Analysis of Journal Papers about Studies of Ancient Chinese Villages

Based on CNKI database, the author has retrieved that, from 1989 to 2015, 318 papers about ancient village studies have been published in core Chinese journals. With literature statistical methods, the author analyzes and classifies the year and the number of studies, research themes, journals in which the papers are published, main creative units of such literature, core author group distribution and teases out there are 318 first authors and 12 main core authors as well as 11 core journals. The results show that ancient Chinese village landscape construction, ancient town settlement space type, traditional residential building space, village cultural landscape protection and sustainable development, reproduction of space environment of ancient villages, ancient village landscape planning, protection and development of ancient villages, the development and protection of the ancient village landscape are the hot spots in ancient villages researches in China and have made great achievements and progress.

The dizi (Chinese bamboo flute) its representative repertoires in the years from 1949 to 1985

This dissertation is a comprehensive study by a third generation Chinese professional flautist of the dizi (the Chinese Bamboo flute) and its representative repertoires during the “New China” (the People’s Republic of China; the PRC) era. The study was made by means of a discussion of the instrument’s history, an examination of extant music manuscripts and other evidence, discussion of first hand personal professional experiences in China with first and second generation master flautists, and by performances of a sample of items. In order to understand the family of Chinese flutes, their music and performance, music’s changing role in Chinese society was explored: the influences brought to bear by political decree, by changes in cultural attitude, economics, and methods of manufacture, in the years from 1949 to 1985. By the early 1980s the effects of the Chinese government’s “Open Door Policy” were significantly noticeable. Everyday life in China was being increasingly influenced by the presence of western popular culture, particularly film and music, with a dilution of interest in things more traditionally Chinese

When Folk Dance Was Radical: Cold War Yangge, World Youth Festivals, and Overseas Chinese Leftist Culture in the 1950s and 1960s

This article challenges three common assumptions about Chinese socialist-era dance culture: first, that Mao-era dance rarely circulated internationally and was disconnected from international dance trends; second, that the yangge movement lost momentum in the early years of the People’s Republic of China (PRC); and, third, that the political significance of socialist dance lies in content rather than form. This essay looks at the transformation of wartime yangge into PRC folk dance during the 1950s and 1960s and traces the international circulation of these new dance styles in two contexts: the World Festivals of Youth and Students in Eastern Europe, and the schools, unions, and clan associations of overseas Chinese communities in Hong Kong, Singapore, Malaysia, and San Francisco. By tracing the emergence and circulation of yangge and PRC folk dance, I propose the existence of “Cold War yangge” – a transnational phenomenon in which Chinese folk dance became a site of leftist political activism

The sounds on the Silk Road from Xi'an to Urumqi. Soundscape, recording and exposition of the sound

