Once Upon a Time on Mango Street

Undergraduate Textual or Investigativ

Once Upon a Time

BGMC has taken a different spin on Once upon a tIme. We are using it in our oral storytelling through singing. The concert you are about to hear is very near and dear to our hearts. There are bits of the concert that will sadden, frighten and even inspire you. This is the story of our lives. This music is a way for us to share with you, our loyal patrons, what we felt, dealt with, and eventually ended up with throughout our lives. With 70+ men in our chorus, the entire story is not entirely ours, but each and every man singing before you tonight has experienced or lived through one or more of these songs and emotions.https://digitalcommons.buffalostate.edu/bgmcprograms/1016/thumbnail.jp

Once Upon A Time

https://digitalcommons.library.umaine.edu/mmb-vp/2329/thumbnail.jp

Once Upon a Time

This paper is a short reflection on exposing myself to a variety of different media, (books, comic books, and television shows), that contains concepts on time travel. With this exposure, I will then attempt to draw my own comic book with time travel in it

Once Upon A Time

https://digitalcommons.library.umaine.edu/mmb-vp/2330/thumbnail.jp

Once Upon a Time…

The playbill for Taylor University’s Fall 1983 Advanced Oral Interpretation Class’s performance of Once Upon a Time… adapted by Oliver Hubbard.https://pillars.taylor.edu/playbills/1349/thumbnail.jp

Once upon a time there was a consumer…: stories of magic and the magic of stories

This paper explores how the centrality of narrative to people’s understandings of the world, and the power of stories of enchantment in particular, colour consumer culture. Specifically, it analyses the ways in which fantastic themes of magic and heroism are used in the discourses of marketing scholars and practitioners, as well as consumers to shape views of consumption and marketing. It further illuminates the role that marketers and consumers each have in imbuing consumption with a sense of enchantment and situates this phenomenon within the dominant neoliberal ideology. Finally, it discusses implications for marketing theory and for practices aimed at reducing excessive consumption related to such enchantment