Data bases and data base systems related to NASA's aerospace program. A bibliography with indexes

This bibliography lists 1778 reports, articles, and other documents introduced into the NASA scientific and technical information system, 1975 through 1980

AAS/GSFC 13th International Symposium on Space Flight Dynamics

This conference proceedings preprint includes papers and abstracts presented at the 13th International Symposium on Space Flight Dynamics. Cosponsored by American Astronautical Society and the Guidance, Navigation and Control Center of the Goddard Space Flight Center, this symposium featured technical papers on a wide range of issues related to orbit-attitude prediction, determination, and control; attitude sensor calibration; attitude dynamics; and mission design

Aeronautical Engineering: A continuing bibliography, 1982 cumulative index

This bibliography is a cumulative index to the abstracts contained in NASA SP-7037 (145) through NASA SP-7037 (156) of Aeronautical Engineering: A Continuing Bibliography. NASA SP-7037 and its supplements have been compiled through the cooperative efforts of the American Institute of Aeronautics and Astronautics (AIAA) and the National Aeronautics and Space Administration (NASA). This cumulative index includes subject, personal author, corporate source, contract, and report number indexes

A cumulative index to the 1973 issues of Aeronautical engineering: A special bibliography

This publication is a cumulative index to the abstracts contained in NASA SP-7037 (28) through NASA SP-7037 (39) of Aeronautical Engineering: A Special Bibliography. NASA SP-7037 and its supplements have been compiled through the cooperative efforts of the American Institute of Aeronautics and Astronautics (AIAA) and the National Aeronautics and Space Administration (NASA). This cumulative index includes subject, personal author, corporate source, contract, and report number indexes

Education and Social Work Handbook 2009

Tese de doutoramento em Arte Contemporânea, apresentada ao Colégio das Artes da Universidade de CoimbraEsta não é uma tese somente sobre o estatuto da imagem. A razão para isso é que nenhuma teoria é ou pode ser adequada à imagem e que o próprio estatuto provoca todas as ferramentas da reflexão teórica. Porque escolhi investigar imagens a partir da fotografia? Poderia falar de imagens a partir do desenho, da pintura e da tradição escultórica. Como inventar no espelho e aceitar os dogmas acerca da imagem, as definições que se tornaram convicções? Na escola de arte, embora tivesse habilidade para o desenho e para a pintura, meu interesse era nas imagens prontas. Uma tentativa de tirar o verniz das imagens é a chave daquilo que hoje chamo de a Imagem Emancipada. Vemos isso nos pintores, nos cineastas que se divergem e se vê através da tecnociência. Como amante da arte não posso desenvolver meu interesse pela técnica mais do que meu interesse pela crítica. O projeto de um futuro em Warburg: a antropologia da cultura ocidental em que a filologia, etnologia, história e biologia convergem com uma iconologia do intervalo, no qual o trabalho incessante é a memória social. A Imagem Emancipada são os clarões dentro das imagens que buscamos. Embora tivesse influência dos planos de cinema, as imagens que buscava construir, sempre vieram de minhas referências de pintores e suas soluções de espaço, cor e, por que não dizer, tempo. Foi no início dos anos oitenta, com a atmosfera de regresso à pintura e ao figurativismo, que a fotografia encontrou terreno fértil para se desenvolver rumo a novas direções.This is not a thesis that only covers image statute, and the reason is that no theory is, or can fit the image, and the thesis itself causes all theoretical reflection tools. Why have I chosen to investigate images from photograph? I could have talked about images from drawing, painting and sculpture tradition. How to invent in front of the mirror and accept the dogmas concerning the image and definitions that became convictions? At the art school, although I had the ability to draw and paint, my real interested was in finished images. An attempt to remove the varnish from images is the key of what I call today as Emancipated Image. We can see that in painters and filmmakers that diverge and see themselves through technology. As an art lover, I can not develop my interest for the critic. The project of a future in Warburg: western culture anthropology in which philosophy, ethnology, history and biology converge with an iconology of the recess, where the non stopping work is the social memory. Emancipated Image are the flash inside the images we seek. Although I had influence by cinema plans, the images I tries to build, always came from my references of painters and their solutions to space, color and why not mention, time. It was in the beginning of the 1980’s, with the return atmosphere to painting and to figuration, that photography found breeding ground to develop towards new directions

Proceedings of the NASA Conference on Space Telerobotics, volume 2

These proceedings contain papers presented at the NASA Conference on Space Telerobotics held in Pasadena, January 31 to February 2, 1989. The theme of the Conference was man-machine collaboration in space. The Conference provided a forum for researchers and engineers to exchange ideas on the research and development required for application of telerobotics technology to the space systems planned for the 1990s and beyond. The Conference: (1) provided a view of current NASA telerobotic research and development; (2) stimulated technical exchange on man-machine systems, manipulator control, machine sensing, machine intelligence, concurrent computation, and system architectures; and (3) identified important unsolved problems of current interest which can be dealt with by future research

Energy, a continuing bibliography with indexes. Issue 33

This bibliography lists 1211 reports, articles, and other documents introduced into the NASA scientific and technical information system from January 1, 1981 through March 31, 1981