Eden Inverted: On the Wild Self and the Contraction of Consciousness

The conditions of hunting and gathering through which one line of primates evolved into humans form the basis of what I term the wild self, a self marked by developmental needs of prolonged human neoteny and by deep attunement to the profusion of communicative signs of instinctive intelligence in which relatively “unmatured” hominids found themselves immersed. The passionate attunement to, and inquiry into, earth-drama, in tracking, hunting, foraging, rhythming, singing, and other arts/sciences, provided the trail to becoming human, and provide external grammatical structures that became the basis of human language and animate mind. I outline my new philosophy of history as a progress in precision, counteracted by a regressive contraction of mind. The progress associated with history since the beginning of agriculturally-based civilizations can be considered as a regressive contraction from animate mind of our hunter-gatherer evolutionary past, to anthropocentric mind, and finally to the ghost in the machine world-view of mechanico-centric mind. Contemporary consumption culture represents an inversion of the original conditions of the human self, and indeed, targets aspects of developmental neoteny to condition conformity to its rational-mechanical system imperatives

Monochrome males and colorful females:do gender and age influence the color and content of drawings?

Influences of educational level and gender were examined through free drawings. A total of 216 participants were recruited ranging from nursery school to university students. Using an adaptation of Turgeon’s methodology, participants were given a standardized set of colored pens and asked to draw a picture. Pictures were analyzed for the area of the page covered, colors used, number of colors used, and content. Overall, females covered more of the page, and used more colors than males. Females drew significantly more sky, flowers/trees and buildings (in most cases houses), and males drew more people and vehicles. In relation to educational level, nursery children used fewer colors than the other groups and secondary school children used more colors than primary school children. It was concluded that gender differences in content, and color, of drawings exist and these differences remain stable into adulthood. Results are discussed in terms of social and evolutionary theory

Back to where we came from: evolutionary psychology and children’s literature and media

In 2010, The New York Times ran an article which announced that ‘the next big thing in English [Studies]’ was ‘using evolutionary theory to explain fiction’. This announcement may be considered somewhat belated, given that the interest in the potential relevance of evolutionary psychology to literary studies might be traced back to a considerably earlier date than 2010. Joseph Carroll first published on the subject as far back as 1995, and by 2002 Steven Pinker could claim that ‘within the academy, a growing number of mavericks are looking to Evolutionary psychology and cognitive science in an effort to re-establish human nature as the center of any understanding of the arts’. Nevertheless, The New York Times’s announcement may be taken as a measure of an increasingly visible trend in both popular and academic thinking. We argue in this chapter that this trend is motivated specifically by nostalgia, or the longing for a past which seems forever lost. A second aspect of this nostalgia will also be discussed to do with the way that we argue that this supposedly ‘new’ area of research repeats exactly a long history of prior claims of many eminent children’s literature critics with respect to ideas of childhood, language and children’s literature and media. Despite the repeated, insistent claims of several of the Literary Darwinists, including, for instance, Joseph Carroll, one of the founders of this way of thinking, that they are working in heroic opposition to a dominant, obscurantist and anti-science ‘literary theory’, we argue here that in fact there is a high degree of convergence between the claims made about childhood, language and children’s literature in Literary Darwinism and much children’s literature criticism. We therefore see Literary Darwinism and (children’s) literature studies as not being in any sense about an opposition or separation between science and literary or humanist studies, but about a convergence underpinned and driven by the same nostalgia for a singular, stable, uniform and universal past, leading to a singular, stable, uniform and universal present. Finally, we suggest that it is not just in these two fields in which this nostalgia operates, but that this can currently be seen in sub-streams within many disciplines – in both in arts, sciences and humanities -- as a founding, powerfully political, driver

E-Motion: being moved by fiction and media? : Notes on fictional worlds, virtual contacts and the reality of emotions

Our response to fictional cues is often as emotional as to occurrences in real life. Such emotional responses do not mean that each time we mistake fiction for reality; rather they are affected by our innate social behaviors and by complex neural structures. Some responses, as for instance fright or pity, take place spontaneously, comparably to a reflex act. Furthermore, emotions can be evoked by means of thoughts: some specific sorts of texts rouse the reader´s ability to share in the emotional experiences of a fictional character. Other emotions can refer to a work of art as a whole or to some implicit components of meaning or allusions to facts of the case external to the text. Further ways of emotional engagement are pleasure and suspense, the affective basic processes of each reception of art or any media.Menschen reagieren auf fiktionale Ereignisse ebenso emotional wie auf das wirkliche Leben. Solche Gefühlsreaktionen bedeuten jedoch keine Verwechslung von Realität und Fiktion, sondern sind ein Produkt angeborener sozialer Verhaltensweisen und komplexer neuronaler Vorgänge. Reaktionen wie Schrecken und Mitleid zum Beispiel geschehen spontan, fast reflexartig. Aber auch über Gedanken lassen sich Emotionen hervorrufen: Bestimmte literarische Textsorten appellieren an das Einfühlungsvermögen des Lesers und lassen ihn an der Gefühlswelt fiktionaler Personen teilhaben. Andere Emotionen können sich auf ein künstlerisches Werk als ganzes oder auf werkexterne Bedeutungskomponenten beziehen. Weitere Formen emotionaler Beteiligung sind Lust und Spannung, die affektiven Basisprozesse jeder Kunst- und Medienrezeption

