359 research outputs found
Scalable and perceptual audio compression
This thesis deals with scalable perceptual audio compression. Two scalable perceptual solutions as well as a scalable to lossless solution are proposed and investigated. One of the scalable perceptual solutions is built around sinusoidal modelling of the audio signal whilst the other is built on a transform coding paradigm. The scalable coders are shown to scale both in a waveform matching manner as well as a psychoacoustic manner. In order to measure the psychoacoustic scalability of the systems investigated in this thesis, the similarity between the original signal\u27s psychoacoustic parameters and that of the synthesized signal are compared. The psychoacoustic parameters used are loudness, sharpness, tonahty and roughness. This analysis technique is a novel method used in this thesis and it allows an insight into the perceptual distortion that has been introduced by any coder analyzed in this manner
Perceptually-Driven Video Coding with the Daala Video Codec
The Daala project is a royalty-free video codec that attempts to compete with
the best patent-encumbered codecs. Part of our strategy is to replace core
tools of traditional video codecs with alternative approaches, many of them
designed to take perceptual aspects into account, rather than optimizing for
simple metrics like PSNR. This paper documents some of our experiences with
these tools, which ones worked and which did not. We evaluate which tools are
easy to integrate into a more traditional codec design, and show results in the
context of the codec being developed by the Alliance for Open Media.Comment: 19 pages, Proceedings of SPIE Workshop on Applications of Digital
Image Processing (ADIP), 201
Audio Coding Based on Integer Transforms
Die Audiocodierung hat sich in den letzten Jahren zu einem sehr
populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere
gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3
(MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur
effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für
professionelle Anwendungen, wie etwa die Archivierung und Übertragung im
Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht.
Die bisherigen Ansätze für gehörangepasste und verlustlose
Audiocodierung sind technisch völlig verschieden. Moderne
gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der
überlappenden orthogonalen Transformation "Modifizierte Diskrete
Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen
verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige
Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden
bisher versucht.
Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das
Lifting-Schema auf die in der gehörangepassten Audiocodierung
verwendeten überlappenden Transformationen anwendet. Dies ermöglicht
eine invertierbare Integer-Approximation der ursprünglichen
Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die
selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung
angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler
Lifting-Ansatz und eine Technik zur Spektralformung von
Quantisierungsfehlern eine Verbesserung der Approximation der
ursprünglichen Transformation.
Basierend auf diesen neuen Integer-Transformationen werden in dieser
Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren
umfassen verlustlose Audiocodierung, eine skalierbare verlustlose
Erweiterung eines gehörangepassten Audiocoders und einen integrierten
Ansatz zur fein skalierbaren gehörangepassten und verlustlosen
Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen
ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen
Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for
research and applications. Especially perceptual audio coding schemes,
such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are
widely used for efficient storage and transmission of music
signals. Nevertheless, for professional applications, such as archiving
and transmission in studio environments, lossless audio coding schemes
are considered more appropriate.
Traditionally, the technical approaches used in perceptual and lossless
audio coding have been separate worlds. In perceptual audio coding, the
use of filter banks, such as the lapped orthogonal transform "Modified
Discrete Cosine Transform" (MDCT), has been the approach of choice being
used by many state of the art coding schemes. On the other hand,
lossless audio coding schemes mostly employ predictive coding of
waveforms to remove redundancy. Only few attempts have been made so far
to use transform coding for the purpose of lossless audio coding.
This work presents a new approach of applying the lifting scheme to
lapped transforms used in perceptual audio coding. This allows for an
invertible integer-to-integer approximation of the original transform,
e.g. the IntMDCT as an integer approximation of the MDCT. The same
technique can also be applied to low-delay filter banks. A generalized,
multi-dimensional lifting approach and a noise-shaping technique are
introduced, allowing to further optimize the accuracy of the
approximation to the original transform.
Based on these new integer transforms, this work presents new audio
coding schemes and applications. The audio coding applications cover
lossless audio coding, scalable lossless enhancement of a perceptual
audio coder and fine-grain scalable perceptual and lossless audio
coding. Finally an approach to data hiding with high data rates in
uncompressed audio signals based on integer transforms is described
Audio Coding Based on Integer Transforms
Die Audiocodierung hat sich in den letzten Jahren zu einem sehr
populären Forschungs- und Anwendungsgebiet entwickelt. Insbesondere
gehörangepasste Verfahren zur Audiocodierung, wie etwa MPEG-1 Layer-3
(MP3) oder MPEG-2 Advanced Audio Coding (AAC), werden häufig zur
effizienten Speicherung und Übertragung von Audiosignalen verwendet. Für
professionelle Anwendungen, wie etwa die Archivierung und Übertragung im
Studiobereich, ist hingegen eher eine verlustlose Audiocodierung angebracht.
Die bisherigen Ansätze für gehörangepasste und verlustlose
Audiocodierung sind technisch völlig verschieden. Moderne
gehörangepasste Audiocoder basieren meist auf Filterbänken, wie etwa der
überlappenden orthogonalen Transformation "Modifizierte Diskrete
Cosinus-Transformation" (MDCT). Verlustlose Audiocoder hingegen
verwenden meist prädiktive Codierung zur Redundanzreduktion. Nur wenige
Ansätze zur transformationsbasierten verlustlosen Audiocodierung wurden
bisher versucht.
