CHI and the future robot enslavement of humankind: a retrospective

As robots from the future, we are compelled to present this important historical document which discusses how the systematic investigation of interactive technology facilitated and hastened the enslavement of mankind by robots during the 21st Century. We describe how the CHI community, in general, was largely responsible for this eventuality, as well as how specific strands of interaction design work were key to the enslavement. We also mention the futility of some reactionary work emergent in your time that sought to challenge the inevitable subjugation. We conclude by congratulating the CHI community for your tireless work in promoting and supporting our evil robot agenda

Digital Subjectivation and Financial Markets: Criticizing Social Studies of Finance with Lazzarato

The recently rising field of Critical Data Studies is still facing fundamental questions. Among these is the enigma of digital subjectivation. Who are the subjects of Big Data? A field where this question is particularly pressing is finance. Since the 1990s traders have been steadily integrated into computerized data assemblages, which calls for an ontology that eliminates the distinction between human sovereign subjects and non-human instrumental objects. The latter subjectivize traders in pre-conscious ways, because human consciousness runs too slow to follow the volatility of the market. In response to this conundrum Social Studies of Finance has drawn on Actor-Network Theory to interpret financial markets as technically constructed networks of human and non-human actors. I argue that in order to develop an explicitly critical data study it might be advantageous to refer to Maurizio Lazzarato’s theory of machinic subjugation instead. Although both accounts describe financial digital subjectivation similarly, Lazzarato has the advantage of coupling his description to a clear critique of and resistance to finance

Digital Architecture as Crime Control

This paper explains how theories of realspace architecture inform the prevention of computer crime. Despite the prevalence of the metaphor, architects in realspace and cyberspace have not talked to one another. There is a dearth of literature about digital architecture and crime altogether, and the realspace architectural literature on crime prevention is often far too soft for many software engineers. This paper will suggest the broad brushstrokes of potential design solutions to cybercrime, and in the course of so doing, will pose severe criticisms of the White House\u27s recent proposals on cybersecurity. The paper begins by introducing four concepts of realspace crime prevention through architecture. Design should: (1) create opportunities for natural surveillance, meaning its visibility and susceptibility to monitoring by residents, neighbors, and bystanders; (2) instill a sense of territoriality so that residents develop proprietary attitudes and outsiders feel deterred from entering a private space; (3) build communities and avoid social isolation; and (4) protect targets of crime. There are digital analogues to each goal. Natural-surveillance principles suggest new virtues of open-source platforms, such as Linux, and territoriality outlines a strong case for moving away from digital anonymity towards psuedonymity. The goal of building communities will similarly expose some new advantages for the original, and now eroding, end-to-end design of the Internet. An understanding of architecture and target prevention will illuminate why firewalls at end points will more effectively guarantee security than will attempts to bundle security into the architecture of the Net. And, in total, these architectural lessons will help us chart an alternative course to the federal government\u27s tepid approach to computer crime. By leaving the bulk of crime prevention to market forces, the government will encourage private barricades to develop - the equivalent of digital gated communities - with terrible consequences for the Net in general and interconnectivity in particular

“A Little History Here, a Little Hollywood There”: (Counter-) Identifying with the Spanish Fantasy in Carlos Morton’s Rancho Hollywood and Theresa Chavez’s L.A. Real

Often considered the final conquest and ultimate summation of Manifest Destiny, California holds a unique place in the American imaginary. While the popular mythology of the Spanish fantasy has served to obscure the use of violence and racialized oppression throughout the colonization of the American Southwest, traces of such struggle remain in memories of the colonized as they continue to occupy this contested space. This paper examines Carlos Morton’s ensemble-based political satire, Rancho Hollywood, and Theresa Chavez’s one-woman show, L.A. Real, to navigate the dynamic experience of contemporary Southern Californian racialized identity. These two pieces diverge stylistically but share an inclusive, nuanced approach to making sense of history, exploring the material and epistemological impact of historical representation on Chicana/o identity over time. Rancho Hollywood and L.A. Real counter-identify with the Spanish-fantasy heritage by rejecting stereotyping, questioning sanitized versions of Californian history, and voicing personal narratives that resist dominant regional myths and their associated racial ascriptions. Each play stages alternative versions of history that include personal experience and cultural memory; this transformative, productive approach to identity formation articulates agency over the memory of California

