52 research outputs found

    A Survey of Partition-Based Techniques for Copy-Move Forgery Detection

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    A copy-move forged image results from a specific type of image tampering procedure carried out by copying a part of an image and pasting it on one or more parts of the same image generally to maliciously hide unwanted objects/regions or clone an object. Therefore, detecting such forgeries mainly consists in devising ways of exposing identical or relatively similar areas in images. This survey attempts to cover existing partition-based copy-move forgery detection techniques

    Copy-move forgery detection using combined features and transitive matching

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    Recently, the research of Internet of Things (IoT) and Multimedia Big Data (MBD) has been growing tremendously. Both IoT and MBD have a lot of multimedia data, which can be tampered easily. Therefore, the research of multimedia forensics is necessary. Copy-move is an important branch of multimedia forensics. In this paper, a novel copy-move forgery detection scheme using combined features and transitive matching is proposed. First, SIFT and LIOP are extracted as combined features from the input image. Second, transitive matching is used to improve the matching relationship. Third, a filtering approach using image segmentation is proposed to filter out false matches. Fourth, affine transformations are estimated between these image patches. Finally, duplicated regions are located based on those affine transformations. The experimental results demonstrate that the proposed scheme can achieve much better detection results on the public database under various attacks

    A new technique for video copy-move forgery detection

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    This thesis describes an algorithm for detecting copy-move falsifications in digital video. The thesis is composed of 5 chapters. In the first chapter there is an introduction to forgery detection for digital images and videos. Chapters 2, 3 and 4 describe in detail the techniques used for the implementation of the detection algorithm. The experimental results are presented in the fifth and last chapter

    A robust region-adaptive digital image watermarking system

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    Digital image watermarking techniques have drawn the attention of researchers and practitioners as a means of protecting copyright in digital images. The technique involves a subset of information-hiding technologies, which work by embedding information into a host image without perceptually altering the appearance of the host image. Despite progress in digital image watermarking technology, the main objectives of the majority of research in this area remain improvements in the imperceptibility and robustness of the watermark to attacks. Watermark attacks are often deliberately applied to a watermarked image in order to remove or destroy any watermark signals in the host data. The purpose of the attack is. aimed at disabling the copyright protection system offered by watermarking technology. Our research in the area of watermark attacks found a number of different types, which can be classified into a number of categories including removal attacks, geometry attacks, cryptographic attacks and protocol attacks. Our research also found that both pixel domain and transform domain watermarking techniques share similar levels of sensitivity to these attacks. The experiment conducted to analyse the effects of different attacks on watermarked data provided us with the conclusion that each attack affects the high and low frequency part of the watermarked image spectrum differently. Furthermore, the findings also showed that the effects of an attack can be alleviated by using a watermark image with a similar frequency spectrum to that of the host image. The results of this experiment led us to a hypothesis that would be proven by applying a watermark embedding technique which takes into account all of the above phenomena. We call this technique 'region-adaptive watermarking'. Region-adaptive watermarking is a novel embedding technique where the watermark data is embedded in different regions of the host image. The embedding algorithms use discrete wavelet transforms and a combination of discrete wavelet transforms and singular value decomposition, respectively. This technique is derived from the earlier hypothesis that the robustness of a watermarking process can be improved by using watermark data in the frequency spectrum that are not too dissimilar to that of the host data. To facilitate this, the technique utilises dual watermarking technologies and embeds parts of the watermark images into selected regions of the host image. Our experiment shows that our technique improves the robustness of the watermark data to image processing and geometric attacks, thus validating the earlier hypothesis. In addition to improving the robustness of the watermark to attacks, we can also show a novel use for the region-adaptive watermarking technique as a means of detecting whether certain types of attack have occurred. This is a unique feature of our watermarking algorithm, which separates it from other state-of-the-art techniques. The watermark detection process uses coefficients derived from the region-adaptive watermarking algorithm in a linear classifier. The experiment conducted to validate this feature shows that, on average, 94.5% of all watermark attacks can be correctly detected and identified

    Detection of copy-move forgery in digital images using different computer vision approaches