Diese Arbeit präsentiert einen neuen Ansatz hierzu, der das
Lifting-Schema auf die in der gehörangepassten Audiocodierung
verwendeten überlappenden Transformationen anwendet. Dies ermöglicht
eine invertierbare Integer-Approximation der ursprünglichen
Transformation, z.B. die IntMDCT als Integer-Approximation der MDCT. Die
selbe Technik kann auch für Filterbänke mit niedriger Systemverzögerung
angewandt werden. Weiterhin ermöglichen ein neuer, mehrdimensionaler
Lifting-Ansatz und eine Technik zur Spektralformung von
Quantisierungsfehlern eine Verbesserung der Approximation der
ursprünglichen Transformation.
Basierend auf diesen neuen Integer-Transformationen werden in dieser
Arbeit neue Verfahren zur Audiocodierung vorgestellt. Die Verfahren
umfassen verlustlose Audiocodierung, eine skalierbare verlustlose
Erweiterung eines gehörangepassten Audiocoders und einen integrierten
Ansatz zur fein skalierbaren gehörangepassten und verlustlosen
Audiocodierung. Schließlich wird mit Hilfe der Integer-Transformationen
ein neuer Ansatz zur unhörbaren Einbettung von Daten mit hohen
Datenraten in unkomprimierte Audiosignale vorgestellt.In recent years audio coding has become a very popular field for
research and applications. Especially perceptual audio coding schemes,
such as MPEG-1 Layer-3 (MP3) and MPEG-2 Advanced Audio Coding (AAC), are
widely used for efficient storage and transmission of music
signals. Nevertheless, for professional applications, such as archiving
and transmission in studio environments, lossless audio coding schemes
are considered more appropriate.
Traditionally, the technical approaches used in perceptual and lossless
audio coding have been separate worlds. In perceptual audio coding, the
use of filter banks, such as the lapped orthogonal transform "Modified
Discrete Cosine Transform" (MDCT), has been the approach of choice being
used by many state of the art coding schemes. On the other hand,
lossless audio coding schemes mostly employ predictive coding of
waveforms to remove redundancy. Only few attempts have been made so far
to use transform coding for the purpose of lossless audio coding.
This work presents a new approach of applying the lifting scheme to
lapped transforms used in perceptual audio coding. This allows for an
invertible integer-to-integer approximation of the original transform,
e.g. the IntMDCT as an integer approximation of the MDCT. The same
technique can also be applied to low-delay filter banks. A generalized,
multi-dimensional lifting approach and a noise-shaping technique are
introduced, allowing to further optimize the accuracy of the
approximation to the original transform.
Based on these new integer transforms, this work presents new audio
coding schemes and applications. The audio coding applications cover
lossless audio coding, scalable lossless enhancement of a perceptual
audio coder and fine-grain scalable perceptual and lossless audio
coding. Finally an approach to data hiding with high data rates in
uncompressed audio signals based on integer transforms is described
Application of Wavelet LPC Excitation Model for Speech Compression
This paper presents an application of linear predictive coding (LPC) excitation wavelet models for low bit- rate, high-quality speech compression. The compression scheme exploits the model properties, especially magnitude dependent sensitivity, scale dependent sensitivity, and limited frame length. We use the wavelet model in an open-loop dither based codebook scheme. With t his approach, the compression yields a signal-to-noise ratio of at least 11 dB at rates of 5 kbit/s and
Auditory time-frequency masking: psychoacoustical data and application to audio representations
International audienceIn this paper, the results of psychoacoustical experiments on auditory time-frequency (TF) masking using stimuli (masker and target) with maximal concentration in the TF plane are presented. The target was shifted either along the time axis, the frequency axis, or both relative to the masker. The results show that a simple superposition of spectral and temporal masking functions does not provide an accurate representa- tion of the measured TF masking function. This confirms the inaccuracy of simple models of TF masking currently implemented in some percep- tual audio codecs. In the context of audio signal processing, the present results constitute a crucial basis for the prediction of auditory masking in the TF representations of sounds. An algorithm that removes the in- audible components in the wavelet transform of a sound while causing no audible difference to the original sound after re-synthesis is proposed. Preliminary results are promising, although further development is re- quired
Perceptual models in speech quality assessment and coding
The ever-increasing demand for good communications/toll
quality speech has created a renewed interest into the
perceptual impact of rate compression. Two general areas are
investigated in this work, namely speech quality assessment
and speech coding.
In the field of speech quality assessment, a model is
developed which simulates the processing stages of the
peripheral auditory system. At the output of the model a
"running" auditory spectrum is obtained. This represents
the auditory (spectral) equivalent of any acoustic sound such
as speech. Auditory spectra from coded speech segments serve
as inputs to a second model. This model simulates the
information centre in the brain which performs the speech
quality assessment. [Continues.
Frequency-warped autoregressive modeling and filtering
This thesis consists of an introduction and nine articles. The articles are related to the application of frequency-warping techniques to audio signal processing, and in particular, predictive coding of wideband audio signals. The introduction reviews the literature and summarizes the results of the articles.
Frequency-warping, or simply warping techniques are based on a modification of a conventional signal processing system so that the inherent frequency representation in the system is changed. It is demonstrated that this may be done for basically all traditional signal processing algorithms. In audio applications it is beneficial to modify the system so that the new frequency representation is close to that of human hearing. One of the articles is a tutorial paper on the use of warping techniques in audio applications.
Majority of the articles studies warped linear prediction, WLP, and its use in wideband audio coding. It is proposed that warped linear prediction would be particularly attractive method for low-delay wideband audio coding. Warping techniques are also applied to various modifications of classical linear predictive coding techniques. This was made possible partly by the introduction of a class of new implementation techniques for recursive filters in one of the articles. The proposed implementation algorithm for recursive filters having delay-free loops is a generic technique. This inspired to write an article which introduces a generalized warped linear predictive coding scheme. One example of the generalized approach is a linear predictive algorithm using almost logarithmic frequency representation.reviewe
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