11 research outputs found
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Proceedings of EVA London 2024
The Electronic Visualisation and the Arts London 2024 Conference (EVA London 2024) is co-sponsored by the Computer Arts Society (CAS) and BCS, the Chartered Institute for IT, of which the CAS is a Specialist Group. As for 2022, the EVA London 2023 Conference is a physical and online “hybrid” conference. We continue with publishing the proceedings, both online, with open access via ScienceOpen, and also in our traditional printed form, in full colour. The main conference presentations run during 10–13 July 2023, with workshops and other activities, especially for students, on 14 July 2023
Curatorship and Post-Duchampian Art in Transnational Contexts
This research examines the role of the artist Marcel Duchamp as a curator, his legacy in the field of curatorship and how the curatorial procedures engendered by him can be transposed to contemporaneity. It presents the dynamics of Post-Duchampian art as those artistic manifestations that make regular use of abstract concepts and which are nurtured by the context to which they belong. Bauman and Foucault provided the sources for the theoretical framework. Based on their texts, the first chapter discusses the change in society marked by the shift from Modern to contemporary times. Its impact on the art field is considered through a perspective derived from art history. It also explains why Duchamp was an important agent in this transition and how a new arrangement of the world can be understood through his legacy. The second chapter analyses Duchamp’s actions in organizing and conceiving exhibitions, treating them with the importance they are due and filling a significant gap in the field of curatorship. A critical approach investigates Duchamp artwork’s presence at the Armory Show, Duchamp’s function as head of exhibitions at the Société Anonyme and his position as générateur-arbitre of the Surrealist exhibitions. Some of his iconic artworks (e.g. Large Glass) are examined in depth under the prism of Duchamp’s curatorship. A comparison between Duchamp’s pioneering curatorial thinking and the tendencies installed by Alfred Barr at the Museum of Modern Art in New York concludes this chapter. In the last chapter, as the characteristics of Duchamp’s curatorial practice have just been presented, thus Duchamp’s last curatorial work Étant Donnés is analysed. Next, this research introduces the case studies: the Brazilian artists Hélio Oiticica and Cildo Meireles to bring about a clearer understanding of Post-Duchampian art in transnational contexts. It ends reviewing the solo exhibitions of each of these artists at Tate Modern, in Londo
The Apprentice Gaze – AR Experience on Serralves Museum
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Reoriented Illustration: Towards the Networked Image
In recent years there has emerged an increasing theoretical and contextual impetus from within the discipline of illustration that would seek to define the practice by authorial approaches to the production and distribution of illustrated content. The priority of this investigation is the attempt to imagine a theoretical landscape or environment in which an ‘authorial turn’ within the discipline might emerge and anchor itself to strategies outside of persisting colloquial or industrial notions of illustration practice. Specifically, this paper aims to tie such thinking to existing practices and concepts relevant to the contemporary construction, distribution and exchange of networked images
History of Construction Cultures Volume 1
History of Construction Cultures Volume 1 contains papers presented at the 7ICCH – Seventh International Congress on Construction History, held at the Lisbon School of Architecture, Portugal, from 12 to 16 July, 2021. The conference has been organized by the Lisbon School of Architecture (FAUL), NOVA School of Social Sciences and Humanities, the Portuguese Society for Construction History Studies and the University of the Azores. The contributions cover the wide interdisciplinary spectrum of Construction History and consist on the most recent advances in theory and practical case studies analysis, following themes such as: - epistemological issues; - building actors; - building materials; - building machines, tools and equipment; - construction processes; - building services and techniques ; -structural theory and analysis ; - political, social and economic aspects; - knowledge transfer and cultural translation of construction cultures. Furthermore, papers presented at thematic sessions aim at covering important problematics, historical periods and different regions of the globe, opening new directions for Construction History research. We are what we build and how we build; thus, the study of Construction History is now more than ever at the centre of current debates as to the shape of a sustainable future for humankind. Therefore, History of Construction Cultures is a critical and indispensable work to expand our understanding of the ways in which everyday building activities have been perceived and experienced in different cultures, from ancient times to our century and all over the world
Divergence in Architectural Research
ConCave Ph.D. Symposium 2020: Divergence in Architectural Research, March 5-6, 2020, Georgia Institute of Technology, Atlanta, GA.The essays in this volume have come together under the theme “Divergence in Architectural Research” and present a snapshot of Ph.D. research being conducted in over thirty architectural research institutions, representing fourteen countries around the world. These essays also provide a window into the presentations and discussions that took place March 5-6, 2020, during the ConCave Ph.D. Symposium “Divergence in Architectural Research,” under the auspices of the School of Architecture, Georgia Institute of Technology, in Atlanta, Georgia.
