GAMBARAN TOKOH BIMA DALAM BERBAGAI SENI DI BALI

Bima is one of the figures who is loved by Balinese Community. This matter indicates that there is a similar perception to that figure, namely he has a big, strong, solid, and very muscled body, and undefeated by enemies whoever his foes are. Bima is a figure who always wins, and is heroic, resolute, firm stand, tough, obeying his words, string in personality, and quite. Characters and physical pictures of the figures can understood in various fields of arts in Bali like in literature knows as mahakarya Mahabharata. His perceverance, courage, and rigidity appear in the Bimasuarga and Dewaruci. The depicted figure of Bima resembled like those conveyed in fine art, wayang art, and dance-drama. Thus, the figure of Bima in Bali has good image, a figure who is courageous, resolute, persistent, a protector of his brothers. His simple and frank utterance appears like arrogant, but soft hearted, especially to woman (his mother Dewi Kunti and wife Drupadi). In fine art, the figure of Bima becomes a popular idol to contemporary painter, Nyoman Gunarsa, in Klungkung. Bima as the right figure in wayang art is a symbol of kindness, truth, honesty, and victory. Victory and kindness to evil, victory of dharma (good deed) to adharma (bad deed), sad ripu (the six misserables) and the like

Nonlinear Effects Upon Wave Propagation In Experiments of Wave Blocking

Source: ICHE Conference Archive - https://mdi-de.baw.de/icheArchiv

Metamorphosa Based Tourism Bali "Dewata Nawa Sanga" Sustainable

This research is in the field of tourism architecture and economics, other disciplines such as , ecology, culture is supporting this research. “Dewata Nawa Sanga” rooted in Hindu Religion became the basis of the development of tourism in Bali, so researchers must first dig a local concept that implicates all aspects of social life in Bali. The goal of this research is uncovering, analyzing investment opportunities based tourism in Bali with Bali Dewata Nawa Sanga as a sustainable local wisdom. The methodology used in this study is Explorative Rationalistic, with descriptive qualitative analysis. Multi-dimensional concept spirit of Dewata Nawa Sanga rooted in Hindu Religion is a local wisdom. The basic principles of the concept of "Dewata Nawa Sanga" is as follows: There are nine dimensions into the basic principles of the development of tourist destinations, namely: (1) The dimensions of the creation of spaces of economic, social space, culture, recreation and religious space (2) Dimensions maintenance, this dimension is closely related to the word ongoing (3) Dimensions balance, the balance of micro and macrocosm, or man and nature (4) Dimensions Ritual as magnetic excursions followed intangible investment in the entire system of tourism by all stakeholders, both domestic and foreign, (5) Dimensions store, (6) Dimension Selection / asorbsi, (7) Dimensions neutralize, (8) Dimensions Togetherness, this dimension is closely related to the word of mutual cooperation, partnership / joint (9). Dimensions of the forces of nature. Of exploration revealed that pretended place stananya the gods in Hindu cosmology called Gods Nawa Sanga become focal points of growth of tourism in Bali. All County and City have the same opportunities with a variety of typologies development of tourism destinations, while the district is, Karangasem, Bangli, Klungkung, Gianyar, Badung, Tabanan, Buleleng and Jembrana. Typology Destinations can be investment opportunities are as follows: (1). Marine tourism, (2). Tourism Mountain and Lake, (3). Rural Tourism, (4) Cultural Tourism, (5). Agro-ecotourism (6). Business Tourism and Handicraft, (7). Religious Tourism / Tirta Yatra, (8). Sport and Leisure Tourism, (9). Culinary, (10). Tourism Mice, (11) Agricultural Tourism both at sea and on land. Keywords: Metamorphosis, Tourism Investment, Gods Nawa Sanga, Sustainabl

PERANCANGAN BUKU ILUSTRASI NAMA DAN MAKNA GERAK TARI TOPENG CIREBON

Tari topeng Cirebon merupakan tari tradisional khas Cirebon yang masih dilestarikan sampai saat ini. Sarana pembelajaran tari topeng Cirebon banyak terdapat di wilayah Cirebon seperti sanggar-sanggar dan pelatihan di sekolah. Seperti tari tradisional lainnya, tari topeng Cirebon mempunyai pesan atau makna yang terkandung dalam gerakannya. Namun, nilai kehidupan yang tekandung dalam setiap gerakannya tidak banyak di ketahui oleh pelaku tari yang mayoritas adalah remaja. Melihat kondisi tersebut maka lambat laun pesan yang terdapat dalam tari topeng Cirebon akan hilang. Kurangnya media tertulis tentang nama dan makna gerak tari topeng Cirebon juga merupakan salah satu faktor yang menyebabkan kurangnya pengetahuan pelaku tari tentang nama dan makna gerak tari topeng Cirebon. Media buku ilusrasi nama dan makna gerak tari topeng Cirebon bisa dijadikan sebagai salah satu metode pembelajaran untuk mengetahui dan memahami makna tari topeng Cirebon yang mereka bawakan menjadi lebih baik. Metode yang digunakan yakni kualitatif dengan analisis studi kasus dan melalui proses studi literatur, observasi, wawancara, dan analisis untuk mendapatkan konsep dasar dalam perancangan. Hasil akhir dari perancangan ini diharapkan para pelaku tari mengetahui lebih dalam tentang tari topeng Cirebon dan bisa diaplikasikan dalam tarian serta kehidupannya juga dapat menjadi dokumentasi tertulis tentang tari topeng Cirebon. Kata kunci: Buku, Ilustrasi, Gerak, Tari, Topeng, Cirebo

Spectral Response Surfaces and the Ringing Response of Offshore Structures

A method, called spectral response surface method, is proposed for the study of the ringing phenomenon of offshorestructures. Newman’s results for diffraction force on a column were reformulated in terms of the frequency componentsof the ocean surface and their Hilbert transforms. Using a first-order reliability method together with a dynamic modelfor the structural response, it is straightforward to calculate the ocean surface history most likely to generate an extremeringing response and the ringing response history

The Practicality and Effectiveness of E-Modules with an Inquiry Approach in Geometry Learning Courses for Elementary School Teacher Education Students

The focus of this research is to develop a teaching material product in the form of an e-module with an inquiry approach in geometry learning courses. In this development, researchers refer to the stages of Plomp & Neeven The stages of this research were: (1) preliminary research, (2) prototyping phases, and (3) assessment phases. This article will discuss the assessment phase, namely the test try e-module. The focus of the assessment on this test is to assess the practicality and effectiveness of the e-module. The evaluation for the practicality of the e-module uses the Lecturer Response Questionnaire, while the effectiveness assessment uses the Student Response Questionnaire and Teaching Material Mastery Test. The results of the lecturer response questionnaire were 3.530, the student response questionnaire results were 3.276, and the average test results for mastery of teaching materials were 91.595. The test results show that the e-module meets the criteria of practicality and effectiveness Based on the results of this implementation, e-module with an inquiry approach in geometry learning courses can be applied in lecture classes