18 research outputs found

    From Laws to Liturgy: An Idealist Interpretation of the Doctrine of Creation

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    Christian idealism is an interpretative framework for developing the doctrine of creation in the parallel contexts of theology and philosophy. It recommends itself by its explanatory fecundity and consilience. Against physical realism’s claim that the physical world is ontologically fundamental and mind-independent, idealism holds that it is constituted by facts about the organization of human sense experience. The sensory regularities in turn may be explained by a prephysical temporal reality of angelic minds who causally constrain human experience within a divinely decreed nomological system. Idealism is here re-attached to a tradition of Christian Platonism, recovering and updating the traditional notions of the aeon, angelic government, and the divine ideas, so as to be capable of explanatory work in regard to the philosophical problems of perception and induction. In so doing, Christian idealism enables theologians coherently to articulate the thesis that the ontological objectivity and empirical immanence of the world, as grounded in the phenomenological laws of nature, is explained by the liturgical function of the cosmic Church hierarchy. An idealist theology thus develops the doctrine of the cosmic liturgy, that the various works of God in heaven and earth are analogously unified in a single sacramental economy of the Eucharist.

    Consciousness in scientific and folk psychology

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    The intentional properties and subjective qualities of conscious states pose special problems for physicalism. Yet 'consciousness' is a term of the vernacular that picks out such a heterogeneous group of phenomena that it will not be a good explanandum for science. This thesis adopted the position that we are licensed to theorize about the phenomena of consciousness, provided we are careful to dump all excess folk-psychological baggage surrounding the term. It was argued that the purposes and goals of folk psychology differ considerably from those of scientific psychology, for folk psychology is first and foremost a craft. Cognitive psychology is bound to the analytical strategy by way of functionalism. Various forms of functionalism were investigated, and two non­ mutually exclusive versions were favoured: homuncular functionalism and microfunctionalism. This led to the view that nature is multi-levelled, and therefore that functionalism may be better known as structural-functional theory. S-F theory should seek to explain the processes and structures of the mind­ brain, rather than attempt to find the states posited by folk psychology within the cognitive system. Traditional cognitive models view the mind as a highly structured system of semi-autonomous processors under the monitoring and guidance of a central executive. But this thesis argued that to postulate a 'consciousness module', while a natural extension of functionalist 'boxology', is merely to pander to our folk-psychological intuitions of the will or 'inner self'. Some of the 'new wave' of cognitive models -those that do not posit an executive -were reviewed. Phenomenal consciousness is the one major stumbling block for physicalist theories. Although this thesis agreed that qualia do not exist, it was evident that no theory has yet provided a bridge across the explanatory gap between third-person science and first-person phenomenology over which sceptics feel safe to cross. Nevertheless, it was argued that Dennett's (1991a) latest theory, with its intelligent use of metaphors and analogies, is one of the most promising steps in the right direction. Finally, it was argued throughout that an interdisciplinary approach is crucial if science is to uncover the mysteries of consciousness

    Mimetic Lives

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    What makes some characters seem so real? Mimetic Lives explores this unprecedented question on the rich ground of Tolstoy’s and Dostoevsky’s fiction. Each author discovered techniques for intensifying the aesthetic illusion Kitzinger calls mimetic life: the reader’s sense of a character’s embodied existence. Both authors tested the limits of that illusion by pushing it toward the novel’s formal and generic bounds. Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces the productive tension between these impulses. She shows how these lifelike characters are made, and why the authors’ dreams of carrying the illusion of life beyond the novel fail. Kitzinger challenges the contemporary truism that novels educate by providing models for the perspectives of others. The realist novel’s power to create compelling fictional persons underscores its resources as a form for thought, and its limits as a source of change