On a preliminary reading, the essays respond to the call of divergence by doing just that; they present the great diversity of research topics, methodologies, and practices currently found under the umbrella of “architectural research.” They inform inquiry within architectural programs and across disciplinary concentrations, and also point to the ways that the academy, research methodologies, and the design profession are evolving and encroaching upon one another, with the unspoken hope of encouraging new relationships, reconfiguring previous assumptions about the discipline, and interweaving research and practice
A scholar for all seasons : homenagem a João de Almeida Flor
Este volume, da iniciativa do Centro de Estudos Anglísticos da Universidade de
Lisboa e do Departamento de Estudos Anglísticos da Faculdade de Letras de Lisboa,
reúne um elevado número de contributos de colegas, familiares e amigos do Professor Doutor João de Almeida Flor, e pretende testemunhar, de uma forma simbólica,
o reconhecimento da sua exemplar dedicação enquanto docente, dirigente e investigador. A diversidade e a profundidade dos seus interesses académicos, patentes no
Curriculum Vitae incluído no volume, justificam o grande apreço e admiração que
sempre suscitou em quem pôde acompanhar a sua carreira. Com efeito, o elevado
nível intelectual do seu trabalho académico, quer na docência, quer na investigação,
marcado pelo rigor e excepcional eloquência que sempre caracterizaram o seu
magistério, deixam uma marca indelével em todos aqueles que tiveram o privilégio
de ser seus alunos, orientandos e/ou seus colegas.
Tendo dedicado boa parte da sua investigação e docência à literatura e à cultura
inglesas, com especial destaque para as obras de poetas românticos e de William
Shakespeare, a sua insaciável curiosidade intelectual encaminhou-o para muitas
outras áreas do saber, nomeadamente para as literaturas românicas e para os estudos
de tradução. De entre as publicações vindas a lume, para além de volumes, artigos
e ensaios que abrangem as mais diversas áreas e denotam profundo e continuado
labor reflexivo, sobressaem também as traduções, anotadas e prefaciadas, de textos
de grandes poetas de língua inglesa. A notável sensibilidade estética e poética de João de Almeida Flor, aliada ao rigor de expressão e ao dom de oratória, confluíram na
meritória tarefa de divulgação de textos de difícil acesso a um público mais alargado.
Os seus vastos conhecimentos científicos permitiram-lhe orientar inúmeras
dissertações de Mestrado e de Doutoramento, a que acresce a regular participação
em júris, não apenas na Universidade de Lisboa, mas também noutras universidades
do país, tendo também participado em colóquios e conferências nacionais e internacionais, com intervenções e comunicações que mereceram reconhecido destaque.
Ainda no âmbito da investigação científica, para além de pertencer a várias e
reputadas associações e instituições académicas, foi membro da Comissão Instaladora e Coordenador Científico do Centro de Estudos Anglísticos (CEAUL/
ULICES) desde 1986 até 2009. A ele se deve a dinamização e um zeloso acompanhamento das actividades deste Centro de Investigação que, ao longo dos anos, se foi
afirmando pela qualidade das suas publicações e iniciativas. Sob a sua coordenação,
o CEAUL/ULICES viria a atingir o grau de excelência reconhecido pela Comissão
de Avaliação Externa em 2008. Dando actualmente continuidade à sua actividade
como investigador neste Centro, João de Almeida Flor continua também a assumir
tarefas de coordenação editorial — uma outra área a que se foi dedicando ao longo
dos anos.
Embora não seja fácil resumir, em poucas palavras, a extensão e a diversidade
dos interesses, projectos e actividades constantes do seu Curriculum Vitae,impõe-se que apontemos ainda o elevado número de iniciativas no âmbito da extensão
científica e cultural, bem como o seu relevante contributo para as actividades de
administração escolar, não só enquanto dirigente do Departamento de Estudos
Anglísticos, mas também em instâncias mais alargadas, dentro da Faculdade de
Letras e da Universidade de Lisboa. Entre os múltiplos exemplos da sua participação
activa e determinante no que respeita ao Departamento de Estudos Anglísticos,
destaquemos a colaboração nas reformulações curriculares, assim como na elaboração dos Estatutos deste Departamento, a que mais recentemente se somou a
participação na Assembleia Estatutária da Faculdade de Letras de Lisboa.
Para concluir esta breve nota introdutória, coloquemos em palavras aquilo que
é, certamente, o pensar e o sentir de todos nós: que a presença e o labor intelectual
de João de Almeida Flor continuem a servir de exemplo e de motivação para o nosso
próprio trabalho. E lembremos, a propósito, uma frase de Percy Shelley: “There is
no real wealth but the labour of man”.Fundação para a Ciência e a Tecnologi