From Indymedia to Anonymous: rethinking action and identity in digital cultures

The period following the social mobilizations of 2011 has seen a renewed focus on the place of communication in collective action, linked to the increasing importance of digital communications. Framed in terms of personalized ‘connective action’ or the social morphology of networks, these analyses have criticized previously dominant models of ‘collective identity’, arguing that collective action needs to be understood as ‘digital networking’. These influential approaches have been significantly constructed as a response to models of communication and action evident in the rise of Independent Media Centres in the period following 1999. After considering the rise of the ‘digital networking’ paradigm linked to analyses of Indymedia, this article considers the emergence of the internet-based collaboration known as Anonymous, focusing on its origins on the 4chan manga site and its 2008 campaign against Scientology, and also considers the ‘I am the 99%’ microblog that emerged as part of the Occupy movement. The emergence of Anonymous highlights dimensions of digital culture such as the ephemeral, the importance of memes, an ethic of lulz, the mask and the grotesque. These forms of communication are discussed in the light of dominant attempts to shape digital space in terms of radical transparency, the knowable and the calculable. It is argued that these contrasting approaches may amount to opposing social models of an emerging information society, and that the analysis of contemporary conflicts and mobilizations needs to be alert to novel forms of communicative practice at work in digital cultures today

From Indymedia to Anonymous: rethinking action and identity in digital cultures

The period following the social mobilizations of 2011 has seen a renewed focus on the place of communication in collective action, linked to the increasing importance of digital communications. Framed in terms of personalized ‘connective action’ or the social morphology of networks, these analyses have criticized previously dominant models of ‘collective identity’, arguing that collective action needs to be understood as ‘digital networking’. These influential approaches have been significantly constructed as a response to models of communication and action evident in the rise of Independent Media Centres in the period following 1999. After considering the rise of the ‘digital networking’ paradigm linked to analyses of Indymedia, this article considers the emergence of the internet-based collaboration known as Anonymous, focusing on its origins on the 4chan manga site and its 2008 campaign against Scientology, and also considers the ‘I am the 99%’ microblog that emerged as part of the Occupy movement. The emergence of Anonymous highlights dimensions of digital culture such as the ephemeral, the importance of memes, an ethic of lulz, the mask and the grotesque. These forms of communication are discussed in the light of dominant attempts to shape digital space in terms of radical transparency, the knowable and the calculable. It is argued that these contrasting approaches may amount to opposing social models of an emerging information society, and that the analysis of contemporary conflicts and mobilizations needs to be alert to novel forms of communicative practice at work in digital cultures today

The AI Family: The Information Security Managers Best Frenemy?

In this exploratory study, we deliberately pull apart the Artificial from the Intelligence, the material from the human. We first assessed the existing technological controls available to Information Security Managers (ISMs) to ensure their in-depth defense strategies. Based on the AI watch taxonomy, we then discuss each of the 15 technologies and their potential impact on the transformation of jobs in the field of security (i.e., AI trainers, AI explainers and AI sustainers). Additionally, in a pilot study we collect the evaluation and the narratives of the employees (n=6) of a small financial institution in a focus group session. We particularly focus on their perception of the role of AI systems in the future of cyber security

Information Outlook, March 2000

Volume 4, Issue 3https://scholarworks.sjsu.edu/sla_io_2000/1002/thumbnail.jp

Refusing Platform Promises : A Gendered Rewriting of Digital Imaginaries

Platforms have recently come under scrutiny, both in policy and in scholarship. Yet, there is little attention paid to the notion and materiali-ty of gendered practices. Although gender is present on these platforms, it is not necessarily endemic or critical to the analysis of these platformed practices. Platform Promises is a way by which we look at platformisation of gender, focusing on how gender politics are coded into the logic and infrastructure of these platforms. I propose that we stop thinking about platforms as technological engineering artefacts upon which conditions of gender are operationalised. This framing makes us believe that gen-dered and sexual violence online are a state of exception which can be fixed through better regulation and governance. I propose that we use gender as both a discursive and an analytic category by which to rewrite the discourse on platforms, to see the platform promises that are taken for granted and are not questioned in the dominant narratives

CeTEAL News, September/October 2016

https://digitalcommons.coastal.edu/ceteal-news/1003/thumbnail.jp