2,293 research outputs found
Singing voice correction using canonical time warping
Expressive singing voice correction is an appealing but challenging problem.
A robust time-warping algorithm which synchronizes two singing recordings can
provide a promising solution. We thereby propose to address the problem by
canonical time warping (CTW) which aligns amateur singing recordings to
professional ones. A new pitch contour is generated given the alignment
information, and a pitch-corrected singing is synthesized back through the
vocoder. The objective evaluation shows that CTW is robust against
pitch-shifting and time-stretching effects, and the subjective test
demonstrates that CTW prevails the other methods including DTW and the
commercial auto-tuning software. Finally, we demonstrate the applicability of
the proposed method in a practical, real-world scenario
Polyphonic Sound Event Detection by using Capsule Neural Networks
Artificial sound event detection (SED) has the aim to mimic the human ability
to perceive and understand what is happening in the surroundings. Nowadays,
Deep Learning offers valuable techniques for this goal such as Convolutional
Neural Networks (CNNs). The Capsule Neural Network (CapsNet) architecture has
been recently introduced in the image processing field with the intent to
overcome some of the known limitations of CNNs, specifically regarding the
scarce robustness to affine transformations (i.e., perspective, size,
orientation) and the detection of overlapped images. This motivated the authors
to employ CapsNets to deal with the polyphonic-SED task, in which multiple
sound events occur simultaneously. Specifically, we propose to exploit the
capsule units to represent a set of distinctive properties for each individual
sound event. Capsule units are connected through a so-called "dynamic routing"
that encourages learning part-whole relationships and improves the detection
performance in a polyphonic context. This paper reports extensive evaluations
carried out on three publicly available datasets, showing how the CapsNet-based
algorithm not only outperforms standard CNNs but also allows to achieve the
best results with respect to the state of the art algorithms
Singing voice resynthesis using concatenative-based techniques
Tese de Doutoramento. Engenharia Informática. Faculdade de Engenharia. Universidade do Porto. 201
Deep Learning for Audio Signal Processing
Given the recent surge in developments of deep learning, this article
provides a review of the state-of-the-art deep learning techniques for audio
signal processing. Speech, music, and environmental sound processing are
considered side-by-side, in order to point out similarities and differences
between the domains, highlighting general methods, problems, key references,
and potential for cross-fertilization between areas. The dominant feature
representations (in particular, log-mel spectra and raw waveform) and deep
learning models are reviewed, including convolutional neural networks, variants
of the long short-term memory architecture, as well as more audio-specific
neural network models. Subsequently, prominent deep learning application areas
are covered, i.e. audio recognition (automatic speech recognition, music
information retrieval, environmental sound detection, localization and
tracking) and synthesis and transformation (source separation, audio
enhancement, generative models for speech, sound, and music synthesis).
Finally, key issues and future questions regarding deep learning applied to
audio signal processing are identified.Comment: 15 pages, 2 pdf figure
Singing information processing: techniques and applications
Por otro lado, se presenta un método para el cambio realista de intensidad de voz cantada. Esta transformación se basa en un modelo paramétrico de la envolvente espectral, y mejora sustancialmente la percepción de realismo al compararlo con software comerciales como Melodyne o Vocaloid. El inconveniente del enfoque propuesto es que requiere intervención manual, pero los resultados conseguidos arrojan importantes conclusiones hacia la modificación automática de intensidad con resultados realistas.
Por último, se propone un método para la corrección de disonancias en acordes aislados. Se basa en un análisis de múltiples F0, y un desplazamiento de la frecuencia de su componente sinusoidal. La evaluación la ha realizado un grupo de músicos entrenados, y muestra un claro incremento de la consonancia percibida después de la transformación propuesta.La voz cantada es una componente esencial de la música en todas las culturas del mundo, ya que se trata de una forma increÃblemente natural de expresión musical. En consecuencia, el procesado automático de voz cantada tiene un gran impacto desde la perspectiva de la industria, la cultura y la ciencia. En este contexto, esta Tesis contribuye con un conjunto variado de técnicas y aplicaciones relacionadas con el procesado de voz cantada, asà como con un repaso del estado del arte asociado en cada caso.
En primer lugar, se han comparado varios de los mejores estimadores de tono conocidos para el caso de uso de recuperación por tarareo. Los resultados demuestran que \cite{Boersma1993} (con un ajuste no obvio de parámetros) y \cite{Mauch2014}, tienen un muy buen comportamiento en dicho caso de uso dada la suavidad de los contornos de tono extraÃdos.
Además, se propone un novedoso sistema de transcripción de voz cantada basada en un proceso de histéresis definido en tiempo y frecuencia, asà como una herramienta para evaluación de voz cantada en Matlab. El interés del método propuesto es que consigue tasas de error cercanas al estado del arte con un método muy sencillo. La herramienta de evaluación propuesta, por otro lado, es un recurso útil para definir mejor el problema, y para evaluar mejor las soluciones propuestas por futuros investigadores.
En esta Tesis también se presenta un método para evaluación automática de la interpretación vocal. Usa alineamiento temporal dinámico para alinear la interpretación del usuario con una referencia, proporcionando de esta forma una puntuación de precisión de afinación y de ritmo. La evaluación del sistema muestra una alta correlación entre las puntuaciones dadas por el sistema, y las puntuaciones anotadas por un grupo de músicos expertos
Analysis on Using Synthesized Singing Techniques in Assistive Interfaces for Visually Impaired to Study Music
Tactile and auditory senses are the basic types of methods that visually impaired people sense the world. Their interaction with assistive technologies also focuses mainly on tactile and auditory interfaces. This research paper discuss about the validity of using most appropriate singing synthesizing techniques as a mediator in assistive technologies specifically built to address their music learning needs engaged with music scores and lyrics. Music scores with notations and lyrics are considered as the main mediators in musical communication channel which lies between a composer and a performer. Visually impaired music lovers have less opportunity to access this main mediator since most of them are in visual format. If we consider a music score, the vocal performer’s melody is married to all the pleasant sound producible in the form of singing. Singing best fits for a format in temporal domain compared to a tactile format in spatial domain. Therefore, conversion of existing visual format to a singing output will be the most appropriate nonlossy transition as proved by the initial research on adaptive music score trainer for visually impaired [1]. In order to extend the paths of this initial research, this study seek on existing singing synthesizing techniques and researches on auditory interfaces
PLXTRM : prediction-led eXtended-guitar tool for real-time music applications and live performance
peer reviewedThis article presents PLXTRM, a system tracking picking-hand micro-gestures for real-time music applications and live performance. PLXTRM taps into the existing gesture vocabulary of the guitar player. On the first level, PLXTRM provides a continuous controller that doesn’t require the musician to learn and integrate extrinsic gestures, avoiding additional cognitive load. Beyond the possible musical applications using this continuous control, the second aim is to harness PLXTRM’s predictive power. Using a reservoir network, string onsets are predicted within a certain time frame, based on the spatial trajectory of the guitar pick. In this time frame, manipulations to the audio signal can be introduced, prior to the string actually sounding, ’prefacing’ note onsets. Thirdly, PLXTRM facilitates the distinction of playing features such as up-strokes vs. down-strokes, string selections and the continuous velocity of gestures, and thereby explores new expressive possibilities
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