[eng] The main objective of the doctoral thesis is to study the Soundscape in the Chinese route of the Silk Road based on the premises issued in 2003 by the Convention for the Safeguarding of the Intangible Cultural Heritage of UNESCO. In China, no application of this agreement has been used. The research proposed by the doctoral thesis is an important precedent in applying the guidelines concerning the study and preservation of intangible cultural heritage. The Silk Road represents the exchange and integration of Chinese and Western cultures, and its mysterious and remote atmosphere is fascinating. I have longed for the Silk Road since I was young. I was exposed to sound media art, soundscape maps, and sound sculpture research in the laboratory of Dr. Josep Cerda at the University of Barcelona. Finally, it presented the idea of applying sound media art to data analysis of the sound on the Silk Road and archival records. The General Conference of the United Nations Educational, Scientific and Cultural Organization. UNESCO, at its 32nd meeting, held in Paris from September 29 to October 17, 2003. Approved the Convention for the Safeguarding of the Cultural Heritage Intangible, the intergovernmental agreement that Recognizes that communities, groups, and individuals play an important role in the production, safeguarding, maintenance, and recreation of intangible cultural heritage, thereby contributing to enriching cultural diversity and human creativity. It considers the importance of the Soundscape as an exponent of cultural diversity. The General objective of this doctoral dissertation is to apply the intangible cultural heritage protection formulated by UNESCO to "Using sound media art to record and protect the sound landscape of typical areas on the Silk Road." Through a literature review of Western sound research and the current sound landscape research status in China, China is currently conducting sound landscape research and research on a certain designated area. Quantitative analysis exists, but there is no study on "The sounds on the Silk Road from Xi'an to Urumqi." The Silk Road is a vast area and has many research limitations in terms of geography. This research uses ethnographic research as the main research methodology, and finally determines the research site in China from Xi'an to Urumqi in Six specific regions. In Chinese history, the Silk Road started from Xi'an, Shaanxi Province, and ended in Xinjiang Province, the last region connecting China with Eurasia. I passed through the Longmen Grottoes in Luoyang, Henan Province, the surround-ing areas of Mogao Grottoes in Gansu Province, and the surrounding regions of Qin- ghai Lake in Xining City Qinghai Province. As the gathering area of ethnic minorities in the southwest of China's Silk Road, Yunnan Province also includes this doctoral thesis research. Try to find the voices on the Silk Road that are most worthy of investigation and preservation, and conduct field investigations and quantitative analysis. The purpose of the research is to use a sound media library, soundscape map, and sound art museum display to reflect the ecological landscape environment of the Silk Road, the urban human environment, and the status quo of historical relics. Based on this, establish a sound landscape database. To form a digital map of the Soundscape, making it an important carrier for the protection and inheritance of the sound landscape on the Silk Road, as a basis for academic and theoretical research on protecting intangible cultural heritage on the Silk Road. The second objective of the research is to establish a sound media art laboratory and a sound documentation center in Shanghai Donghua University and Shanghai Arts & Design Academy, to supplement the current lack of sound media art as a research direction in design education in China. The third research goal is to apply future sound media art combined with big data artificial intelligence to serve society. Apply intelligent sound design as an essential means of exhibition and display and demonstrate in Chinese museums. In terms of research conclusions and social influence, this doctoral thesis puts forward for the first time "the application of sound media art to protect and inherit the soundscape of the Silk Road". First of all, a set of core methodology and research techniques in the research of this doctoral dissertation applied to the academic study of soundscape protection on the Silk Road. Due to the limitations of the research funding and time of the doctoral thesis, only investigate six important areas. I will not terminate this research because of the end of this paper. Researchers will continue to study some other sub-important regions of the Silk Road in China. This doctoral thesis will lay a theoretical foundation for China and the world to study the "Silk Road" soundscape research. Introduce the establishment method of sound media library into the design art education of Chinese colleges and universities. To make up for the lack of research in Chinese universities that specifically focus on sound art design instead of music theory research under art design research. The third is to create a sound media library and make an interactive multimedia map to be applied to the soundscape guide of the future cultural journey. Use digital media technology and sound media art principles to design a virtual interactive sound museum. Establish a complete set of sound expressions, protect and Inheriting the Soundscape of the Silk Road while driving the richness of cultural tourism in the southwest and northwest regions of China. The audience can understand the history and culture of the Silk Road through acoustic sensory experience in multiple dimensions.[spa] La finalidad de esta investigación es establecer un archivo sonoro de la Ruta de la Seda, en su recorrido en China, aplicando las directrices de la UNESCO, establecidas en la Convención para la Salvaguarda del Patrimonio Cultural Inmaterial, a partir de una metodología teorico-práctica de recogida de datos mediante grabaciones de campo y geolocalizadas mediante mapas sonoros. A lo largo de los 5 años de investigación, se ha podido constatar la transformación cultural de la zona de estudio debido a la irrupción de las nuevas tecnologías y la creciente industrialización, aspectos que constatan la necesidad de este tipo de investigaciones que hemos llevado a cabo, ya que los sonidos tradicionales del paisaje sonoro de la Ruta de la Seda están en vías de desaparición, por lo tanto es muy importante preservarlos para el futuro mediante la creación de un archivo sonoro.. En la investigación se han introducido elementos tecnológicos importantes, sobre todo en lo que hace referencia en la exposición de los sonidos del paisaje sonoro y en el diseño de un espacio expositivo interactivo especialmente diseñado para presentar estos sonidos y demás aspectos de la tradición cultural y artesana de la Ruta de la seda. Se ha partido de los estudios realizados por el investigador canadiense R. Murray-Schafer que se desarrollaron en la década de los años 70 del siglo pasado en la Universidad Simon Fraser de Canadá, y que han ido evolucionando hasta la actualidad por las aportaciones sucesivas de I. Westercamp y B. Truaux, que dieron como resultado el Word Sounscape Project, que es el origen del trabajo de investigación que hemos llevado a cabo. Toda la investigación se ha llevado a cabo en el mismo lugar de estudio de la Ruta de la Seda, en su tramo Chino. La gran mayoría de las grabaciones de campo y las imágenes fotográficas, así como las entrevistas y diseño expositivo han sido llevadas a cabo por la autora. Así mismo cabe remarcar que el estudio de las fuentes bibliográficas se han realizado en la mayoría de las veces a partir de libros y artículos redactados en el idioma mandarín, por lo que la accesibilidad a las fuentes primarias, hacen de esta tesis un trabajo de investigación muy importante