The Living Gesture and the Signifying Moment

Drawing from Peircean semiotics, from the Greek conception of phronesis, and from considerations of bodily awareness as a basis of reasonableness, I attempt to show how the living gesture touches our deepest signifying nature, the self, and public life. Gestural bodily awareness, more than knowledge, connects us with the very conditions out of which the human body evolved into its present condition and remains a vital resource in the face of a devitalizing, rationalistic consumption culture. It may be precisely these deep-rooted abilities for what I term “self-originated experience” that can ultimately offset automatism

Psychopathological risks in children with migrant parents

In Western societies many immigrants live in difficult social and working conditions. Together with other factors, this state of affairs represents a risk for the well being of their children. This article will consider the principle risk factors for child psychopathology and/or distress, with a distinction between temporary and permanent factors and with a peculiar attention to the interplay between risk and protective factors. Risk factors can be ordered in cultural, social, familiar/parental and individual factors. Some of these are general risk factors, applying to child and adolescent psychopathology and distress independently from the status of immigrants’ offspring. Other factors are specific of migration, some of them being related to: a) different ways of immigrated families to situate themselves within the host society ; b) cultural/familiar attitudes in child’s nurture and education; c) the family role of women as well as factors specific of the pregnancy period in immigrants; d) the ability of the school system to enhance and support children’s abilities to integrate within the new society; e) the political/bureaucratic facilitation/impediment to the regularization of VISA, with the consequent effect on the sense of identity/rejection within/from the host society. In conclusion, the programs for monitoring immigrants’ living and health conditions should also include: the assessment of parental skills, the dynamic indicators of risk and protection indexes, the assessment of living conditions and social school environment, with a careful attention to those early signs of discomfort that might precede possible later onset of psychopathology and/or social distress

Information Complexity in Material Culture

Humans invest a substantial amount of time in the creation of artworks. For generations, humans around the world have learned and shared their knowledge and skills on artistic traditions. Albeit large experimental settings or online databases have brought considerable insights on the evolutionary role and trajectory of art, why humans invest in art, what information artworks carry and how art functions within the community still remain elusive. To address these unresolved questions, this present thesis integrates ethnographic accounts with data governance and statistical approaches to systematically investigate a large corpus of art. This thesis specifically focuses on a large corpus of Tamil kolam art from South India to provide an exemplary case study of artistic traditions. The foundation for the projects presented in this thesis was the design and construction of a robust data infrastructure that enabled the synthesis of raw data from various sources into one database for systematic analyses. The data infrastructure on the kolam artistic system enabled the development of complex statistical methods to explore the substantial investments and information complexity in art. In the first chapter, I examine artists’ strategic decisions in the creation of kolam art and how they strive to optimize the complexity of their artworks under constraints using evolutionary signaling theory and theoretically guided statistical methods. Results revealed that artists strive to maintain a stable and invariant complexity measured as Shannon information entropy, regardless of the size of the artwork. In order to achieve an optimal artistic complexity “sweet spot”, artists trade-off two standard measures of biological diversity in ecology: evenness and richness. Additionally, results showed that although kolam art arises in a highly stratified and multi-ethnic society, artistic complexity is strategically optimized across the population and not constrained by group boundaries. Instead, the trade-off can most likely be explained by aesthetic preferences or cognitive limitations. While artistic complexity in kolam art can be strategically optimized across the population, distinct styles and patterns can still be employed by artists. Thus, in the second chapter, I focus on how artistic styles in kolam art covary along cultural boundaries. I employ a novel statistical method to measure the mapping between styles onto group boundaries on a large corpus of kolam art by decomposing the system into sequential drawing decisions. In line with Chapter 1, results demonstrate limited group-level variation. Distinct styles or patterns in kolam art can only be weakly mapped to caste boundaries, neighborhoods or previous migration. Both chapters strongly suggest that kolam art is primarily a sphere where artists differentiate themselves from others by displaying their unique skill set and knowledge. Thus, variability in kolam art is largely dominated by individual-level variation and not reflective of group boundaries or narrow socialization channels. This thesis contributes to an emergent understanding of how artists conceptualize what they are doing and how art functions within the community. Taken together, this thesis serves as an example approach that demonstrates an optimized workflow and novel approaches for the evolutionary study of a large corpus of artistic traditions

Socioeconomic heritage and rapid firm growth

The present paper sheds light on how growth of young firms is affected by expansive strategies and the socioeconomic heritage of their main actors. "Socioeconomic heritage" has to do with socialization, prior socioeconomic circumstances, and regional growth conditions; the term is elaborated upon and further defined in this study. The empirical analysis is carried out both for West Germany - a mature market economy - and for East Germany, which operated under a centrally planned economy until German reunification in 1990. The main finding of the paper is that the involvement of West Germans in East German start-ups has a favourable effect on these firms' chances to grow rapidly. This effect is attributed to the fact that West Germans are more likely to possess person-related and situation-related factors necessary for growing a business in a market economy. The results are more ambiguous as to the influence of expansive strategies on fast growth.Entrepreneurship, Rapid firm growth, Strategy, Management, West Germany, East Germany

Emotion capture based on body postures and movements

In this paper we present a preliminary study for designing interactive systems that are sensible to human emotions based on the body movements. To do so, we first review the literature on the various approaches for defining and characterizing human emotions. After justifying the adopted characterization space for emotions, we then focus on the movement characteristics that must be captured by the system for being able to recognize the human emotions.Comment: 22 page