On the Modeling of Musical Solos as Complex Networks

Notes in a musical piece are building blocks employed in non-random ways to create melodies. It is the "interaction" among a limited amount of notes that allows constructing the variety of musical compositions that have been written in centuries and within different cultures. Networks are a modeling tool that is commonly employed to represent a set of entities interacting in some way. Thus, notes composing a melody can be seen as nodes of a network that are connected whenever these are played in sequence. The outcome of such a process results in a directed graph. By using complex network theory, some main metrics of musical graphs can be measured, which characterize the related musical pieces. In this paper, we define a framework to represent melodies as networks. Then, we provide an analysis on a set of guitar solos performed by main musicians. Results of this study indicate that the presented model can have an impact on audio and multimedia applications such as music classification, identification, e-learning, automatic music generation, multimedia entertainment.Comment: to appear in Information Science, Elsevier. Please cite the paper including such information. arXiv admin note: text overlap with arXiv:1603.0497

Some Empirical Criteria for Attributing Creativity to a Computer Program

Peer reviewedPostprin

A Novel Grouping Harmony Search Algorithm for Clustering Problems

The problem of partitioning a data set into disjoint groups or clusters of related items plays a key role in data analytics, in particular when the information retrieval becomes crucial for further data analysis. In this context, clustering approaches aim at obtaining a good parti- tion of the data based on multiple criteria. One of the most challenging aspects of clustering techniques is the inference of the optimal number of clusters. In this regard, a number of clustering methods from the literature assume that the number of clusters is known a priori and sub- sequently assign instances to clusters based on distance, density or any other criterion. This paper proposes to override any prior assumption on the number of clusters or groups in the data at hand by hybridizing the grouping encoding strategy and the Harmony Search (HS) algorithm. The resulting hybrid approach optimally infers the number of clusters by means of the tailored design of the HS operators, which estimates this important structural clustering parameter as an implicit byproduct of the instance-to-cluster mapping performed by the algorithm. Apart from inferring the optimal number of clusters, simulation results ver- ify that the proposed scheme achieves a better performance than other na ̈ıve clustering techniques in synthetic scenarios and widely known data repositories

Conceptual Representations for Computational Concept Creation

Computational creativity seeks to understand computational mechanisms that can be characterized as creative. The creation of new concepts is a central challenge for any creative system. In this article, we outline different approaches to computational concept creation and then review conceptual representations relevant to concept creation, and therefore to computational creativity. The conceptual representations are organized in accordance with two important perspectives on the distinctions between them. One distinction is between symbolic, spatial and connectionist representations. The other is between descriptive and procedural representations. Additionally, conceptual representations used in particular creative domains, such as language, music, image and emotion, are reviewed separately. For every representation reviewed, we cover the inference it affords, the computational means of building it, and its application in concept creation.Peer reviewe

AI Methods in Algorithmic Composition: A Comprehensive Survey

Algorithmic composition is the partial or total automation of the process of music composition by using computers. Since the 1950s, different computational techniques related to Artificial Intelligence have been used for algorithmic composition, including grammatical representations, probabilistic methods, neural networks, symbolic rule-based systems, constraint programming and evolutionary algorithms. This survey aims to be a comprehensive account of research on algorithmic composition, presenting a thorough view of the field for researchers in Artificial Intelligence.This study was partially supported by a grant for the MELOMICS project (IPT-300000-2010-010) from the Spanish Ministerio de Ciencia e Innovación, and a grant for the CAUCE project (TSI-090302-2011-8) from the Spanish Ministerio de Industria, Turismo y Comercio. The first author was supported by a grant for the GENEX project (P09-TIC- 5123) from the Consejería de Innovación y Ciencia de Andalucía

Pattern Recognition

A wealth of advanced pattern recognition algorithms are emerging from the interdiscipline between technologies of effective visual features and the human-brain cognition process. Effective visual features are made possible through the rapid developments in appropriate sensor equipments, novel filter designs, and viable information processing architectures. While the understanding of human-brain cognition process broadens the way in which the computer can perform pattern recognition tasks. The present book is intended to collect representative researches around the globe focusing on low-level vision, filter design, features and image descriptors, data mining and analysis, and biologically inspired algorithms. The 27 chapters coved in this book disclose recent advances and new ideas in promoting the techniques, technology and applications of pattern recognition

A Cognitive Information Theory of Music: A Computational Memetics Approach

This thesis offers an account of music cognition based on information theory and memetics. My research strategy is to split the memetic modelling into four layers: Data, Information, Psychology and Application. Multiple cognitive models are proposed for the Information and Psychology layers, and the MDL best-fit models with published human data are selected. Then, for the Psychology layer only, new experiments are conducted to validate the best-fit models. In the information chapter, an information-theoretic model of musical memory is proposed, along with two competing models. The proposed model exhibited a better fit with human data than the competing models. Higher-level psychological theories are then built on top of this information layer. In the similarity chapter, I proposed three competing models of musical similarity, and conducted a new experiment to validate the best-fit model. In the fitness chapter, I again proposed three competing models of musical fitness, and conducted a new experiment to validate the best-fit model. In both cases, the correlations with human data are statistically significant. All in all, my research has shown that the memetic strategy is sound, and the modelling results are encouraging. Implications of this research are discussed