Fully-automatic inverse tone mapping algorithm based on dynamic mid-level tone mapping

High Dynamic Range (HDR) displays can show images with higher color contrast levels and peak luminosities than the common Low Dynamic Range (LDR) displays. However, most existing video content is recorded and/or graded in LDR format. To show LDR content on HDR displays, it needs to be up-scaled using a so-called inverse tone mapping algorithm. Several techniques for inverse tone mapping have been proposed in the last years, going from simple approaches based on global and local operators to more advanced algorithms such as neural networks. Some of the drawbacks of existing techniques for inverse tone mapping are the need for human intervention, the high computation time for more advanced algorithms, limited low peak brightness, and the lack of the preservation of the artistic intentions. In this paper, we propose a fully-automatic inverse tone mapping operator based on mid-level mapping capable of real-time video processing. Our proposed algorithm allows expanding LDR images into HDR images with peak brightness over 1000 nits, preserving the artistic intentions inherent to the HDR domain. We assessed our results using the full-reference objective quality metrics HDR-VDP-2.2 and DRIM, and carrying out a subjective pair-wise comparison experiment. We compared our results with those obtained with the most recent methods found in the literature. Experimental results demonstrate that our proposed method outperforms the current state-of-the-art of simple inverse tone mapping methods and its performance is similar to other more complex and time-consuming advanced techniques

Inverse tone mapping

The introduction of High Dynamic Range Imaging in computer graphics has produced a novelty in Imaging that can be compared to the introduction of colour photography or even more. Light can now be captured, stored, processed, and finally visualised without losing information. Moreover, new applications that can exploit physical values of the light have been introduced such as re-lighting of synthetic/real objects, or enhanced visualisation of scenes. However, these new processing and visualisation techniques cannot be applied to movies and pictures that have been produced by photography and cinematography in more than one hundred years. This thesis introduces a general framework for expanding legacy content into High Dynamic Range content. The expansion is achieved avoiding artefacts, producing images suitable for visualisation and re-lighting of synthetic/real objects. Moreover, it is presented a methodology based on psychophysical experiments and computational metrics to measure performances of expansion algorithms. Finally, a compression scheme, inspired by the framework, for High Dynamic Range Textures, is proposed and evaluated

Inverse tone mapping

The introduction of High Dynamic Range Imaging in computer graphics has produced a novelty in Imaging that can be compared to the introduction of colour photography or even more. Light can now be captured, stored, processed, and finally visualised without losing information. Moreover, new applications that can exploit physical values of the light have been introduced such as re-lighting of synthetic/real objects, or enhanced visualisation of scenes. However, these new processing and visualisation techniques cannot be applied to movies and pictures that have been produced by photography and cinematography in more than one hundred years. This thesis introduces a general framework for expanding legacy content into High Dynamic Range content. The expansion is achieved avoiding artefacts, producing images suitable for visualisation and re-lighting of synthetic/real objects. Moreover, it is presented a methodology based on psychophysical experiments and computational metrics to measure performances of expansion algorithms. Finally, a compression scheme, inspired by the framework, for High Dynamic Range Textures, is proposed and evaluated.EThOS - Electronic Theses Online ServiceEngineering and Physical Sciences Research Council (EPSRC) (EP/D032148)GBUnited Kingdo

Fully-automatic inverse tone mapping preserving the content creator's artistic intentions

High Dynamic Range (HDR) displays can show images with higher color contrast levels and peak luminosities than the common Low Dynamic Range (LDR) displays. However, most existing video content is recorded and/or graded in LDR format. To show this LDR content on HDR displays, a dynamic range expansion by using an Inverse Tone Mapped Operator (iTMO) is required. In addition to requiring human intervention for tuning, most of the iTMOs don't consider artistic intentions inherent to the HDR domain. Furthermore, the quality of their results decays with peak brightness above 1000 nits. In this paper, we propose a fully-automatic inverse tone mapping operator based on mid-level mapping. This allows expanding LDR images into HDR with peak brightness over 1000 nits, preserving the artistic intentions inherent to the HDR domain. We assessed our results using full-reference objective quality metrics as HDR-VDP-2.2 and DRIM. Experimental results demonstrate that our proposed method outperforms the current state of the art

Inverse Tone Mapping Based upon Retina Response

The development of high dynamic range (HDR) display arouses the research of inverse tone mapping methods, which expand dynamic range of the low dynamic range (LDR) image to match that of HDR monitor. This paper proposed a novel physiological approach, which could avoid artifacts occurred in most existing algorithms. Inspired by the property of the human visual system (HVS), this dynamic range expansion scheme performs with a low computational complexity and a limited number of parameters and obtains high-quality HDR results. Comparisons with three recent algorithms in the literature also show that the proposed method reveals more important image details and produces less contrast loss and distortion

Deep HDR hallucination for inverse tone mapping

Inverse Tone Mapping (ITM) methods attempt to reconstruct High Dynamic Range (HDR) information from Low Dynamic Range (LDR) image content. The dynamic range of well-exposed areas must be expanded and any missing information due to over/under-exposure must be recovered (hallucinated). The majority of methods focus on the former and are relatively successful, while most attempts on the latter are not of sufficient quality, even ones based on Convolutional Neural Networks (CNNs). A major factor for the reduced inpainting quality in some works is the choice of loss function. Work based on Generative Adversarial Networks (GANs) shows promising results for image synthesis and LDR inpainting, suggesting that GAN losses can improve inverse tone mapping results. This work presents a GAN-based method that hallucinates missing information from badly exposed areas in LDR images and compares its efficacy with alternative variations. The proposed method is quantitatively competitive with state-of-the-art inverse tone mapping methods, providing good dynamic range expansion for well-exposed areas and plausible hallucinations for saturated and under-exposed areas. A density-based normalisation method, targeted for HDR content, is also proposed, as well as an HDR data augmentation method targeted for HDR hallucination

Distilling Style from Image Pairs for Global Forward and Inverse Tone Mapping

Many image enhancement or editing operations, such as forward and inverse tone mapping or color grading, do not have a unique solution, but instead a range of solutions, each representing a different style. Despite this, existing learning-based methods attempt to learn a unique mapping, disregarding this style. In this work, we show that information about the style can be distilled from collections of image pairs and encoded into a 2- or 3-dimensional vector. This gives us not only an efficient representation but also an interpretable latent space for editing the image style. We represent the global color mapping between a pair of images as a custom normalizing flow, conditioned on a polynomial basis of the pixel color. We show that such a network is more effective than PCA or VAE at encoding image style in low-dimensional space and lets us obtain an accuracy close to 40 dB, which is about 7-10 dB improvement over the state-of-the-art methods.Comment: Published in European Conference on Visual Media Production (CVMP '22

Real-time Virtual Object Insertion for Moving 360° Videos

We propose an approach for real-time insertion of virtual objects into pre-recorded moving-camera 360° video. First, we reconstruct camera motion and sparse scene content via structure from motion on stitched equirectangular video. Then, to plausibly reproduce real-world lighting conditions for virtual objects, we use inverse tone mapping to recover high dynamic range environment maps which vary spatially along the camera path. We implement our approach into the Unity rendering engine for real-time virtual object insertion via differential rendering, with dynamic lighting, image-based shadowing, and user interaction. This expands the use and flexibility of 360° video for interactive computer graphics and visual effects applications