Mind Matters

The great divide of modern thought is whether mind is real or naught. The conceit that either mind is reducible to matter or that mind is utterly ethereal is rooted in a mind-versus-matter dichotomy that can be characterized as the modern error, a fatally flawed fallacy rooted in the philosophy and culture of nominalism. A Peircean semiotic outlook, applied to an understanding of social life, provides a new and full-bodied understanding of semiosis as the bridge between mind and matter, and human biology and culture. I begin by first delineating the false divide and showing Charles Sanders Peirce’s alternative to it, then explore the implications of a semiotic approach to mind as trans-action, then consider the self-transcending nature of the human body-mind. Finally I outline my ecological, biosemiotic account of mind, which reveals that, indeed, mind matters, and in ways that unexpect-edly resemble the forms of animism that characterized the hunting-gathering foragers through whom we anatomically modern humans emerged

Mythemesis: The Human Way of Knowing and Believing

Although science, philosophy, literature, and religion each have a different way of formulating explanations, they are all telling stories of why and how. The author describes how the human propensity to seek explanation through narrative can he understood as the product of an embodied mind. He offers a hypothesis ( \"mythemesis\" ) to explain the process and goes on to show that it may provide an opportunity to reduce scientific-religious conflict by transcending the dichotomy between first- and third-person modes of experience

Shakespeare and the Spheres:the representation of astrology, astronomy and folklore surrounding the moon in King Lear, A Midsummer Night’s Dream and The Tempest.

This paper discusses the representation of astrology, astronomy, and folklore surrounding the moon, in King Lear, A Midsummer Night’s Dream and The Tempest. It includes an explanation of the forms of astrology and astronomy practiced during the Renaissance while discussing their representation within the three plays. The paper shows how Shakespeare’s reference to astrology and the folklore surrounding it reflects the social, historical and cultural significance of his work at the time, and therefore the importance of Shakespeare and his place in English Literature

All at sea in a barbed wire canoe: Professor Cohen's transatlantic voyage in IPE

The following article is written as a sympathetic critique of Benjamin Cohen's recent identification in RIPE of incommensurable traditions of American and British IPE. It is also designed to engender further debate within the subject field on this most central of issues. Our argument is that scholars should beware the rigid terms in which Cohen identifies IPE's transatlantic divide, because simply by naming his two camps as polar opposites the invitation is open to others to entrench such an opposition in their own work. This would be regrettable enough had IPE already lapsed into the geographical division that Cohen describes. It is made more regrettable still by the fact that this is in any case an inaccurate account of the field which serves to marginalise much of the work that is currently at its cutting edge

Vision, Action, and Make-Perceive

In this paper, I critically assess the enactive account of visual perception recently defended by Alva Noë (2004). I argue inter alia that the enactive account falsely identifies an object’s apparent shape with its 2D perspectival shape; that it mistakenly assimilates visual shape perception and volumetric object recognition; and that it seriously misrepresents the constitutive role of bodily action in visual awareness. I argue further that noticing an object’s perspectival shape involves a hybrid experience combining both perceptual and imaginative elements – an act of what I call ‘make-perceive.

Philosophy of Intellect and Vision in the De anima of Themistius

Themistius (317–c. 387) was born into an aristocratic family and ran a paripatetic school of philosophy in Constantinople in the mid-fourth century, between 345 and 355. He made use of Alexander’s De anima in his commentary on the De anima of Aristotle, which is considered to be the earliest surviving commentary on Aristotle’s work, as Alexander’s commentary itself did not survive. Themistius may also have been influenced by Plotinus, and Porphyry (232–309), whom he criticizes. Themistius refers often to works of Plato, especially the Timaeus, and attempts a synthesis of Aristotle and Plato, a synthesis which was continued in the Neoplatonic tradition. As it has been seen in Alexander that thought and perception are intimately connected, almost identical, Themistius goes to much greater length to differentiate the two. Sense perception must be distinguished from reasoning, because all animals are capable of sense perception, while only humans are capable of reasoning; while there are only five kinds of sense perception, there are many varieties of the capacity for reasoning; and the functions of sense perception and reasoning can be differentiated

Detecting frames in news headlines and its application to analyzing news framing trends surrounding U.S. gun violence

Different news articles about the same topic often offer a variety of perspectives: an article written about gun violence might emphasize gun control, while another might promote 2nd Amendment rights, and yet a third might focus on mental health issues. In communication research, these different perspectives are known as “frames”, which, when used in news media will influence the opinion of their readers in multiple ways. In this paper, we present a method for effectively detecting frames in news headlines. Our training and performance evaluation is based on a new dataset of news headlines related to the issue of gun violence in the United States. This Gun Violence Frame Corpus (GVFC) was curated and annotated by journalism and communication experts. Our proposed approach sets a new state-of-the-art performance for multiclass news frame detection, significantly outperforming a recent baseline by 35.9% absolute difference in accuracy. We apply our frame detection approach in a large scale study of 88k news headlines about the coverage of gun violence in the U.S. between 2016 and 2018.Published versio

The Thesis: texts and machines

This opening chapter focuses on how research knowledge is represented in the dissertation as a textual format. It sets the dissertation in two contexts. Borg discusses its historical formation within the technologies of the pen and the typewriter; Boyd Davis analyses the changes produced by digital technologies, offering counter-arguments to the claim that the predominantly textual thesis is a poor representation of research knowledge. He advances evidence-based arguments, using a synthesis of recent technological developments, for the additional functionality that text has acquired as a result of being digital and being connected via international networks, contrasting this with the relatively poor forms of access available even now using pictures, moving images and other non-textual forms. The chapter argues that the dissertation is inherently contingent, changing and changeable. While supervisors may expect their students to produce a dissertation that resembles the one they wrote themselves, changes both in the available technologies and in the kinds of knowledge the dissertation is expected to represent are having a significant effect on its form as well as its content. Boyd Davis is co-editor of the book in which this chapter is published, which has its origins in an ESRC-funded seminar series, ‘New Forms of Doctorate’ (2008–10), that he co-devised and co-chaired. The work grew out Boyd Davis’s questioning of methods and formats for research knowledge in his introduction to, and editing of, a special issue of Digital Creativity, entitled Creative Evaluation, in 2009. This followed a peer-reviewed symposium on evaluative techniques within creative work supported by the Design Research Society and British Computer Society, which he devised and chaired. Related work on forms of knowledge in interactive media appears in an article with Faiola and Edwards of Indiana University–Purdue University, Indianapolis, for New Media and Society (2010)