Roman Suszko's works in logic at the Poznań University (1946 - 1953)

We discuss the scientific achievements of one of the most prominent Polish logicians of the 20th century - ROMAN SUSZKO in the period when he was active at the University in Poznań (1946 - 1953), i.e. at the very beginning of his academic career. We discuss the scientific achievements of one of the most prominent Polish logicians of the 20th century - ROMAN SUSZKO in the period when he was active at the University in Poznań (1946 - 1953), i.e. at the very beginning of his academic career

Epistolari entre l'historiador selvatà Eufemià Fort i Cogul i l'impressor Josep M. Requesens, de Montblanc (1946-1953)

Estudi sobre el taller tipogràfic de la família Requesens de Montblanc i les relacions amb l�historiador de la Selva del Camp, Eufemià Fort i Cogul durant el primer franquisme per l�edició de Goigs i el Butlletí de l�Arxiu Bibliogràfic de Santes Creus. A l�apèndix es transcriu la correspondència mantinguda entre els anys 1946-1953.Study about the typographic workshop of family Requesens from Montblanc and its relationship with the historian from La Selva del Camp, Eufemià Fort Cògul, during Franco regime early years for the edition of Goigs and the Bulletin of Santes Creus Bibliographic Archives. In the appendix the correspondence kept between the years 1946-1953 is transcribed.Estudio sobre el taller tipográfico de la familia Requesens de Montblanc y sus relaciones con el historiador de La Selva del Camp, Eufemià Fort i Cogul, durante el primer franquismo, referente a la edición de Goigs y del Butlletí de l�Arxiu Bibliogràfic de Santes Creus. En el apéndice de este estudio se transcribe la correspondencia entre los años 1946-1953

Sobre la recepción de Brecht en revistas culturales españolas de postguerra

Este trabajo trata de mostrar el cambio en la recepción de Bertolt Brecht en algunas de las revistas culturales de la posguerra, a partir de 1946. Las principales publicaciones analizadas son: "Insula" (1946 -), "Cuadernos Hispanoamericanos" (1948 -), "Correo Literario" (1950-1954), "Revista Española" (1953-1954), "Teatro" (1952-1957) y "Primer Acto" (1957 -). Esta investigación termina alrededor de 1966 (diez años después de la muerte de Brecht), cuando sus obras comienzan a ser llevadas al cine comercial. Los aspectos más destacados de la recepción fueron documentadas en el lento proceso de asimilación de las innovaciones dramáticas de Brecht.This work tries to show the change in the reception of Bertolt Brecht in some of the mos outstanding post-war cultural journals, from 1946 onwards. The main publications covered are: “Insula” (1946-), “Cuadernos Hispanoamericanos” (1948-), “Correo Literario” (1950-1954), “Revista Española” (1953-1954),” Teatro” (1952-1957) y “Primer Acto” (1957-). This research ends around 1966 (ten years after Brecht's death) whem his plays start to be performed in comercial theatres. The highlights of reception are documented within the slow process of assimilation of Brecht's dramatic innovations.notPeerReviewe

Seeing Through an (American) Temperament: Max Ernst’s Microbes, 1946-1953

While he was living in Arizona between 1946 and 1951, Max Ernst created at least 70 tiny gouache paintings that he called “microbes.” They range in size from a half-inch on one side to over five inches, with most between one and three inches. Many evoke fantastical landscapes while others appear completely abstract. Ernst’s interest in this series of work was sustained: he made these paintings over a period of five years, and they were exhibited regularly during his own lifetime. Today, however, the microbes are virtually unknown. Because of their relative obscurity within Ernst’s oeuvre, this essay outlines their production and early exhibition and reception, with special attention to Sept microbes vus à travers un tempérament (Seven microbes seen through a temperament). This book, comprised of life-size reproductions of 31 microbes and a poem by Ernst, positions the microbes as a distinctly surrealist, subjective interpretation of the American Southwest. The essay then contextualizes the microbes within the wider contemporary American art world and suggests that Ernst made these diminutive paintings in dialogue with the paintings of the Abstract Expressionists as those artists were rising to prominence in the wake of World War II

The Feasibility of Use of Caecal and Diverticular Coloration in Field Determination of Grasshopper Diet

Excerpt: Many studies have been undertaken in the past on the food selection, food preferences, and economic damage of various grasshoppers and their allies. Among the more salient of these researches are those of Anderson (1961, 1964); Ball (1 936); Bindra (1958); Boldyrev (1928); Blackith and Blackith (1966); Brues (1946); Chapman (1957); Dibble (1940); Gangwere (1959, 1960, 1961, 1965, 1965a, 1966, 1966a, 1967);Husain etal. (1946); Isely (1938, 1946); Isely and Alexander (1949); Joyce (1952); Mulkern and Anderson (1959); Mulkern, Anderson, and Brusven (1962); Mulkern et al. (1969); Pfadt (1949); Riley (1878); Roonwal (1953); Savin (1927); Weiss (1924); and Williams (1954). Techniques useful in the investigation of food selection are to be found in certain of the above reports. Especially noteworthy in this respect are those by Blackith and Blackith, Chapman, Gangwere (1961), Isely and Alexander, Joyce, Mulkern and Anderson, Pfadt, Roonwal, and Savin. The relatively new technique of Blackith and Blackith (1966) involves the comparison of colorations in the ileal diverticula of morabine grasshoppers (Orthoptera: Eumastacidae). The digestive caeca of eumastacids were previously discussed by Slifer (1944), and those of other groups by Gangwere (1966) in a comprehensive paper dealing with the mechanical handling of food in the orthopteroid alimentary canal. There is also an extensive literature on the gut physiology of these insects, some of which is appropriate to a consideration of the caeca and diverticula

Adcock, James Pringle, 1856-1951 (MSS 11)

Finding aid only for Manuscripts Collection 11. Originals of poems entitled Frost-bitten Epigrams written by James Pringle Adcock of Livingston County, Kentucky during the years 1939-1946. Also correspondence, 1932-1953, related to the collection

Radioisotopes as political instruments, 1946-1953

The development of nuclear «piles», soon called reactors, in the Manhattan Project provided a new technology for manufacturing radioactive isotopes. Radioisotopes, unstable variants of chemical elements that give off detectable radiation upon decay, were available in small amounts for use in research and therapy before World War II. In 1946, the U.S. government began utilizing one of its first reactors, dubbed X-10 at Oak Ridge, as a production facility for radioisotopes available for purchase to civilian institutions. This program of the U.S. Atomic Energy Commission was meant to exemplify the peacetime dividends of atomic energy. The numerous requests from scientists outside the United States, however, sparked a political debate about whether the Commission should or even could export radioisotopes. This controversy manifested the tension in U.S. politics between scientific internationalism as a tool of diplomacy, associated with the aims of the Marshall Plan, and the desire to safeguard the country's atomic monopoly at all costs, linked to American anti-Communism. This essay examines the various ways in which radioisotopes were used as political instruments -both by the U.S. federal government in world affairs, and by critics of the civilian control of atomic energy- in the early Cold War

Clinical Review of Bovine Virus Diarrhea and Vaccination Related Problems

Bovine virus diarrhea (BVD) was first recognized in 1946 in the United States and described as an X disease of cattle in the same year in Canada. It was reported in Sweden in 1948. In 1953, it was reported by Ramsey and Chivers as a mucosal disease

Guest Book; Volume 1; 1946-1953

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