    Mimetic Lives

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    What makes some characters seem so real? Mimetic Lives explores this unprecedented question on the rich ground of Tolstoy’s and Dostoevsky’s fiction. Each author discovered techniques for intensifying the aesthetic illusion Kitzinger calls mimetic life: the reader’s sense of a character’s embodied existence. Both authors tested the limits of that illusion by pushing it toward the novel’s formal and generic bounds. Through new readings of War and Peace, Anna Karenina, The Brothers Karamazov, and other novels, Kitzinger traces the productive tension between these impulses. She shows how these lifelike characters are made, and why the authors’ dreams of carrying the illusion of life beyond the novel fail. Kitzinger challenges the contemporary truism that novels educate by providing models for the perspectives of others. The realist novel’s power to create compelling fictional persons underscores its resources as a form for thought, and its limits as a source of change

    Wadi Flash Floods

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    This open access book brings together research studies, developments, and application-related flash flood topics on wadi systems in arid regions. The major merit of this comprehensive book is its focus on research and technical papers as well as case study applications in different regions worldwide that cover many topics and answer several scientific questions. The book chapters comprehensively and significantly highlight different scientific research disciplines related to wadi flash floods, including climatology, hydrological models, new monitoring techniques, remote sensing techniques, field investigations, international collaboration projects, risk assessment and mitigation, sedimentation and sediment transport, and groundwater quality and quantity assessment and management. In this book, the contributing authors (engineers, researchers, and professionals) introduce their recent scientific findings to develop suitable, applicable, and innovative tools for forecasting, mitigation, and water management as well as society development under seven main research themes as follows: Part 1. Wadi Flash Flood Challenges and Strategies Part 2. Hydrometeorology and Climate Changes Part 3. Rainfall–Runoff Modeling and Approaches Part 4. Disaster Risk Reduction and Mitigation Part 5. Reservoir Sedimentation and Sediment Yield Part 6. Groundwater Management Part 7. Application and Case Studies The book includes selected high-quality papers from five series of the International Symposium on Flash Floods in Wadi Systems (ISFF) that were held in 2015, 2016, 2017, 2018, and 2020 in Japan, Egypt, Oman, Morocco, and Japan, respectively. These collections of chapters could provide valuable guidance and scientific content not only for academics, researchers, and students but also for decision-makers in the MENA region and worldwide

    "Die Freude an der Gestalt" : méthodes, figures et pratiques de la géométrie au début du dix-neuviÚme siÚcle

