Digital Humanities Clinics - Leading Dutch Librarians into DH

Academic libraries in the Netherlands have the ambition to increase the knowledge level of their librarians on digital humanities (DH). Three libraries therefore set up a series of full-day training events aimed specifically at library professionals of academic and research libraries in the Netherlands, named DH Clinics. The aim of these clinics is to provide basic methodological competencies and technical skills in DH, for a diverse group of library employees, consisting of both subject and technical librarians with basic technical skills. The content of these sessions should 1) enable them to provide services to researchers and students, 2) identify remaining gaps in knowledge or skills that they could address by self-directed learning and 3) (possibly) to automate their daily library work. This paper describes the final schedule of the DH Clinics, how we organised the design process by involving the user community and the lessons we learned.UB – Publicatie

Positioning and power in academic publishing: players, agents and agendas

The field of electronic publishing has grown exponentially in the last two decades, but we are still in the middle of this digital transformation. With technologies coming and going for all kinds of reasons, the distribution of economic, technological and discursive power continues to be negotiated. This book presents the proceedings of the 20th Conference on Electronic Publishing (Elpub), held in Göttingen, Germany, in June 2016. This year’s conference explores issues of positioning and power in academic publishing, and it brings together world leading stakeholders such as academics, practitioners, policymakers, students and entrepreneurs from a wide variety of fields to exchange information and discuss the advent of innovations in the areas of electronic publishing, as well as reflect on the development in the field over the last 20 years. Topics covered in the papers include how to maintain the quality of electronic publications, modeling processes and the increasingly prevalent issue of open access, as well as new systems, database repositories and datasets. This overview of the field will be of interest to all those who work in or make use of electronic publishing

Open a GLAM lab

Defining a GLAM Lab: A Galleries, Libraries, Archives and Museums (GLAM) Lab is a place for experimenting with digital collections and data. It is where researchers, artists, entrepreneurs, educators and the interested public can collaborate with an engaged group of partners to create new collections, tools, and services that will help transform the future ways in which knowledge and culture are disseminated. The exchanges and experimentation in a Lab are open, iterative and shared widely. This book describes why and how to open a GLAM Lab and encourages participation in a movement that can transform organisations and the communities they partner with. Building a GLAM Lab: Building a GLAM Lab involves defining its core values to guide future work, fostering a culture that is open, transparent, generous, collaborative, creative, inclusive, bold, ethical, accessible and encourages a mindset of exploration. The Lab should be grounded in user-centred and participatory design processes and its staff should be able to clearly communicate what the Lab is about. It's important to think big but start small and establish quick wins to get up and running. GLAM Lab teams: There are recommendations for the qualities and skills to look for in Labs teams, how to go about finding allies within and outside the institution, and ideas on how to create a nurturing environment for teams to thrive in. Labs teams have no optimal size or composition, and its team members can come from all walks of life. Teams need a healthy culture to ensure a well-functioning Lab which might be augmented intermittently by fellows, interns or researchers-inresidence. For a Lab to have lasting impact it must be integrated into the parent organisation and have the support of staff at all levels. User communities: GLAM Labs will need to engage and connect with potential users and partners. This means rethinking these relationships to help establish clear and targeted messages for specific communities. In turn, this enables Labs to adjust their tools, services and collections to establish deeper partnerships based on co-creation, and open and equal dialogue. Rethinking collections and Data: The book discusses the digital collections which are an integral part of Labs. It provides insights on how to share the collections as data, and how to identify, assess, describe, access, and reuse the collections. In addition, there is information about messy and curated data, digitisation, metadata, rights and preservation. Transformation: Experimentation is the critical core of the Lab's process. Insights about how to transform tools into operational services are demonstrated. It shows that experimentation can prepare the organisational culture and services for transformation. There is an examination of funding and the advantages and disadvantages of various models through discussion of the different mechanisms and options that an organisation can apply to Lab set-ups. Funding and Sustainability: We share insights on how to plan for a Lab's sustainability as well as a step-by-step guide for when an organisation is retiring or decommissioning a Lab. Labs have a pivotal role in the transformation of GLAMs and the book highlights the critical importance of Labs in changing the future of digital cultural heritage.Funded by UCL Qatar (Mmember of Qatar Foundation) and Qatar University Library. There has also been support from the British Library Labs, and the Library of Congress Labs

Caribbean cultural heritage and the nation:Aruba, Bonaire and Curaçao in a regional context

Centuries of intense migrations have deeply impacted expressions of cultural heritage on the ABC islands: Aruba, Bonaire, and Curaçao. This volume queries how cultural heritage on these Dutch Caribbean islands relates to the work of nation building and nation-branding. How does the imagining of a shared political “we” relates to images deliberately produced to market these islands to a world of capital? The contributing authors in this volume address this leading question in their essays that describe and analyze the expressions of the ABC islands. In doing so they compare and contrast nation building and branding on the ABC islands to those taking place in the wider Caribbean. The expressions of cultural heritage discussed range from the importance of sports, music, literature and visual arts to those related to the political economy of tourism, the work of museums, the activism surrounding the question of reparations, and the politics and policies affecting the Caribbean Diasporas in the North Atlantic. This volume adds to the understanding of the dynamics of nation, culture and economy in the Caribbean

Four Islands:Contemporary Art in Suriname, Aruba, Bonaire, and Curaçao

A comparison of art worlds in four Caribbean countrie

Representations and Reparations of Slavery in the Caribbean

How is slavery represented in museums all over the Caribbean and does this reflect local debates on Reparation