Atlas of Religion in China

This atlas maps religious sites and describes social and demographic characteristics of religious believers in contemporary China.; Readership: All people interested in religion in China; academic libraries; research institutes on China

Atlas of Religion in China

This atlas maps religious sites and describes social and demographic characteristics of religious believers in contemporary China.; Readership: All people interested in religion in China; academic libraries; research institutes on China

Religion and Folk Belief in Chinese Literature and Theatre

This edited volume offers a historical, textual and ethnoanthropological exploration of the meaning and value of religion and ritual and their form and function in relation to Chinese literature and theatre. The term ‘theatre’ is used here to refer broadly to various types of live performances—theatrical and non-theatrical; sacred and profane— presented in a religious setting, thus including ritual performance and oral performance. Likewise, literature in this volume broadly encompasses both written and oral literatures, including drama, poetry, hagiography, legend, mythology and prosimetric narrative or chantefable for telling and singing. The contributors to the issue draw on a wide range of materials from historical, philosophical and literary texts to field reports and archaeological finds to archived documents and local gazetteers to personal interviews and participant observations. While all the essays are collected under the theme of ‘Religion and Folk Belief in Chinese Literature and Theatre’, they differ from each other in subject matter, source material and research approach. Rich and varied as they are, these essays fall into two main categories, namely, a historical approach to religion and ritual recorded in (written and visual) texts and an integrated approach that combines historical inquiries into written and visual texts with ethnoanthropological fieldwork on religious rituals and associated performances

The origin, classification and evolution of Chinese paper cutting

The subject dealt with in this thesis relates to the holistic understanding of the development of a traditional folk art: the art of paper cutting. This artistic tradition originated in China and features intricate and hollow style imagery, used to convey cultural symbolism and infer auspicious wishes. Since the inception of the art, numerous diverse styles of paper cutting art have been evolved across the regions of China. With the renewed interest in the cultural creative industry over recent years, the significance and value of the traditional art in China has been revaluated and explored. Paper cutting art has been examined in a number of areas within China, however, a valid analytic and multi-faceted study had yet to be developed. This limited the academic community, museum professionals and practitioners from obtaining an empirical-based understanding of the explanation for variables in styles and measures of innovation. Consequently, research drawing on the holistic nature of the development of the art is of considerable theoretical and practical interest to these communities. To address the problem of the differing styles of paper cutting and drivers of innovation across the regions of China, a qualitative research design was employed. A review of the historical development of paper cutting art was followed by visual analysis and qualitative interviews to determine the explanations for variables in styles, wider cultural influences and the innovation and application in modern design. A taxonomy of the primary factors influencing the recent developments of the paper cutting art is presented and a theoretical framework provides a holistic explanation of the interconnected and interrelated drivers acting on the artist and artistic community