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    The standard history of nineteenth century geometry began with Jean Victor Poncelet's contributions which then spread to Germany alongside an opposition between Julius PlĂŒcker, an analytic geometer, and Jakob Steiner, a synthetic geometer. Our questions centre on how geometers distinguished methods, when opposition arose, in what ways geometry disseminated from Poncelet to PlĂŒcker and Steiner, and whether this geometry was "modern'' as claimed.We first examine Poncelet's argument that within pure geometry the figure was never lost from view, while it could be obscured by the calculations of algebra. Our case study reveals visual attention within constructive problem solving, regardless of method. Further, geometers manipulated and represented figures through textual descriptions and coordinate equations. We also consider the debates involved as a medium for communicating geometry in which Poncelet and Gergonne in particular developed strategies for introducing new geometry to a conservative audience. We then turn to PlĂŒcker and Steiner. Through comparing their common research, we find that PlĂŒcker practiced a "pure analytic geometry'' that avoided calculation, while Steiner admired "synthetic geometry'' because of its organic unity. These qualities contradict usual descriptions of analytic geometry as computational or synthetic geometry as ad-hoc.Finally, we study contemporary French books on geometry and show that their methodological divide was grounded in student prerequisites, where "modern'' implied the use of algebra. By contrast, research publications exhibited evolving forms of geometry that evaded dichotomous categorization.The standard history of nineteenth century geometry began with Jean Victor Poncelet's contributions which then spread to Germany alongside an opposition between Julius PlĂŒcker, an analytic geometer, and Jakob Steiner, a synthetic geometer. Our questions centre on how geometers distinguished methods, when opposition arose, in what ways geometry disseminated from Poncelet to PlĂŒcker and Steiner, and whether this geometry was "modern'' as claimed.We first examine Poncelet's argument that within pure geometry the figure was never lost from view, while it could be obscured by the calculations of algebra. Our case study reveals visual attention within constructive problem solving, regardless of method. Further, geometers manipulated and represented figures through textual descriptions and coordinate equations. We also consider the debates involved as a medium for communicating geometry in which Poncelet and Gergonne in particular developed strategies for introducing new geometry to a conservative audience. We then turn to PlĂŒcker and Steiner. Through comparing their common research, we find that PlĂŒcker practiced a "pure analytic geometry'' that avoided calculation, while Steiner admired "synthetic geometry'' because of its organic unity. These qualities contradict usual descriptions of analytic geometry as computational or synthetic geometry as ad-hoc.Finally, we study contemporary French books on geometry and show that their methodological divide was grounded in student prerequisites, where "modern'' implied the use of algebra. By contrast, research publications exhibited evolving forms of geometry that evaded dichotomous categorization.L'histoire standard de la gĂ©omĂ©trie projective souligne l'opposition au 19e siĂšcle entre mĂ©thodes analytiques et synthĂ©tiques. Nous nous interrogeons sur la maniĂšre dont les gĂ©omĂštres du 19e siĂšcle ont vraiment opĂ©rĂ© ou non des distinctions entre leurs mĂ©thodes et dans quelle mesure cette gĂ©omĂ©trie Ă©tait "moderne'' comme le clamaient ses praticiens, et plus tard leurs historiens. Poncelet insistait sur le rĂŽle central de la figure, qui selon lui pourrait ĂȘtre obscurci par les calculs de l'algĂšbre. Nous Ă©tudions son argument en action dans des problĂšmes de construction rĂ©solus par plusieurs auteurs diffĂ©rents -comme la construction d'une courbe du second ordre ayant un contact d'ordre trois avec une courbe plane donnĂ©e, dont cinq solutions paraissent entre 1817 et 1826. Nous montrons que l'attention visuelle est au coeur de la rĂ©solution, indĂ©pendamment de la mĂ©thode suivie, qu'elle n'est pas rĂ©servĂ©e aux figures, et que les dĂ©bats sont aussi un moyen de signaler de nouvelles zones de recherche Ă  un public en formation. Nous approfondissons ensuite la rĂ©ception des techniques nouvelles et l'usage des figures dans les travaux de deux mathĂ©maticiens dĂ©crits d'ordinaire comme opposĂ©s, l'un algĂ©briste, PlĂŒcker, et l'autre dĂ©fendant l'approche synthĂ©tique, Steiner. Nous examinons enfin les affirmations de modernitĂ© dans les manuels français de gĂ©omĂ©trie publiĂ©s pendant le premier tiers du dix-neuviĂšme siĂšcle. Tant Gergonne et PlĂŒcker que Steiner ont dĂ©veloppĂ© des formes de gĂ©omĂ©trie qui ne se pliaient pas en fait Ă  une caractĂ©risation dichotomique, mais rĂ©pondaient de maniĂšre spĂ©cifique aux pratiques mathĂ©matiques et aux modes d'interaction de leur temps

    Scientific and technical papers presented or published by JSC authors in 1986

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    A compilation of Lyndon B. Johnson Space Center contributions to the scientific and technical literature in aerospace and life sciences made during calender year 1985 is presented. Citations include NASA formal series reports, journal articles, conference and symposium presentations, papers published in proceedings or other collective works, and seminar and workshop results