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    Image forgery detection approaches are many and varied, but they generally all serve the same objectives: detect and localize the forgery. Copy-move forgery detection (CMFD) is widely spread and must challenge approach. In this thesis, We first investigate the problems and the challenges of the existed algorithms to detect copy-move forgery in digital images and then we propose integrating multiple forensic strategies to overcome these problems and increase the efficiency of detecting and localizing forgery based on the same image input source. Test and evaluate our copy-move forgery detector algorithm presented the outcome that has been enhanced by various computer vision field techniques. Because digital image forgery is a growing problem due to the increase in readily-available technology that makes the process relatively easy for forgers, we propose strategies and applications based on the PatchMatch algorithm and deep neural network learning (DNN). We further focus on the convolutional neural network (CNN) architecture approach in a generative adversarial network (GAN) and transfer learning environment. The F-measure score (FM), recall, precision, accuracy, and efficiency are calculated in the proposed algorithms and compared with a selection of literature algorithms using the same evaluation function in order to make a fair evaluation. The FM score achieves 0.98, with an efficiency rate exceeding 90.5% in most cases of active and passive forgery detection tasks, indicating that the proposed methods are highly robust. The output results show the high efficiency of detecting and localizing the forgery across different image formats for active and passive forgery detection. Therefore, the proposed methods in this research successfully overcome the main investigated issues in copy-move forgery detection as such: First, increase efficiency in copy-move forgery detection under a wide range of manipulation process to a copy-moved image. Second, detect and localized the copy-move forgery patches versus the pristine patches in the forged image. Finally, our experiments show the overall validation accuracy based on the proposed deep learning approach is 90%, according to the iteration limit. Further enhancement of the deep learning and learning transfer approach is recommended for future work

    Handbook of Digital Face Manipulation and Detection

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    This open access book provides the first comprehensive collection of studies dealing with the hot topic of digital face manipulation such as DeepFakes, Face Morphing, or Reenactment. It combines the research fields of biometrics and media forensics including contributions from academia and industry. Appealing to a broad readership, introductory chapters provide a comprehensive overview of the topic, which address readers wishing to gain a brief overview of the state-of-the-art. Subsequent chapters, which delve deeper into various research challenges, are oriented towards advanced readers. Moreover, the book provides a good starting point for young researchers as well as a reference guide pointing at further literature. Hence, the primary readership is academic institutions and industry currently involved in digital face manipulation and detection. The book could easily be used as a recommended text for courses in image processing, machine learning, media forensics, biometrics, and the general security area

    Graphonomics and your Brain on Art, Creativity and Innovation : Proceedings of the 19th International Graphonomics Conference (IGS 2019 – Your Brain on Art)

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    [Italiano]: “Grafonomia e cervello su arte, creatività e innovazione”. Un forum internazionale per discutere sui recenti progressi nell'interazione tra arti creative, neuroscienze, ingegneria, comunicazione, tecnologia, industria, istruzione, design, applicazioni forensi e mediche. I contributi hanno esaminato lo stato dell'arte, identificando sfide e opportunità, e hanno delineato le possibili linee di sviluppo di questo settore di ricerca. I temi affrontati includono: strategie integrate per la comprensione dei sistemi neurali, affettivi e cognitivi in ambienti realistici e complessi; individualità e differenziazione dal punto di vista neurale e comportamentale; neuroaesthetics (uso delle neuroscienze per spiegare e comprendere le esperienze estetiche a livello neurologico); creatività e innovazione; neuro-ingegneria e arte ispirata dal cervello, creatività e uso di dispositivi di mobile brain-body imaging (MoBI) indossabili; terapia basata su arte creativa; apprendimento informale; formazione; applicazioni forensi. / [English]: “Graphonomics and your brain on art, creativity and innovation”. A single track, international forum for discussion on recent advances at the intersection of the creative arts, neuroscience, engineering, media, technology, industry, education, design, forensics, and medicine. The contributions reviewed the state of the art, identified challenges and opportunities and created a roadmap for the field of graphonomics and your brain on art. The topics addressed include: integrative strategies for understanding neural, affective and cognitive systems in realistic, complex environments; neural and behavioral individuality and variation; neuroaesthetics (the use of neuroscience to explain and understand the aesthetic experiences at the neurological level); creativity and innovation; neuroengineering and brain-inspired art, creative concepts and wearable mobile brain-body imaging (MoBI) designs; creative art therapy; informal learning; education; forensics
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