Music Similarity Estimation

Music is a complicated form of communication, where creators and culture communicate and expose their individuality. After music digitalization took place, recommendation systems and other online services have become indispensable in the field of Music Information Retrieval (MIR). To build these systems and recommend the right choice of song to the user, classification of songs is required. In this paper, we propose an approach for finding similarity between music based on mid-level attributes like pitch, midi value corresponding to pitch, interval, contour and duration and applying text based classification techniques. Our system predicts jazz, metal and ragtime for western music. The experiment to predict the genre of music is conducted based on 450 music files and maximum accuracy achieved is 95.8% across different n-grams. We have also analyzed the Indian classical Carnatic music and are classifying them based on its raga. Our system predicts Sankarabharam, Mohanam and Sindhubhairavi ragas. The experiment to predict the raga of the song is conducted based on 95 music files and the maximum accuracy achieved is 90.3% across different n-grams. Performance evaluation is done by using the accuracy score of scikit-learn

Change Point Determination in Audio Data Using Auditory Features

The study is aimed to investigate the properties of auditory-based features for audio change point detection process. In the performed analysis, two popular techniques have been used: a metric-based approach and the BIC scheme. The efficiency of the change point detection process depends on the type and size of the feature space. Therefore, we have compared two auditory-based feature sets (MFCC and GTEAD) in both change point detection schemes. We have proposed a new technique based on multiscale analysis to determine the content change in the audio data. The comparison of the two typical change point detection techniques with two different feature spaces has been performed on the set of acoustical scenes with single change point. As the results show, the accuracy of the detected positions depends on the feature type, feature space dimensionality, detection technique and the type of audio data. In case of the BIC approach, the better accuracy has been obtained for MFCC feature space in the most cases. However, the change point detection with this feature results in a lower detection ratio in comparison to the GTEAD feature. Using the same criteria as for BIC, the proposed multiscale metric-based technique has been executed. In such case, the use of the GTEAD feature space has led to better accuracy. We have shown that the proposed multiscale change point detection scheme is competitive to the BIC scheme with the MFCC feature space

Automatic classification of latin music : some experiments on musical genre classification

Estágio realizado no INESC PortoTese de mestrado integrado. Engenharia Electrotécnica e de Computadores. Faculdade de Engenharia. Universidade do Porto. 200

Automatic classification of latin music : some experiments on musical genre classification

Estágio realizado no INESC PortoTese de mestrado integrado. Engenharia Electrotécnica e de Computadores. Faculdade de Engenharia. Universidade do Porto. 200

An empirical evaluation of computational and perceptual multi-label genre classification on music / Christopher Sanden

viii, 87 leaves ; 29 cmAutomatic music genre classi cation is a high-level task in the eld of Music Information Retrieval (MIR). It refers to the process of automatically assigning genre labels to music for various tasks, including, but not limited to categorization, organization and browsing. This is a topic which has seen an increase in interest recently as one of the cornerstones of MIR. However, due to the subjective and ambiguous nature of music, traditional single-label classi cation is inadequate. In this thesis, we study multi-label music genre classi cation from perceptual and computational perspectives. First, we design a set of perceptual experiments to investigate the genre-labelling behavior of individuals. The results from these experiments lead us to speculate that multi-label classi cation is more appropriate for classifying music genres. Second, we design a set of computational experiments to evaluate multi-label classi cation algorithms on music. These experiments not only support our speculation but also reveal which algorithms are more suitable for music genre classi cation. Finally, we propose and examine a group of ensemble approaches for combining multi-label classi cation algorithms to further improve classi cation performance. i

Design and evaluation of dynamic feature-based segmentation on music

viii, 94 leaves : ill. ; 29 cmSegmentation is an indispensable step in the field of Music Information Retrieval (MIR). Segmentation refers to the splitting of a music piece into significant sections. Classically there has been a great deal of attention focused on various issues of segmentation, such as: perceptual segmentation vs. computational segmentation, segmentation evaluations, segmentation algorithms, etc. In this thesis, we conduct a series of perceptual experiments which challenge several of the traditional assumptions with respect to segmentation. Identifying some deficiencies in the current segmentation evaluation methods, we present a novel standardized evaluation approach which considers segmentation as a supportive step towards feature extraction in the MIR process. Furthermore, we propose a simple but effective segmentation algorithm and evaluate it utilizing our evaluation approach

Sequential decision making in artificial musical intelligence

Over the past 60 years, artificial intelligence has grown from a largely academic field of research to a ubiquitous array of tools and approaches used in everyday technology. Despite its many recent successes and growing prevalence, certain meaningful facets of computational intelligence have not been as thoroughly explored. Such additional facets cover a wide array of complex mental tasks which humans carry out easily, yet are difficult for computers to mimic. A prime example of a domain in which human intelligence thrives, but machine understanding is still fairly limited, is music. Over the last decade, many researchers have applied computational tools to carry out tasks such as genre identification, music summarization, music database querying, and melodic segmentation. While these are all useful algorithmic solutions, we are still a long way from constructing complete music agents, able to mimic (at least partially) the complexity with which humans approach music. One key aspect which hasn't been sufficiently studied is that of sequential decision making in musical intelligence. This thesis strives to answer the following question: Can a sequential decision making perspective guide us in the creation of better music agents, and social agents in general? And if so, how? More specifically, this thesis focuses on two aspects of musical intelligence: music recommendation and human-agent (and more generally agent-agent) interaction in the context of music. The key contributions of this thesis are the design of better music playlist recommendation algorithms; the design of algorithms for tracking user preferences over time; new approaches for modeling people's behavior in situations that involve music; and the design of agents capable of meaningful interaction with humans and other agents in a setting where music plays a roll (either directly or indirectly). Though motivated primarily by music-related tasks, and focusing largely on people's musical preferences, this thesis also establishes that insights from music-specific case studies can also be applicable in other concrete social domains, such as different types of content recommendation. Showing the generality of insights from musical data in other contexts serves as evidence for the utility of music domains as testbeds for the development of general artificial intelligence techniques. Ultimately, this thesis demonstrates the overall usefulness of taking a sequential decision making approach in settings previously unexplored from this perspectiveComputer Science

Finding an Optimal Segmentation for Audio Genre Classification

In the automatic classification of music many different segmentations of the audio signal have been used to calculate features. These include individual short frames (23 ms), longer frames (200 ms), short sliding textural windows (1 sec) of a stream of 23 ms frames, large fixed windows (10 sec) and whole files. In this work we present an evaluation of these different segmentations, showing that they are sub-optimal for genre classification and introduce the use of an onset detection based segmentation, which appears to outperform all of the fixed and sliding windows segmentation schemes in terms of classification accuracy and model size

Finding an Optimal Segmentation for Audio Genre Classification

In the automatic classification of music many different segmentations of the audio signal have been used to calculate features. These include individual short frames (23 ms), longer frames (200 ms), short sliding textural windows (1 sec) of a stream of 23 ms frames, large fixed windows (10 sec) and whole files. In this work we present an evaluation of these different segmentations, showing that they are sub-optimal for genre classification and introduce the use of an onset detection based segmentation, which appears to outperform all of the fixed and sliding windows segmentation schemes in terms of classification accuracy and model size