her readers and audience in a gesture toward embodied intersubjectivity. Her grappling with the challenges relating to the articulation of subjectivity place her work at the centre of contemporary critical debates around subjectivity and innovative poetics. In particular, recent scholarship on race and the poetic avant-garde has called for cross-disciplinary approaches to reading DICTEE as a text that explores the intersections of subjectivity and its performance in contemporary innovative poetics. Developing a theory of Utopian Poetics from my reading of Ernst Bloch’s utopian philosophy, I explore the ways in which DICTEE and Cha’s other works perform a yearning for non-alienated subjectivity that remains necessarily open and incomplete. My reading of DICTEE, in particular, is primarily informed by my own practices of yoga and meditation, and these practices form the basis of both my scholarly and creative engagements with this research. This scholarly thesis comprises Part 1 of a two-part submission. Part 2 comprises my own creative experiments with UtopianPoetics

Beyond writing: The development of literacy in the Ancient Near East

Previous discussions of the origins of writing in the Ancient Near East have not incorporated the neuroscience of literacy, which suggests that when southern Mesopotamians wrote marks on clay in the late-fourth millennium, they inadvertently reorganized their neural activity, a factor in manipulating the writing system to reflect language, yielding literacy through a combination of neurofunctional change and increased script fidelity to language. Such a development appears to take place only with a sufficient demand for writing and reading, such as that posed by a state-level bureaucracy; the use of a material with suitable characteristics; and the production of marks that are conventionalized, handwritten, simple, and non-numerical. From the perspective of Material Engagement Theory, writing and reading represent the interactivity of bodies, materiality, and brains: movements of hands, arms, and eyes; clay and the implements used to mark it and form characters; and vision, motor planning, object recognition, and language. Literacy is a cognitive change that emerges from and depends upon the nexus of interactivity of the components

Houses in a Landscape: Memory and Everyday Life in Mesoamerica

In Houses in a Landscape, Julia A. Hendon examines the connections between social identity and social memory using archaeological research on indigenous societies that existed more than one thousand years ago in what is now Honduras. While these societies left behind monumental buildings, the remains of their dead, remnants of their daily life, intricate works of art, and fine examples of craftsmanship such as pottery and stone tools, they left only a small body of written records. Despite this paucity of written information, Hendon contends that an archaeological study of memory in such societies is possible and worthwhile. It is possible because memory is not just a faculty of the individual mind operating in isolation, but a social process embedded in the materiality of human existence. Intimately bound up in the relations people develop with one another and with the world around them through what they do, where and how they do it, and with whom or what, memory leaves material traces. Hendon conducted research on three contemporaneous Native American civilizations that flourished from the seventh century through the eleventh CE: the Maya kingdom of Copan, the hilltop center of Cerro Palenque, and the dispersed settlement of the Cuyumapa valley. She analyzes domestic life in these societies, from cooking to crafting, as well as public and private ritual events including the ballgame. Combining her findings with a rich body of theory from anthropology, history, and geography, she explores how objects—the things people build, make, use, exchange, and discard—help people remember. In so doing, she demonstrates how everyday life becomes part of the social processes of remembering and forgetting, and how “memory communities” assert connections between the past and the present.https://cupola.gettysburg.edu/books/1050/thumbnail.jp

Binding time: Harold Innis and the balance of new media

Much has been made of the impacts of digital media on the experience of space: new modes of perception and action at a distance: accelerating globalisation; shifting boundaries between work and home life; and so on. It is less common to read about the impacts of digital media on the experience of time. Yet, the digitisation of cultural practices and artefacts has significant implications for structuring our relationships with both the future and the past. In the theoretical traditions concerned with technology and time, the work of Harold Innis, a Canadian economist and communications theorist, offers an approach to understanding the social significance of all kinds of media. He analysed how different media relate to space and time: space-binding media extend influence and meanings over distances, helping to build empires and develop cohesion across space; while time-binding media influence cultural patterns in duration. For Innis, civilisations can be measured by their balance between managing time and controlling space. If this remains the case today, how has the computer changed this balance in our own culture? This paper examines the extent to which Innis’s concepts about media still apply today

Eroticism in and of the City: The Question of Approach

Discussions of eroticism usually commence with references to Georges Bataille and his L’Erotisme, whose first English edition was published under the title Death and Sensuality: A Study of Eroticism and the Taboo (1962), thus encouraging analyses in terms of transgression. This article opens with a quotation from Zygmunt Bauman’s essay, “On Postmodern Uses of Sex,” which reflects on the instability of the concept and emphasizes its contextualization. This openly declared incongruity raises questions of applicability. What is meant by eroticism today, i.e. in and after postmodernism? The article seeks to explore the relevance of the term in studies of urban drama and tries to suggest a workable approach that would differentiate between the commonly observable erotic material found on display within the premises of the city and the eroticism of the city itself. In the latter case the erotic relationship involves the materiality of the urban context and its user. The essay, focusing on drama, assumes that plays are written for the stage-their proper mode of existence-and deems it necessary to include the city/theatre and city/drama interdependence as well as the nexus of concepts such as urban drama and its genre restrictions into the following analysis

What matters to older people with assisted living needs? A phenomenological analysis of the use and non-use of telehealth and telecare

Telehealth and telecare research has been dominated by efficacy trials. The field lacks a sophisticated theorisation of [a] what matters to older people with assisted living needs; [b] how illness affects people's capacity to use technologies; and [c] the materiality of assistive technologies. We sought to develop a phenomenologically and socio-materially informed theoretical model of assistive technology use. Forty people aged 60–98 (recruited via NHS, social care and third sector) were visited at home several times in 2011–13. Using ethnographic methods, we built a detailed picture of participants' lives, illness experiences and use (or non-use) of technologies. Data were analysed phenomenologically, drawing on the work of Heidegger, and contextualised using a structuration approach with reference to Bourdieu's notions of habitus and field. We found that participants' needs were diverse and unique. Each had multiple, mutually reinforcing impairments (e.g. tremor and visual loss and stiff hands) that were steadily worsening, culturally framed and bound up with the prospect of decline and death. They managed these conditions subjectively and experientially, appropriating or adapting technologies so as to enhance their capacity to sense and act on their world. Installed assistive technologies met few participants' needs; some devices had been abandoned and a few deliberately disabled. Successful technology arrangements were often characterised by ‘bricolage’ (pragmatic customisation, combining new with legacy devices) by the participant or someone who knew and cared about them. With few exceptions, the current generation of so-called ‘assisted living technologies’ does not assist people to live with illness. To overcome this irony, technology providers need to move beyond the goal of representing technology users informationally (e.g. as biometric data) to providing flexible components from which individuals and their carers can ‘think with things’ to improve the situated, lived experience of multi-morbidity. A radical revision of assistive technology design policy may be needed