In the Forest of Words I Got Lost – About the Silence in the Poetry of Antonio Colinas and Zbigniew Herbert

The aim of this comparative article is to present the similarity of the poetic concepts of Antonio Colinas and Zbigniew Herbert. The poets did not know each other, there are no traces of mutual influences to be found in their poetic output either, however, they both seemed to be equally connected with the Mediterranean culture. This article concentrates on the meaning of silence in their poetry seen as a necessary supplement to the art of words, hope for saving the sense from ambiguity and hubbub of words. The insufficiency of both the accessible language and silence inspired the poets to seek a form of expression that could satisfy human needs, “the unattainable language.” The search, between the word and silence, is manifested in the poetic works of Colinas and Herbert

A Trickster’s Oaths in The \u3cem\u3eHomeric Hymn to Hermes\u3c/em\u3e

Hermes’ maturation into a god of commerce and diplomacy is punctuated by a series of oaths. At first he uses tricky or unsworn oaths in the investigation of his theftof Apollo’s cattle, but eventually he and Apollo exchange oaths that evoke the protocols of ritualized friendship. Although the ceremony suggests that Hermes has achieved adulthood, a narrative sleight of hand leaves some ambiguity about the completion of the ritual

A Generic Alerting Service for Digital Libraries

Users of modern digital libraries (DLs) can keep themselves up-to-date by searching and browsing their favorite collections, or more conveniently by resorting to an alerting service. The alerting service notifies its clients about new or changed documents. Proprietary and mediating alerting services fail to fluidly integrate information from differing collections. This paper analyses the conceptual requirements of this much-sought after service for digital libraries. We demonstrate that the differing concepts of digital libraries and its underlying technical design has extensive influence (a) the expectations, needs and interests of users regarding an alerting service, and (b) on the technical possibilities of the implementation of the service. Our findings will show that the range of issues surrounding alerting services for digital libraries, their design and use is greater than one may anticipate. We also show that, conversely, the requirements for an alerting service have considerable impact on the concepts of DL design. Our findings should be of interest for librarians as well as system designers. We highlight and discuss the far-reaching implications for the design of, and interaction with, libraries. This paper discusses the lessons learned from building such a distributed alerting service. We present our prototype implementation as a proof-of-concept for an alerting service for open DL software

Pleasure and meaningful discourse: an overview of research issues

The concept of pleasure has emerged as a multi-faceted social and cultural phenomenon in studies of media audiences since the 1980s. In these studies different forms of pleasure have been identified as explaining audience activity and commitment. In the diverse studies pleasure has emerged as a multi-faceted social and cultural concept that needs to be contextualized carefully. Genre and genre variations, class, gender, (sub-)cultural identity and generation all seem to be instrumental in determining the kind and variety of pleasures experienced in the act of viewing. This body of research has undoubtedly contributed to a better understanding of the complexity of audience activities, but it is exactly the diversity of the concept that is puzzling and poses a challenge to its further use. If pleasure is maintained as a key concept in audience analysis that holds much explanatory power, it needs a stronger theoretical foundation. The article maps the ways in which the concept of pleasure has been used by cultural theorists, who have paved the way for its application in reception analysis, and it goes on to explore the ways in which the concept has been used in empirical studies. Central to our discussion is the division between the ‘public knowledge’ and the ‘popular culture’ projects in reception analysis which, we argue, have major implications for the way in which pleasure has come to be understood as divorced from politics, power and ideology. Finally, we suggest ways of bridging the gap between these two projects in an effort to link pleasure to the concepts of hegemony and ideology

Divided Consciousness And Female Companionship: Reconstructing Female Subjectivity On Greek Vases

Art Histor

“There Aren’t any Dwarfs; They got out in Time”. Censored Image of the Home Army in Polish Poetry in 1956–1958

The paper focuses on censorship board’s approach to the subject of Home Army in Polish poetry from the period 1956−1958 of the liberalization of culture. The basic purpose of the research is focused on the identification of censorship reference to the image created by the authors. Moreover, it attempts to specify – on the basis of examples – the kind of content that was accepted, rejected or amended. Juxtaposition of the sensor’s reviews, “preventive inspection reports” and the content published works allows for the examination of the depth of the censor’s intervention and their methods of manipulating historical facts concerning the Hole Army. Research of the relationship censor-author allows for analyze “Aesop’s language” strategy. The whole of paper is based on a historical context and related phenomena, including the amnesty and so-called the “rehabilitation”

From Sapore to Sapere : the gustatory perception of elsewhere in Calvino’s ‘Under the Jaguar Sun’

This essay seeks to show how the gustatory perception of “elsewhere” intensifies human sapience of not only the exotic Other, but also of the self. In other words, it argues that Calvino’s desire to communicate with flavours in ‘Under the Jaguar Sun’ can effectively be read as a tacit acknowledgment of the centrality of taste in comprehending the world in its totality. So, how might one employ the sense of taste to describe “elsewhere”—a place of non-belonging, that seductively nebulous region beyond the certainty of absolute knowledge? Is it possible to access ‘elsewhere’ through a purely gustatory perception? Can it be integrated into habitable place? Does it allow itself to be expressed through/represented by ancient and cryptic foodways? By exploring the erotic and linguistic entailments of the culinary sign, this essay shines a light on the systemic complexities of ‘elsewhere’ in the context of Calvino’s short-story concluding that any genuine comprehension of it naturally presupposes the resolution of the eternal and problematic dichotomy between the perceiving subject (self) and the perceived object (the exotic Other).peer-reviewe

Auctor in Fabula: Umberto Eco and the Intentio of Foucault\u27s Pendulum

Umberto Eco’s 1988 novel Foucault’s Pendulum weaves together a wide range of philosophical and literary threads. Many of these threads find their other ends in Eco’s nonfiction works, which focus primarily on the question of interpretation and the source of meaning. The novel, which follows three distinctly overinterpretive characters as they descend into ruin, has been read by some as a retraction or parody of Eco’s own position. However, if Foucault’s Pendulum is indeed polemical, it must be taken as an argument against the mindset which Eco has termed the “hermetic”. Through an examination of his larger theoretical body, including its themes and intellectual heritage, it will be seen that Eco preserves his philosophical consistency across his fictive and non-fictive work

Beholding a ‘Brave New World’: Sir Walter Raleigh’s The Discovery of Guiana and William Shakespeare’s The Tempest

During the 15th and 16th centuries, the idea of the world was broadened on an unprecendented scale. The Portuguese and the Spaniards dominated a first stage in the maritime expansion and even divided the planet into two halves. Those times were primarily characterized by a need to overcome the fear of the unknown, to explore and cross the oceans, to reach coast after coast and to register in maps and charts the new found lands. In the wake of the first explorers and benefiting from the extraordinary advancements in the art of navigation, the English, the French and the Dutch, particularly motivated by mercantile interests, started dominating a second stage of sea voyages. Beyond circumstances and motivations, both moments involved unparalleled events in the field of mentality and worldview: fragile ships managed to cross the vast oceans and arrive in unknown lands inhabited by unimaginable human races, plants and animals. From then on, an immense variety of works on voyages, discoveries and adventures was produced. After a brief approach to the general context of the time, I explore the broad dichotomy ‘Civilization versus Nature’ in two Renaissance English texts that, in very different ways, tell of sea voyages and behold a ‘Brave New World’: Sir Walter Raleigh’s The Discovery of Guiana (1595) and William Shakespeare’s The Tempest (1623).info:eu-repo/semantics/publishedVersio