    Faulkner adapting Faulkner : gender and genre in Hollywood and after

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    [À l'origine dans / Was originally part of : ThĂšses et mĂ©moires - FAS - DĂ©partement de littĂ©rature comparĂ©e]Cette dissertation propose un nouveau rĂ©cit des expĂ©riences de William Faulkner Ă  Hollywood afin de rĂ©Ă©valuer la deuxiĂšme moitiĂ© de son Ɠuvre de fiction. Dans ses premiers projets de scĂ©narios de films, Faulkner a choisi d’adapter des Ɠuvres de fiction qu’il avait publiĂ©es antĂ©rieurement. À la lumiĂšre de l’utilisation du genre —autant des films que des personnes— par les studios d’Hollywood pour organiser la production et le marketing des films, la fiction de Faulkner apparut soudainement comme perverse et ses reprĂ©sentations de la masculinitĂ© comme homoĂ©rotiques. Dans les premiers jets de Turn About et de War Birds, Faulkner s’approprie les normes du genre hollywoodien pour nier ces connotations sexuelles. Ses rĂ©visions ultĂ©rieures rĂ©vĂšlent un recul systĂ©matique par rapport Ă  la perversitĂ© d’Hollywood et au genre du woman’s film, au profit de la performance de la masculinitĂ© propre aux war pictures. Ses rĂ©visions rĂ©imaginent Ă©galement des matĂ©riaux qui sont au cƓur de son Ɠuvre de fiction. Quand il se remet Ă  Ă©crire de la fiction, Faulkner rĂ©pĂšte cette approche narrative dans des nouvelles telles que “Golden Land” et “An Odor of Verbena,” deux rĂ©cits qui rompent avec les pratiques et le style de ses premiĂšres fictions majeures. Les consĂ©quences dĂ©coulant de cette influence hollywoodienne—une volontĂ© d’éradiquer toute connotation sexuelle, l’adoption authentique plutĂŽt qu’ironique du mĂ©lodrame gĂ©nĂ©rique, et une rhĂ©torique morale explicitement construite comme une nĂ©gation d’Hollywood—se manifestent plus tard dans des textes aussi divers que The Reivers, Compson Appendix, ou son discours de rĂ©ception du Prix Nobel. Vues sous cet angle, les derniĂšres fictions de Faulkner deviennent une composante essentielle de son Ɠuvre, fournissant une base nouvelle pour rĂ©examiner la place des genres narratifs populaires, du genre et de la sexualitĂ© dans son cycle de Yoknapatawpha.This dissertation offers a new narrative of William Faulkner’s Hollywood experiences and uses it to initiate a reevaluation of his middle and late fiction. In his earliest screenplay projects, Faulkner chose to adapt his previously published fiction. Read in light of Hollywood studios’ reliance on gender and genre to organize film production and marketing, this fiction suddenly appeared perverse; its portraits of masculinity, homoerotic. In his draft screenplays for Turn About and War Birds Faulkner appropriates Hollywood genre norms to negate these sexual connotations. His revisions reveal a pattern of recoil from Hollywood perversity and the woman’s film; and of an embrace of the war picture’s performance of masculinity. They also re-imagine materials central to Faulkner’s ongoing fictional project. Faulkner later repeats this pattern of response in such stories as “Golden Land” and “An Odor of Verbena,” both of which break from the defining practices and styles of his earlier, major fiction. The consequences that follow from this Hollywood influence—an effort to extinguish sexual connotation, an authentic rather than ironic embrace of generic melodrama, and a moral rhetoric explicitly constructed as a negation of Hollywood—later manifest in texts as diverse as The Reivers, the Compson Appendix, and the Nobel Prize acceptance speech. Viewed in this light, the late fictions become an essential component of his oeuvre, offering a new site for re-examining the place of popular genre , gender and sexuality in the Yoknapatawpha saga

    Computer Aided Verification

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    This open access two-volume set LNCS 13371 and 13372 constitutes the refereed proceedings of the 34rd International Conference on Computer Aided Verification, CAV 2022, which was held in Haifa, Israel, in August 2022. The 40 full papers presented together with 9 tool papers and 2 case studies were carefully reviewed and selected from 209 submissions. The papers were organized in the following topical sections: Part I: Invited papers; formal methods for probabilistic programs; formal methods for neural networks; software Verification and model checking; hyperproperties and security; formal methods for hardware, cyber-physical, and hybrid systems. Part II: Probabilistic techniques; automata and logic; deductive verification and decision procedures; machine learning; synthesis and concurrency. This is an open access book

    Speech Recognition

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    Chapters in the first part of the book cover all the essential speech processing techniques for building robust, automatic speech recognition systems: the representation for speech signals and the methods for speech-features extraction, acoustic and language modeling, efficient algorithms for searching the hypothesis space, and multimodal approaches to speech recognition. The last part of the book is devoted to other speech processing applications that can use the information from automatic speech recognition for speaker identification and tracking, for prosody modeling in emotion-detection systems and in other speech processing applications that are able to operate in real-world environments, like mobile communication services and smart homes
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